Pei Yanzhi said with a smile, "My idea to write this song was because I listened to Bai Juyi's poems told in "Hundred Lectures", so I had this idea!"

Zheng Yifeng laughed, with a hint of relief on his face, and said, " I didn't expect my show to bring you such a great inspiration, congratulations, in fact, this is also the reason why I do the show, because now everyone's appreciation of poetry is slowly declining, except for students, it seems that adults have no feeling for poetry and songs, many adults, they can only recite a few poems, and for poets is Zhang Guan Li Dai, our country is such a splendid culture, Han Fu, Tang poetry, Song Ci, Yuan Qu, Ming and Qing Dynasties, orderly inheritance, such a wonderful thing, now everyone does not pay attention to it, it is really sad, so I went"Hundred Lectures" to tell some stories of Tang poetry, as much as possible to let more people like Tang poetry, to like the poets of the Tang Dynasty, to like the culture of the Tang Dynasty. ”

Professor Zheng Yifeng's words also made the audience below applaud warmly, and the old man's heart and moving enthusiasm deeply touched everyone.

Pei Yanzhi also nodded and said, "Yes, China's thousands of years of civilization and brilliant culture, now many people have this kind of question, Tang poetry, Song poetry, why there are such symbols with the characteristics of the times, don't later generations also have poems, why do you name it like this?"

Professor Zheng Yifeng said with a smile, " In fact, poetry, these two forms are available in every dynasty, but poetry reached its peak in the Tang Dynasty, to put it mildly, the poets of the Tang Dynasty have written poetry to the apex, and it is difficult for later generations to surpass, almost all the poems that have been handed down now are handed down from the Tang Dynasty, and the same is true of words, because the Tang and Song dynasties are very close, and the literati of the Song Dynasty are also countless, but they feel that they cannot surpass the poetry of their predecessors, so they find another way to create the greatness of the Song Dynasty！”

This explanation made the audience in the audience also laugh, as if they saw Su Shi pointing at Li Bai's nose, and said viciously, "Dude, you have gone this way! Don't you leave a way for future generations?"

Pei Yanzhi said with a smile when he heard this, "I don't know which singer Professor Zheng plans to recommend to sing this song this time?"

Zheng Yifeng laughed and said, "This singer should be regarded as the hottest singer recently, even an old antique like me, who basically doesn't listen to pop songs, is familiar with this person, and this person is best at this kind of drama, and this person is talented,......"

Pei Yan stopped Zheng Yifeng with an embarrassed face and said, "Professor Zheng, I don't have so many words in the script I gave you, don't you play freely!"

Zheng Yifeng said innocently, "What I said is what I said in my heart, look at you, you don't let me say it, I still have hundreds of words to praise him, I forgot about your interruption!"

Zheng Yifeng looked at Pei Yanzhi who was sneering and said, "Okay, there is a recommender who invited me, and he is Pei Yanzhi standing in front of you!"

The audience in the audience had already heard it, Professor Zheng Yifeng was also very naughty, and Pei Yanzhi was a little embarrassed to be praised.

Pei Yanzhi first took Professor Zheng Yifeng to the audience next to him, and said with a wry smile, "I don't have so many words in the script I gave Professor Zheng, this is all his free play, although what he said is very good, but as a person who wants to be faced, this kind of nice words, you can say more next time!"

A sharp turn that almost threw off everyone's steering wheel.

Pei Yanzhi laughed and said, "Next, let me bring you this song I recently wrote, "Pipa Xing"!"

On the stage, all the musicians of the previous Chinese Music Symphony Orchestra had already sat down, Pei Yanzhi bowed slightly at the conductor, and the conductor also gently waved the baton in his hand, and the musicians sitting in the front who were still holding the pipa and half-covering their faces burst into melodious pipa sounds, tearing the silence of the scene.

Pei Yanzhi stood in the middle of the stage, and some smoke erupted around him, making the whole stage like a fairyland, and the lights were dim.

Pei Yanzhi put the microphone to his mouth, opened his mouth and said in the voice of Ma Pai,

"In the tenth year of Yuan He, he moved to Jiujiang County Sima.

In the autumn of next year, send off guests to Huangpukou, listen to the people who play the pipa at night in the boat, listen to its sound, and there is the sound of Kyoto.

Ask his person, this Chang'an advocates women, tries to learn pipa Yu Mu and Cao Er's good talents, is old and decrepit, and is committed to being a Jia woman.

Then he ordered the wine, so that he could play a few songs quickly.

Qu is sympathetic, recounting the joys of his youth, and now he is drifting and haggard, and he is migrating to the rivers and lakes.

After two years of being out of office, he was calm and peaceful, and he felt that he had the intention of moving at night.

