"I used to want to make a youth film like this, and the most lacking thing in Korean films is a pure film like this, and Chairman Lee mentioned "Introduction to Architecture" in this script.

Although he claims to be the creation of a story, this film has helped him a lot, and on the surface...."Introduction to Architecture" is a good film, and it provides an example for many directors who want to shoot youth films, but it is a pity that after that, there has not been a second or third big film of this genre. ”

Speaking of this, Luo Yingshi sighed, "The more than 4 million moviegoers have broken the record of Korea's first pure love film, and Chairman Lee's word by word, from the lens structure, to the story outline, and the lines have all been written to my heart."

To be honest, I wonder if I've ever met Chairman Lee somewhere before, and this is the most touching and best story I've ever seen.

Even some of my original ideas that were not clear seemed to have found a direction after reading this script. Tae-ho, I can see why you hold him in such high esteem.

Even a first-class director in Korea would not write the script in such detail, and Chairman Lee clearly uses the Hollywood model....."

This script, from beginning to end, took thirty or forty minutes to completely digest it, and even simulated the development of the story of the hero and heroine in his mind.

So much so that when he raised his head at this time, his eyes were still bloodshot.

In the process of repeatedly savoring this story many times, Luo Yingshi's eyes frequently appeared in front of his eyes.

Maybe such a movie, for those children who are in their youth, will not have too many feelings, just because they are experiencing such a happy time.

On the contrary, they have come from that era and are no longer in adolescence, and for them, the idea of wanting to go back to the past often appears in the bottom of their hearts at many times.

For some people, the so-called youthful times, as well as the days when they confessed to the people they liked, or bumped into them, and blushed and spoke incoherently, or even turned around and ran away.

In every girl's life, in her youth, there has been a boy like Xu Taiyu and Ouyang Feifei.

It doesn't matter what their relationship with themselves is, whether it's to leave a strong memory or as a scenery that passes by quickly and doesn't stop.

In the eyes of every boy, there have been people like Lin Zhenxin who were liked or had a crush, and she may not be as beautiful as Pei Xiuzhi's first love in "Introduction to Architecture", and she is deeply impressed.

What is certain is that during that time, you should be happy and willing to do something for the other person.

But most people look back now, they have all dissipated in the past years, some may still be in touch, some have long since disappeared, and only exist in the memories that come to mind by chance.

In Luo Yingshi's impression world, there are always many ways to make youth films, so there are countless directors who stand from different angles to talk about youth in their eyes.

Just like in the conversation with Kim Tae-ho before, I mentioned "Introduction to Architecture" directed by Lee Yong-joo.

This is a show that was not favored by everyone and was unwilling to invest at the beginning, but it was finally called a dark horse in the box office war that year, which not only made Han Jiaren make a successful comeback, but also made Pei Xiuzhi be crowned with the title of 'National First Love'.

Frankly speaking, movies like the TW that Luo Yingshi knows, or the RB campus-themed movie, are much more exciting than South Korea.

However, under the director's lens, there is a lack of similar movies in South Korea, even if it is mixed with some youth themes.

From car accidents, splitting legs, to abortions, domestic violence is not uncommon in all types of young actors, so in the end, except for "Introduction to Architecture", which only shows the beauty of first love, there has never been such a small and fresh movie in the Korean film industry.

Speaking of this, Luo Yingshi thought of when he was filming a show at TW before, he accidentally bought a Korean translation of a book on the theme of youth love, called "In Those Years, the Girl We Chased Together".

Since reading that book, he really realized that this is the youth film it should be.

And when will he be able to shoot something with such a taste, with this kind of expectation, Luo Yingshi later made up the 'Flowers for Youth' series, and the result was well received.

Facts have proved that everyone has recalled their youth and wanted to trace the traces of youth, but because of the impetuous rhythm of the city, many people do not have such opportunities.

The same is true for movies, the reason why the theme of youth love cannot become mainstream is that he can't let people go into the cinema like commercial films and popcorn movies, just to watch it refreshed, and want to vent the pressure in his heart.

Youth-themed movies are deceiving tears, to be precise, this can only be accepted by the public at certain moments, and is destined not to be accepted all the time.

It's not because of how delicate the pattern is, nor because of how many turns it is, it's just because of the vivid and natural sense of substitution.

It's hard to imagine that "My Girlhood" is developed from a delicate female perspective, Lin Zhenxin, and what created these was from the hand of a boy.

As Luo Yingshi thought at the beginning, it tells a story of loving and being loved, working hard and persevering. Maybe after the filming, when you sit in the cinema with the audience, you may be excited, or you may be hearty.

You may sigh when you see something, and you will chuckle at the end, which is the sense of substitution.

You can't guarantee that everyone will say, "This is my youth" after watching the movie, but as long as one person can find resonance here, it's a success.

Even "Sunny", a movie that created a box office of more than 7 million moviegoers and caused a sensation, Luo Yingshi also went to watch it at the beginning, and even remembered that a boy around him complained at that time, this movie is old-fashioned and crazy.

Maybe boys don't like this kind of female-themed films, like "Twilight", however, it still touches many people.

In fact, movies are like this, humorous places will laugh, emotional places will cry, will occasionally replay the bits and pieces of the past in my mind, and there is a momentary impulse to go back to the past, as a youth film, this is probably success.

Through the story of the screen, you will be reminded of the past, fall into a dream about youth, and then wake up, suddenly separated from the world, but burst into tears.

For example, Lin Zhenxin, because she has a lot of things that ordinary girls have, she is not beautiful, she can only be called mediocre, her grades are not good, especially the worst in mathematics, or many boys are also very poor in mathematics.

She doesn't have the so-called high emotional intelligence, and she doesn't even have any vision, because of this, she is even a little clumsy in doing certain things, but she is kind, hard-working, motivated, sensible, brave, and Lin Zhenxin, which is probably what many girls think of her youth. 2k reading web