Chapter 255: Where to Find a Soulmate at the End of the World (Asking for Subscriptions, Asking for Recommendations, Asking for Monthly Tickets)

Zhang Weiliang opened the live broadcast room, and suddenly heard a familiar flute sound, he quickly turned up the volume of the computer to the maximum, and suddenly, the sound of the crying flute filled his office, and Zhang Weiliang closed his eyes slightly with a fascination on his face, and the corners of his mouth also showed a smile of relief.

This piece is Zhang Weiliang based on Suzhou Pingtan "Lituo" and "Daiyu Funeral Flowers" as the basic materials to create, the name is called Hua Cry, which is about the desolation and sadness of Daiyu Funeral Flowers, and is known as the two springs reflecting the moon in the flute song.

Over the years, Zhang Weiliang has performed this song countless times, and his apprentices have performed it I don't know how many times, but Zhang Weiliang feels that their heat is still poor, and none of them can make him very satisfied, even his own closed disciple Zhang Jingwen can't make him completely satisfied.

However, today, Pei Yanzhi's flute made him find the feeling of looking for a soulmate in the mountains and rivers, and he couldn't help but burst into tears, he had played the flute for so many years, and finally found a point where he could blow his own flower cry to the point where he was all moved, it was really not easy.

At this time, Zhang Weiliang's mobile phone rang, interrupting Zhang Weiliang's feeling of finding a soulmate at the end of the world, and he couldn't help but be a little annoyed, and he didn't look at the name of the caller ID on the mobile phone.

The other side was stunned for a moment, and waited for a few seconds before a woman's voice came timidly, "Master, what's wrong with you, who provoked you?"

When Zhang Weiliang heard this voice, the anger in his heart immediately calmed down a lot, and he smiled and said, "It turned out to be Wenwen, it's okay, aren't you performing abroad now, why did you remember to call me!"

Zhang Jingwen, who was at the Beijing airport, said with a wry smile, "Master, I've arrived in the capital, didn't I tell you that I came back today, you forgot about it, really!"

Zhang Weiliang was stunned for a moment, and quickly looked at the desk calendar on the table, only to see that the desk calendar clearly wrote on today's date, "Wenwen returned to China, remember to pick it up".

Zhang Weiliang couldn't help patting his head, and said guiltily, "Oh, look at this trouble, it's all to blame Master, I'm too busy today, I'm too busy and confused, I'll let your senior brother pick you up!"

Zhang Jingwen's eyes lit up, she stretched out her hand and beckoned to a middle-aged man who came over to her, and said with a smile at the phone, "No need, senior brother has already come to pick me up, senior brother is the best for me, I won't tell you, I'll condemn you well when I get to you, bye!"

Listening to the beeping sound from the mobile phone, Zhang Weiliang couldn't help but smile, fortunately his apprentice still remembered Zhang Jingwen's return to China, otherwise he wouldn't have been counted to death by this girl.

Although Zhang Jingwen is now thirty-two years old, she has studied with Zhang Weiliang since she was a child, and in Zhang Weiliang's eyes, she is still the little girl who followed her with a ponytail.

Zhang Weiliang couldn't help sighing, in the blink of an eye, this little girl has also become a big beauty, and she is also the youngest national-level flute player in China, which makes Zhang Weiliang feel relieved.

At this time, the sound of the flute in the computer became brighter, and Zhang Weiliang also cleaned up his thoughts, because this paragraph is part of the whole music, because this music is adapted from "Daiyu Funeral Flower", so it is all based on sadness.

And the bright rhythm of this paragraph, when many actors are playing, it makes people sound as if they are very cheerful, in fact, this paragraph is wrong, this paragraph is actually showing Lin Daiyu's struggle, the emotions are more excited, the indignation of the world is cold, the indignation of human affection, the accusation of cold reality, the emotions are very high, it belongs to "Lin Daiyu's aria", which is the most beautiful place in this song.