Because of the long sentence, the song is given away, where there are 616 words, the fate is called "Pipa Xing". ”

In the melodious sound of the pipa, Pei Yanzhi read like a bard, so that all the audience seemed to follow him to the mouth of Huangpu, hearing the sound of the pipa in the night, in the environment like smoke and fog, seeing the musician who was still holding the pipa and half-covering his face, for a while he couldn't tell what was true and what was illusory.

After Pei Yanzhi's recitation was over, the conductor's hands waved violently, and all the musicians moved, and for a while, the music on the stage was loud.

"Xunyang Jiangtou sent off guests at night

Maple leaves and flowers are in autumn

The host dismounts the guest on the boat

There is no orchestra to drink wine

If you can't get drunk, you will say goodbye

Don't be immersed in the moon in the vast river

Suddenly, I heard the sound of a pipa on the water

The host forgot to return to the guest and did not send it

Xun Sheng secretly asked who the bomber was

The sound of the pipa stopped and the desire to speak late"

Pei Yanzhi sang this paragraph in a low voice, speaking very quickly, with a stable breath, so that everyone could hear this paragraph of lyrics clearly, as if a person put his mouth to your ear and whispered deeply, although the voice was small, but it made you hear it clearly.

Next, Pei Yanzhi's tone changed, as if he was a different person, and the singing of the lyrics also changed dramatically, the previous shallow singing and chanting was extremely fast, one sentence was seven words at a time, but the sound was in the ears, and every word was sent to the ears of the audience.

But in this paragraph, Pei Yanzhi's singing method has become the "four-three" reading of ancient poems, that is, a pause after the fourth word, because whether it is seven words or five words, generally the last three words constitute a large interval, called "three-character ending", and there are two readings of seven-word poems, one is the "four-three" reading, that is, "Xunyang Jiangtou, night send-off", and the other is "two-two-three" reading, "Xunyang, Jiangtou, night send-off".

And for the singing method of this paragraph, Pei Yanzhi used the singing method of "four three".

"Move the ship close and invite each other

Add wine and return to the lamp to reopen the feast

It came out after a long time

Still holding the pipa and half-covering his face

The hinge plucks the strings three or two times

Before the tune is made, there is love

The strings drown out the sound of thought

It seems that he has no ambition in his life

The low-brow letter procedure continued

Say all the infinite things in your heart

Gently twist and wipe again

At the beginning, it was six years after the neon dress"

The sense of rhythm of this section of singing is obviously very strong, and the audience in the audience who know this poem is also humming along with the rhythm, after all, the words of this song are the original poem, and those who can sing it can sing it as long as they follow the rhythm, which is also Pei Yanzhi's intention to write this song, with a very simple melody, so that young people can quickly learn how to sing, so is the lyrics still a problem, the song is this thing, as long as you can sing, the lyrics must be remembered quickly.

Suddenly, the sound of the pipa was rapid, and the music was stirring, and everyone knew that the climax was coming.

Sure enough, Pei Yanzhi did not disappoint everyone, the drama that should come is always coming.

Pei Yanzhi changed to the female voice of Tsing Yi, opened his mouth to sing in the Mei style, and sang loudly,

"The big strings were noisy like torrential rain

The little strings cut like a whisper

Such as whispering

Noisy and noisy

Large beads and small beads fall on the jade plate

Falling Jade Plate"

Refresh your mind, this paragraph of Pei Yanzhi's Meipai singing is really beautiful, and the audience below is fascinated, because Pei Yanzhi's singing voice is just like what is written in this poem, the big beads and small beads fall on the jade plate, and the crisp sound in the ears makes everyone intoxicated.

"The warbler is slippery

It is difficult to get under the drift ice of the Throat Spring

The ice fountain is cold and the strings are condensed

Silence for a while"

After the play, Pei Yanzhi returned to the "Four Three" singing method again, and the audience sang along with the strong rhythm again.

Who knew that just after singing these two sentences, Pei Yanzhi's drama started again, this time it was with the drama of the horse school, which was high-pitched and high-pitched, which made everyone feel excited.

"Don't have sorrow and hatred

Silence is better than sound at this point

Win the sound

The silver bottle burst into the water slurry

The iron cavalry stood out with the sound of swords and guns

Knives and guns rang out

At the end of the song, beware of drawing

The four strings sounded like a cracked silk

Such as cracked silk

The east ship and the west boat were silent

Only see the autumn moon in the heart of the river

Autumn Moon White"

In this section of singing, the pipa sound of the pipa musician in the back changes with the change of Pei Yanzhi's lyrics, either silent is better than sound, or the silver bottle bursts through the water slurry, like the sound of the golden iron horse, making everyone feel that they are in an ambush on all sides, and finally plucking the four strings ruthlessly, it is really like a cracked silk, which makes people feel numb.

