The conditions and treatment within Imperial Entertainment, as well as the relaxed working atmosphere, are the most attractive to these behind-the-scenes co-workers.

From the beginning of filming to the end, Lee Hyun-chul never interfered with his power in the crew, and he didn't even review the editing himself, and this strong trust made Kim Tae-ho cherish every day as a director.

Now that his value has risen, MBC has also come up with a lot of generous treatment to retain him.

But these are all temporary, and he can see that the reason for all this is on the basis of his continued cooperation with Lee Hyun-chul.

Even though the salary is improved, it is still under the constraints and management of the top management of the TV station, which is Kim Tae-ho's least favorite point.

As long as the next works are filmed, his foundation in the film and television industry will be completely stabilized.

At that time, Kim Tae-ho will choose to resign and join Lee Hyun-chul's company to continue directing "Infinite Challenge" in another capacity, which is his future plan.

"Anyway, this is an opportunity, and Chairman Lee has been mentioning you in front of me, and I can see that he is very eager to cooperate with you, so... Let's take a look at the script first. ”

Luo Yingshi nodded slightly, what Kim Tae-ho said was not unreasonable.

In the past, I couldn't get the opportunity that I wanted to strive for, but now I have no reason to miss it in front of me, even if I have more work on hand, this is a new challenge.

Imperial Entertainment is now a sweet spot, and Kim Tae-ho's experience has proven everything.

Besides, he also believes that this old friend, in his eyes, Kim Tae-ho is also an arrogant person, and if he can persuade him to take the job like this, then the key point is in this script.

The meat in the baking pan snorted towards the sound of explosion, and the bacon, which was cut into thin slices, began to release the oil and water in the meat little by little under the high temperature, and then gradually deformed.

Turning to the first page, the first thing that catches your eye is a long sentence.

Luo Yingshi asked himself that he had also read a lot of scripts, but none of them could add a self-description to the homepage like writing a preface.

Very interesting way of writing, with such an idea, Luo Yingshi lowered his head, and from Kim Tae-ho's point of view, he could only see his eyelashes blinking occasionally, and he was extremely serious.

"Everyone has a period of youth in their own life. Memory, on the other hand, is not the same. In my eyes, the film is a dream-making machine, which can make people resonate and have a strong sense of substitution.

Today, after talking with a trainee, I thought of a story that I believe exists in everyone's past, and the reason why I thought of this must be related to the communication between me and that trainee friend.

So, I was writing at my desk with a lamp, and I thought that I should give this story to someone who was able to understand my thoughts, and although there are many excellent people in Korea, I was able to take charge of such a delicate thing, and after eliminating some circles, I thought of a person.

Perhaps, after writing this story, I should find an opportunity to give it to him. Therefore, this mood is the motivation for me to write at the moment. Lee Hyun Chul"

After reading this paragraph, Luo Yingshi no longer cares about this script as much as he did at the beginning.

According to what is written above, the birth of this script was thought of because I talked about something with the trainees around me. But the reason why I wrote it down was so that I could get someone who could do it to photograph it.

The screenwriter himself said above that after excluding some circles, why they were excluded, what circles were excluded, and a person who came to mind afterwards.

Luo Yingshi had a strange feeling in his heart, as if this script was written in order to be able to send it to him.

In other words, it was created specifically to be able to shoot for yourself.

What is this trust, or is it simply regret that we haven't been able to cooperate once before, so we are unwilling to give up?

It was just a simple self-description, but it made Luo Yingshi angry with a strong curiosity and wanted to read it impatiently.

He knew that he had fallen into the pit set by Li Xianzhe, but this was his own volition.

The male protagonist in the story, Xu Taiyu, is like a thorny red rose, as enthusiastic as ever, and is a little bully with many younger brothers in school, and his words and deeds are full of the atmosphere of a child.

For the description of his appearance, Li Xianzhe only used a hairstyle like 'pineapple head' in the script to summarize, so a somewhat obscene and black-bellied figure, but more reliable than anyone else at a critical time, came to Luo Yingshi's mind.

And the most attractive quality of Xu Taiyu is that he can always insist on being himself, protect the things he cherishes, and will not give up those beautiful things easily.

This is a charismatic bastard, and when the sky falls, he is also cynical, and he is principled and extremely reliable.

And the male No. 2 Ouyang Feifei corresponds to the opposite color of Xu Taiyu, the other side of red is white, his personality is quiet like water, his appearance is delicate, and his character and learning are excellent.

In everyone's youth campus life, there will always be such a person around them or in the class.

often takes the first exam, and has good athletic talent.

The so-called 'school grass' is used to describe such a person, in any, or in the story, the dream lover of the girls in the school, many girls see him, they will regard him as their crush. Many men will be jealous when they see him.

As for the heroine Lin Zhenxin, this is a name that is extremely simple in Luo Yingshi's opinion, and in Li Xianzhe's description, she wears thick eyes and has a messy explosive head.

The grades are counted last in the class, and when I am in class, I always copy the lyrics with the teacher behind my back, and I am very nymphomaniac and clumsy at some moments.

Two male protagonists and one female protagonist, personality design, are all standard routines in youth, but Luo Yingshi feels that there should be no more than these.

I have to say that although there have been a few youth films in the Korean film industry over the years, why do you say a few, because in the eyes of Korean directors, youth films are like niche themes that are not welcomed.

The audience likes to watch abuse, and it is better to abuse them until they are distressed and burst into tears.

You can also say that these people like to find abuse, and they have taken on too much pressure in their lives, and as a result, they like to run to movies and TV series to find abuse.

However, 'abuse' or 'darkness' and 'violence', or adaptation of real events, reflect certain issues, this is the mainstream of Korean cinema at present.

The top 10 films that appear on movie websites every year and are in the top 10 at the box office and rating are basically commercial films.

Youth films are in the category of literary films in the final analysis, and the number of moviegoers is used as the box office statistics.

Except for a "Miryang" that unexpectedly won an award, most of the literary films have directly become areas that some directors are unwilling to involve, let alone campus films that show a person's youth and the daily life of teenagers and girls.

And if you want to watch high-rated youth movies, you can only watch them from other overseas countries.

As for South Korea, count Bae so-ji, Lee Di-hoon's "Introduction to Architecture", Shim Eun-kyung and Min Hyo-rim's "Sunny", or Park Bo-young and Lee Jong-suk's "Bloody Youth". 2k reading web