However, when many flute players play this section, it is easy to make mistakes, which makes the whole piece taste here, and a sad piece shows a cheerful rhythm here, which makes Zhang Weiliang also very dissatisfied.

As the song became brighter and faster, Zhang Weiliang's eyes became brighter and brighter.

Because this piece was composed by myself as a solo flute piece, but when it was performed, because it was adapted from Suzhou Pingtan, pipa was added to set off the atmosphere, and when it was performed, some other folk music was also added to become a concerto.

And when Pei Yanzhi simply used the flute to interpret this time, there was no pipa, no other folk music, which made Zhang Weiliang feel a feeling of returning to the basics, and the feeling of composing this flute solo by himself came back.

I have played this piece no less than a thousand times for so many years, and it is not enough to show how familiar I am with this piece, and this piece has become a part of my life.

But it's very strange that over the years, when I played this piece, I couldn't find the state of mind in the past, although it was still perfect, but I knew that there was almost something in this piece, but Zhang Weiliang never found out what was missing.

He is constantly studying, and he also lets his apprentices play for himself, hoping to hear something different from other people's performances, but the apprentices' performances make him even more uncertain, after all, the level of the apprentices is still very far from him, and the music played is also uneven, which makes him even more annoyed!

And today, in Pei Yanzhi's live broadcast room, Zhang Weiliang finally knew what the little thing he was missing, that is, the original intention, that is, the original intention when creating this music.

Before I created this music, I went to Suzhou and Hangzhou, and spent two years going to different places every day to listen to the commentary, not only listening to "Daiyu Burial Flowers", but listening to the feeling in the commentary.

In order to write this song, he watched the whole Dream of Red Mansions I don't know how many times, and also wrote a life introduction to Lin Daiyu, writing more than 500,000 words, Lin Daiyu's life, from birth, to the moment she died, what she experienced, what she missed, what she gained, and what she lost.

Zhang Weiliang at that stage was like a crazy demon, in order to create this song, he really worked hard!

At the last moment, the flute suddenly disappeared, abruptly stopped, people couldn't help but be stunned, aftertaste, the flute just now, as if to tear people's hearts apart, with a hysterical feeling people can't help but be excited, but when the flute disappeared, everyone was stunned again, feeling that the struggle just now was just a flower in the mirror, and couldn't help but smile bitterly.

Then, with the bass at the beginning, the slow dispersion, slowly and leisurely, echoing the initial introduction, very with the perfect artistic conception of Chinese traditionalization, Pei Yanzhi controlled the volume and gradually disappeared, but in everyone's ears, there seemed to be the voice of a woman whispering, so that everyone who listened to this song had a feeling of unfinished.

Really, the aftermath lingers for three days, and there is really a feeling of "Confucius is smelling Shao, and I don't know the taste of meat in March".

Zhang Weiliang sat there, staring blankly at the high-spirited Pei Yanzhi on the screen, with tears of excitement in his eyes, "I finally understand, I finally understand!"

Pei Yanzhi didn't know that his performance had made a man destined to become the greatest flute player in China have an epiphany.

Pei Yanzhi put down the flute and said with a smile, " Ladies and gentlemen, this piece just played is the representative work of Zhang Weiliang, the vice president of the Chinese Music Institute of our National Conservatory of Music, this work is created by Zhang Weiliang himself, which is based on the fragment of Daiyu funeral flowers in the classical dream of red mansions, combined with the beautiful tune in Suzhou Pingtan, and created a flute solo piece, which originally needs to have a guzheng or pipa to respond to each other, but I think that when the flute is played solo, it can express the kind of emotion that this piece wants to express, in fact, it is enough, although the pipa or guzheng can show some fierce contradictions, but it is too muchI'm sorry, I'm also a class with an axe, my flute performance level is average, compared with Mr. Zhang Weiliang, it's really a hair, of course, I'm that hair, so what I just said is all my own bad opinion, there will definitely be old irons who understand the flute in the live broadcast room, don't let Mr. Zhang Weiliang see this paragraph, please!"