This pipa player is the most famous pipa master in the south, Qin Xiaoyue, who loves pipa only in her life, and in the whole of China, she said that she is the second pipa, and no one dares to say that she is the first pipa!

This teacher is over the age of six, wearing a lake-blue Suzhou embroidered cheongsam, slightly gray hair, wearing a pair of gold-wire glasses, looking energetic, holding a pipa, and the movements of her hands, when they are fast, people can't catch her shadow at all.

This time, Pei Yanzhi specially went to Qin Xiaoyue's teacher's home, and told the other party all the points about pipa playing in this song, and played it once in front of Qin Xiaoyue, as a result, Qin Xiaoyue was surprised, and Qin Xiaoyue also heard of Pei Yanzhi's person, after all, people in the northern Chinese music circle, flute master Zhang Weiliang said that Pei Yanzhi is a rare flute genius in a century, and some other Chinese music teachers are also full of praise for Pei Yanzhi, although Qin Xiaoyue has never seen Pei Yanzhi, but he also has his name in his ears。

However, hearing is false, seeing is believing, Qin Xiaoyue, who originally had no special impression of Pei Yanzhi, was suddenly shocked after Pei Yanzhi played a song "Ambush on All Sides" in front of him, and his perception of Pei Yanzhi changed greatly.

Qin Xiaoyue was very regretful, but she didn't force it too much, after all, after calming down and chatting with Pei Yanzhi about some of the techniques of the pipa, Qin Xiaoyue felt that she didn't seem to have anything to teach Pei Yanzhi.

Pei Yanzhi finally invited Qin Xiaoyue to play the pipa music on the spot, and Qin Xiaoyue was also happy to go.

Originally, Pei Yanzhi felt that if Teacher Qin Xiaoyue was unwilling to come, then he would play the pipa while singing, although he was a little tired, but it was still a gimmick.

However, Teacher Qin Xiaoyue's performance today also made Pei Yanzhi feel a little shocked, the master-level Chinese music teacher really lived up to his reputation, and the audience was also feasted on it, not everyone can hear such a level of Chinese music performance.

The sound of the pipa stopped, the sound of the huqin sounded, and Pei Yanzhi continued to read in the words of the Cheng School,

"Groaning and plucking the strings

Straighten out your clothes and look good

said that she was a woman in the capital

The family lives under the shrimp toad tomb

Thirteen learned to play the pipa

The name belongs to the first part of the workshop

Singing has taught good people to serve

Makeup is every time I am jealous of Qiu Niang"

This paragraph is the monologue of the pipa girl, the Cheng faction is most suitable for this kind of suffering little woman, and Pei Yanzhi's recitation of the Cheng faction is just right.

Pei Yanzhi's changeable singing style is really impressive, and many people in the audience have heard that Pei Yanzhi has used two lines of singing in three genres, and they are all looking forward to looking at Pei Yanzhi to see what genre Pei Yanzhi will use to continue singing next.

"Wuling is young and fighting

I don't know how many red silk songs are played

The silver grate of the head is shattered

The blood-colored Luo skirt turned over the wine stains

Laughter this year and next year

Autumn moon, spring breeze and other leisure

My brother went to the army and my aunt died

Twilight goes to the color of the past"

The sound of the pipa rose again, and Pei Yanzhi continued to sing in the "four-three" style, faintly depicting the tragic life of the pipa girl. This year's laughter will return to next year, the autumn moon and spring breeze will be leisurely, and in the end, day by day, the appearance is no longer what it used to be, and it is gradually aging.

Sure enough, Pei Yanzhi's drama made a comeback, and he changed his genre.

Tan Pai.

"Kurama was snubbed in front of the door

The eldest married a merchant woman

Merchant Woman"

Words.

"Merchants value profit over separation

The month before the floating beam to buy tea

Buy tea to go"

Xi Pai.

"Go to the estuary and guard the empty boat

Around the boat moon and the river is cold

The river is cold"

The last sentence was changed to the Xun faction of Danjiao.

"Dreaming of juvenile things in the middle of the night

Dream makeup tears and tears

Red Diaphragm Dry"

Every sentence changes to a genre, Pei Yanzhi reproduces the famous scene of the original "Meilanfang Youth Art Award", the audience is looking at Pei Yanzhi on the stage with admiration, not every genre of singing is suitable for singing, but in Pei Yanzhi's mouth, everyone can hear which school of singing this is, and singing makes people feel that there is no disharmony, this kind of skill is really impressive.