The empty self has entered the sublimation chapter.

For a "yearly" knight TV drama, more than half of the more than 20 episodes have been broadcast, which is a relatively critical watershed.

Success or failure, in one fell swoop!

Whether the sublimation chapter can continue the previous "Tianhu start" and stabilize the existing ratings and praise rate will directly determine the future fate of the empty me.

Luckily, the white warehouse is doing well.

After being reprimanded by Meng Lang, he put away his nonsense and implemented the original plan. The story route of the sublimation chapter has not been shifted.

"Constructing a real knight world, focusing on the interaction between Yusuke Goyo and the people around him, this is the biggest change in the empty self!"

Realistic, life-like!

Shirakura's understanding of Kamen Rider amazed many viewers and made Ishimori full of praise. The theme determined by him has also become the most popular slogan broadcast by the empty self so far.

"Fight to protect your smile!"

Most of the reasons why the previous knights fought desperately were for "revenge", so the plot was very depressing, and the audience would feel depressed after watching it for a long time.

But the empty self is different......

The smile on the corner of Yusuke Goshiro's mouth, the thumbs up, the support of the police and the interaction with the people around him inadvertently healed many viewers.

It dawned on them......

It turns out that Kamen Rider is not all the protagonist of the depression of "bitterness and hatred". Occasionally, one will pop up.,Like Yusuke Goshiro, a healing male god.。

I eat a lot of big fish and meat, and it's good to change the taste.

Kamen Rider in the early stage, I like to engage in the "bitter hatred" and depression protagonist, so the unique style of healing is impressive.

Ultraman next door is the opposite!

Tsuburaya likes to engage in the "healing" male protagonist, and suddenly used Nexus to create a "depressed" style, and the audience was also impressed by this work.

Although, the ratings are poor......

But that's not all to blame for Tsuburaya!

Kamen Rider goes from "depressed" to "healing", which is from thrift to luxury, and the audience transitions naturally. And Ultraman went from "healing" to "depression", which is from luxury to frugality, and must be prepared in advance to leave a buffer period for the audience.

Otherwise, the psychological gap is too big, and the audience will fry the pot!

Having said that, the sublimation form and the basic form of the empty self have not changed much in the holster. Adding some gold textures and slightly retouching the shape, it's really easy to get confused if you don't look closely.

This is not Meng Lang's slamming the door.

Each form of the empty self, including the sublimation form, has two exclusive holsters, and he will not be criticized for picking at the holsters.

The reason why it is designed this way......

The reason is simple, follow the settings.

For example, the Sublimation Almighty form is derived from the "Basic Almighty" form. If the design changes are so great that they even abandon the red armor that is unique to the omnipotence, how can the audience recognize that this is the sublimation omnipotence?

Don't overcomplicate it!

As the saying goes, half a step ahead is a genius, and a step ahead is a madman.

Kamen Rider has only introduced "multi-form", and the audience is not very comfortable with multi-form changes. It may be counterproductive to rashly learn from the new decade of Heisei and even the practice of the Reiwa knights.

There is no hurry for anything.

After the audience adapts to various form changes, the new knight and designer can design new forms without any scruples.

Until then, the so-called bottle can coin drive, cassette table head camera, all at once will be arranged for you!

......

Unlike the empty self.

Due to the late start of the broadcast, the broadcast progress can't catch up with me. At the moment, we are at the beginning of the story, and the exciting part is yet to come.

The fifth episode is currently being filmed.

This episode is very interesting, a foul-smelling monster corpse floats over the sea. Because the body was so smelly that it caused discomfort to the local residents, the superintendent decided to burn it.

The captain was not very in favor of burning.

From a woman's elusive sixth sense, she has an ominous premonition. If you burn the monster rashly, there is a good chance that something will happen.

As it turned out, she was right.

While Lina is hoisting her, the zombie monster Sirizan is resurrected. It has no life reaction, it relies on its body instincts, and eats everything it sees, like a zombie in a horror movie.

Victory missiles, eaten!

LNG tanks, also eaten!

The light of Zai Peili Ao shines on it!

Even Tiga was almost eaten by it in his stomach......

Silizan, who ate everything, died at the hands of Tiga in the end. The LNG tank in the body was detonated by the rays of Zai Peli Ao, and it exploded on the spot and turned into ashes.

The episode is titled "Monster Infested Days".

As you can see from this title, the focus of the story in this episode is not the monster Sirizan, nor the victory team, nor Ultraman Tiga, but ordinary citizens.

The original version of "Ultraman Tiga" has a number of scripters involved, and thanks to their outstanding talents, Tiga is so good.

Among them, Chiaki Konaka is worth mentioning.

Many people may not know him, but the dramas he is responsible for must have left a deep impression on many people.

Kiri Elrod, Sirizan, Gazot, the giant [tomato] big robot Gobu New on the mechanical island, the episode where the director is trapped, the episode where Dagu flashes to Kunlun Mountain, Keigo Masaki and Evildi, Zoga and Gatanjee......

These episodes have one thing in common.

Monsters are not the absolute protagonists of the plot, humans are. In other words, exploring the connection between "humans and monsters" is what Chiaki Konaka wants to express.

On the surface, we talk about monsters, but we actually talk about humans.

The same is true of the fifth episode, through the appearance of Sirizan, Chiaki Konaka depicts the different attitudes of the citizens at that time towards the monsters.

There are two key characters in this episode.

One is a news reporter, eager to interview the victory team, but there are some small complaints about supporting their work, and finally meet the vice captain of Munakata at the bar and understand that it is not easy for the victory team.

The other is a monster disaster expert who was invited to explain the "Battle Plan of the Victory Team" on a TV show. Its absurd and incomprehensible commentary left a deep impression on the audience.

Journalists don't talk about it......

Regarding this monster disaster expert, Meng Lang invited a particularly powerful god to make a cameo. His identity, as well as his track record, are a perfect fit for the role.

He is not an actor......

He's just a retired bad old man.

Although, the bad old man has a lot of fans, not only Meng Lang, but the entire crew is his fans......

"Good seats!"

"Okay, hello everyone!"

"Everyone's worked hard!"

"It's not hard, sit down quickly and ......"

With the arrival of the bureau, the Tiga crew instantly became a star-chasing scene, and the fans and sisters gathered together, and even Meng Lang couldn't squeeze in.

It's too much, it's too much!

Mr. Meng doesn't want to lose face?

You dodge a little bit and let the director get closer, so that you can give a lecture to the bureau. Otherwise, if the filming is delayed, who will be responsible?