Pei Yanzhi pretended to be pitiful, and the barrage on the public screen also went crazy, and Pei Yanzhi's face disappeared from the screen again.

"Don't worry, Yan Zhida, I'm already Professor Zhang Weiliang!

"Yes, I'm already Professor Zhang Weiliang!

"Me too, no thanks!"

"I'm the same, no thanks"

There is no need to thank the water on the barrage, which makes Pei Yanzhi can't help but have a dark face.

The flute's playing skills were redeemed by him from the system, and this piece was also redeemed from the system, and the introduction above is that it is best to use the flute solo, and the effect will be better.

Pei Yanzhi is just a take-it-or-leave-it, and he has not undergone systematic flute training, so he doesn't know why, but in the process of playing, he found some problems very keenly with the flute skills of the system, and he said it with a feeling, but after saying it, he regretted it, although his playing skills are very high, but he really doesn't know much about this piece, and the author of this piece, Professor Zhang Weiliang, is the first person to play the Chinese flute!

Suddenly, Pei Yanzhi's eyes widened and he looked at his public screen, because a person with a red logo sent out a barrage.

"Thank you, Pei Yanzhi, if I have the opportunity, I hope to ask you about the flute playing skills!"

Such polite words made Pei Yanzhi shocked, because the name in front of this barrage was "Zhang Weiliang who played the flute"!

You must know that not only the people in the Peking Opera industry asked for a live broadcast, but also the professors of the Conservatory of Music, so Zhang Weiliang had already registered an account and passed the certification.

However, he rarely plays live broadcasts, and his live broadcast room is also full of his own students and some flute lovers, there are about tens of thousands of people, and his popularity has not been very high.

And he rarely uses this account to watch other people's live broadcasts, and he hasn't spoken, this should be the first time he speaks, which makes Pei Yanzhi startled.

"Is it really Mr. Zhang, my God, I didn't expect that there would be a god like Mr. Zhang in my live broadcast room, thank you for your attention, you are so polite, my little trick is really a big knife in front of the closed door in front of you!

Pei Yanzhi also put his posture very low, after all, the other party's age, identity, and achievements are beyond his reach, so Pei Yanzhi is also very humble.

"You're welcome, to be honest, your flute level is not below me, you must have a good fight if you have the opportunity, don't bother you, you can continue!"

Zhang Weiliang's words immediately exploded in the live broadcast room, although many people don't know Zhang Weiliang's identity, but looking at Pei Yanzhi's degree of respect and Pei Yanzhi's introduction just now, everyone can also hear that Zhang Weiliang is the first person to play the Chinese flute.

Such a person is here to publicly admit that Pei Yanzhi's flute performance level is no less than him, which is too exaggerated, just like Han Pingzheng stood up and said to everyone that his Peking Opera level is about the same as that of a fledgling young man.

If it weren't for the certification level of this era, there would definitely be no problem, and people in the live broadcast room would think that this Zhang Weiliang was a fake!

In fact, even Pei Yanzhi has this ridiculous idea, is this person really Zhang Weiliang?

However, Pei Yanzhi is not such a brainless person, it would be too stupid to ask the other party directly if it was Zhang Weiliang, since the other party said so, he could only say very modestly, "Teacher Zhang is too polite, rest assured, I will definitely visit you, originally I planned to show a few more Chinese music today, but since Teacher Zhang Weiliang is here, then I will play another flute, so that such a good opportunity, let Teacher Zhang give me some pointers!"

Pei Yanzhi didn't talk nonsense, and directly put the transverse flute on his mouth, a song that everyone is familiar with, melodiously floating in the live broadcast room.

"Jasmine!"

"What a jasmine, what a jasmine!"

The sailors in the live broadcast room sang along at home!