After years of experimentation, Xu Ke's grasp of stunts is no longer limited to improving the technical level of the picture, but has turned to creating a new world of light and shadow.

"A Chinese Ghost Story 2: The Way of the World" spares no effort in the attempt and use of various film technologies.

Therefore, in addition to the tall ghosts and giant centipede spirits made of physical models, there are also a series of computer-aided special effects in the film.

The most exciting thing in the middle section is that Fu Qingfeng slowly flew into the air after the demon poison in his body, and Ning Caichen kissed him deeply in the rotation, and under the green light all over the surroundings, it showed a sacred and magical strange appeal, which can be described as a stroke of genius that integrates special effects and atmosphere.

As for the demon monk "Pudu Cihang" pretended to be a Buddha, solemn but weird, the three-dimensional image under the computer special effects made the audience unforgettable; after the battle with the centipede spirit, Zuo Qianhu first encountered an invisible monster attack, and then Yan Chixia cast a chain of sword formations, and a centipede spirit broke out of the ground. Everyone stepped on the sword and flew, and finally Yan Chixia and Zhiqiu Yuan Shen went out of their bodies, and after classifying the sword as one of them, they flew out and blew up the centipede essence to pieces, as a result, Zhiqiu could not return to the body, and his empty soul finally drifted away in the sky, all of which behaved wildly and in one go.

Xu Ke's obsession with technology reached the point of selflessness ten years ago, and it is precisely because of his courage to challenge that his works have always been at the forefront of the special effects level of Hong Kong films, coupled with his unique imagination, he has created a screen spectacle that even Western counterparts are not as good as they are.

Since then, with the development of the film stunt industry, technology has become the most indispensable element of Xu Ke's films.

Compared with A Chinese Ghost Story 1,2, A Chinese Ghost Story 3 can be said to have a very general plot, but compared to the level of special effects, A Chinese Ghost Story 3 is a higher level.

As a "stunt master", how Tsui Hark successfully ended with the cooperation of Cheng Xiaodong is undoubtedly what the audience is looking forward to.

Of course, it is surprising that "Dao Dao Dao" is the most brilliant performance of special effects technology in the "A Chinese Ghost Story" series, and the progress of filming technology also makes up for the lack of story and gimmicks in the series.

Like the previous two films, "Dao Dao Dao" also uses advanced technology and traditional means to merge into a new special effects style, so in addition to the "grandma" who is still the giant tongue in the film, the old demon of Montenegro has also become a giant stone monster that shakes the earth, in addition, there are beautiful ghosts flying upright, the protagonists flying on the "flying carpet", Yan Chixia uses the "Qimen Flying Armor" that will decompose and reorganize, etc., the highlight is that after the monk Shifang was sent to the sky by the female ghost Xiao Zhuo, he turned into a golden Buddha in the clouds, and the whole body was full of golden light chanting to open the sky, and finally eliminated the old demon of Montenegro- It is rumored that in order to achieve the "immersive" effect, the main creator even "disguised" it with cotton and sprinkled dry ice around it. If this is the case, this scene is wonderful in the use of special effects, and it can be called "fake and real"!

"Dao Dao Dao" not only sparked the cooperation between Xu Ke and Cheng Xiaodong again, but also proved that under its technical concept of "foreign for Chinese use, combining the old and the new", it can always bring irreplaceable super-level results to Hong Kong films.

But it's a pity that the plot is really hard, especially when the male protagonists have changed, which makes many viewers who like Zhang Guorong and Wang Xuxian cp unacceptable.

However, in terms of technology, it has won praise from the public, reaching the pinnacle of monster martial arts films, which continue the success of the first two episodes and provide better entertainment.

Xiao Zhuo is the most unique one among the many female ghost images in Wang Xuxian's movies. Her background is similar to that of Xiao Qian, and she is a poor female ghost who is forced to do things with Israel. But she is not pure and melancholy, and the pink dress hides her true face, making her more like a dusty woman contaminated with fireworks. Maybe that's exactly what she was like when she was alive. She has long been accustomed to disguise and acting on the spot, seemingly coquettish and uninhibited, but in fact she is lonely and helpless but content with the status quo. The simplicity and kindness of the little monk Shifang invisibly touched her and inspired the innocence hidden in the depths of her soul.

In addition to the scene scheduling, "A Chinese Ghost Story III.: Dao Dao Dao" is particularly comfortable and meticulous, and the costumes, art, photography, martial arts dynamics and fighting stunts are further brilliant and peculiar, and the visual effects are compelling.

Xu Ke has the experience of the previous two episodes, and he seems to be more handy, especially the magic of "Qimen Dunjia" and then magical, and the creativity of magic movies is brought into full play.

But it's a pity that there are so many success factors, and the commerciality is the strongest, but because of the hard flaws of the plot, the box office performance of this third episode is very unsatisfactory.

In Qiao Feng's opinion, there are several reasons why the third part was unsuccessful.

People have a lot of complaints about the third episode of "A Chinese Ghost Story", "Daodaodao", and when Daodaodao was released, one-sided criticism was frequently reported.

There's no way, almost everyone can't accept that in A Chinese Ghost Story, Wang Xuxian is not a CP with Zhang Guorong.

Therefore, regardless of how many remarkable places there are in the pipeline, it is still far from the classics.

Although "Dao" has a more visual impact than the first two in terms of costume styling, action stunts, etc., and the entertainment elements are also richer, but as a sequel, in terms of the most important plot, it is almost a funny remake of the first episode of the story, it is still Lanruo Temple, and it is still a love of people and ghosts, but in terms of roles, the scholar Ning Caichen played by Zhang Guorong has been replaced by the little monk Shifang played by Liang Chaowei;

This alone is unacceptable to most viewers.

Can Xiaoqian be replaced by anyone?

Of course, Xiao Zhuo played by Wang Xuxian can.

Can anyone replace Kning Caichen?

Of course not, even if he is the most loved Wei Xiaobao Liang Chaowei.

Therefore, it is reasonable to be criticized.

Xiao Zhuo and Xiao Qian are also controlled by others, and they are also aiding and abusing, but Xiao Zhuo in "Dao" is completely different from Xiao Qian in the first episode. Xiaoqian's "thousands of miles of soft soul, Pengyou is helpless", harming people's lives is purely forced, so every time she completes a task for her grandmother, she often feels sorry for herself and secretly hurts.

But Xiao Zhuo is far more adaptable to the environment than Xiao Qian, and is at peace with what happens. Seducing men and harming people's lives is a boring pastime at night for her, the main way to make a living, and one of the important means to compete for favor with other discordant sisters in front of her grandmother.

You say that she is insensitive, or willing to fall, in short, her life has been relatively free and happy for a long time. There was nothing wrong with such a life in her opinion, until one day, she met the little monk Shifang.

At first, she was just ordered by her grandmother to seduce him, but after she found out her identity, Shifang should have taken the opportunity to get rid of her, but she showed mercy to her subordinates three times and twice, and even rescued her many times regardless of her own safety.