Chapter 81: A Good Knife (1)

"I've written an outline, and you'll see how it goes. ”

Screenwriter Chen Yanmin handed over a manuscript, this is a late bloomer, and later the director of "Human Worm".

"A sound engineer and an actress, recording special effects in an old building, were taken to an eerie basement by some strange sound.

The actress has the special ability to see the past, and discovers a murder case during the Great Movement, where a 14-year-old girl was murdered and became a ghost......"

When the director and deputy director saw this, he frowned frequently, "You are a special function, a soul, and a sport, and the scale is a bit big." ”

"It's okay, I'll add at the end that it's all a story told by a mentally ill person, so that it can pass the trial. Chen Yanmin is full of confidence.

Burst!

Xu Fei almost squirted out, the fine tradition of emotional domestic horror films has been around since the 80s?

As we all know, there are two major characteristics of domestic horror films: no ghosts!

So much so that later generations have formed a routine that you don't need to look at, those ghosts are weird, either schizophrenic, or pretended to be people, anyway, there can never be ghosts in astringentism!

"The horror theme is not suitable for TV dramas, after all, there are a wide range of audiences, old and young, let's watch it later......"

Chen Yanmin's idea was discussed by everyone for a long time, and they felt that it was very unreliable and denied it.

In fact, this drama was later filmed and became a movie called "The Lonely Soul of the Black Mansion". It is said that he was scared to death during the screening and was banned by the relevant departments.

followed by a few more proposals, all kinds of things, brain-opening, and even let the protagonist practice qigong to smash the Gang of Four......

Xu Fei is breathtaking, the imagination of literary and artistic workers in the 80s is much stronger than later, because there is no established routine, no one knows how to shoot and what to look good at......

Everyone puts forward ideas, and everyone discusses feasibility. Simple and extensive, without any theoretical basis, it is all based on experience and inspiration. Think about it, Zheng Xiaolong only graduated in 82 years and has been working for less than four years, where can he go?

In the end, it was Zhao Baogang and Feng Pants' turn, and sure enough, one brought out this spy, and the other brought out this to discuss family feelings, both of which were vetoed.

The chairman and deputy directors were disappointed, and there was nothing bright in front of them. Lu Xiaowei turned his gaze to the corner and finally said, "Xiao Xu, what do you think?"

"Well, I've prepared a little, but it's not right, and I ask the teachers to correct me a lot. ”

Xu Fei is very humble, but as soon as he speaks, it is not like that, "I have been here for a long time, starting from 1978. In 1978, CCTV broadcast the first TV series "Three Parents' Family" in the new era, which was produced in real life with video equipment.

CCTV filmed eight dramas that year, four of which were children's dramas, and this number is almost the national TV drama output.

By 1979, production had become 19. In 80 years, the production has increased to 130 ......"

"Let you say what you think, what are you talking about, are you giving us a lesson?"

Jin Yan said impatiently, with that horizontal face, he looked very fierce.

He came from a famous family, his grandfather and uncle were academicians, and his uncle was a professor at Mizuki University. Joined the center in 83, and he can become a director when he comes up, and the center has filmed a total of six dramas, and he has made two by himself, of course, the effect is not very good.

“......”

Xu Fei looked at the director, and Lu Xiaowei waved his hand, "Let him finish." ”

At the end of 81, Jinmen founded the "Radio and Television Magazine" and held an excellent TV drama selection event. In the same year, the government established the Feitian Award, and in 1983, "Popular Television" set up the Golden Eagle Award, which was voted by the audience.

In 1982, the China TV Drama Art Committee was established, and our center was founded in the same year. The following year, the China TV Drama Production Center was established.

In 83, the state issued the policy of "four-level TV", calling on all localities to establish TV stations, covering the rural level, and the demand for TV dramas increased rapidly.

By 85 years, the production of TV dramas had reached 1,300, and the number of TV sets for ordinary people had reached 50 million. ”

“......”

Zheng Xiaolong's fingers tapped his thigh underneath, and Lu Xiaowei listened with interest, just like the last time he was in the teahouse.

Li Xiaoming, Chen Yanmin and others looked at each other, these things are clear to everyone, but no one put them together and said it, since they put it together, they really have a different meaning when they hear it at the moment.

"I quote these materials to say that the development of TV dramas is the trend of the times, and it will definitely form a cultural industry in the future.

Industry not only refers to industry, agriculture, forestry and fishery, but also culture and art. When TV dramas have a mature production model, a perfect talent training system, an open commercial market, and a broad audience, this is a complete industrial chain.

We're past a few toddler years, and it's time to take it in stride.

At present, there are several powerful production bases in China, one is the China TV drama production center, one is Qilu TV, the other is Guangdong TV, and the other is us.

We are already in the forefront, but if we want to maintain this position and develop further, it is necessary to form this kind of industrialization consciousness.

The premise of industrialization is professionalism, which does not only refer to a few professional and technical personnel, but a mode of thinking.

For example, before we produce a TV series, we must be good at analysis, analyzing the work, analyzing the opponent, and analyzing the audience.

What works do the audience like to watch? If you haven't seen it, you will naturally love it. I've seen similar themes, and we shoot better than him, so naturally I love to watch it.

I've briefly sorted out my recent works and let's discuss ......"

Xu Fei didn't take the manuscript at all, and prepared at home for a week, and every word was in his stomach.

"First of all, scars, take "Trampling Years" as an example. This is a TV series that reflects the life of educated youth, which may not be filmed well, but it has aroused strong resonance among the audience, especially the educated youth back then, and has been broadcast twice in a month, which is unprecedented.

Then there is the reform category, taking "Nova" as an example. The play wins purely based on the theme, no matter how well it is filmed, if the topic and scale are placed there, it will be a success.

It is actually a political catharsis film, spitting out the pent-up grievances of hundreds of millions of people and making people happy, but the actual penmanship is sloppy and not of any artistic level.

In contrast, "Looking for the World Back", with the theme of saving runaway teenagers, is delicate and poetic, with exquisite details and remarkable performances.

Then there is the folk legend "Wu Song", which originates from the Water Margin, which is a cultural gene rooted in the audience's bones, and has inherent advantages. Coupled with the well-made, there are martial arts scenes to add interest, and it is natural to form a craze......

In addition, I won't talk about "Jigong", "Xin'an", "Four Worlds in the Same Hall" and so on.

At this glance, it seems that we don't have a lot of high-quality works, but you know, last year we produced more than 1,000 TV series!

The vast majority of them are shoddy, the number of episodes is thin, and the number is made up in order to complete the task.

If we want to be the leader of the industry, we must first determine the standards, reject inferior quality, and create high-quality dramas.

All of you here are teachers and seniors, and I have little qualifications, so I have an axe in the class here. Personally, I think there should be two standards for high-quality dramas.

The first is the subject matter, unless it is completely based on the topic as in "Nova", and in most cases it does not require absolute novelty. Martial arts, mythology, educated youth, small citizens, and young people can fall in love, and it is good for most people to accept it.

The second is that it is well-made, which is broad-based, and I personally think it should be based on the story......"

"Hey, I'm going to say a few words. ”

Li Xiaoming listened attentively and couldn't help but interject: "I think the quality of the TV series, its artistry and ideology are more important." ”

"Yes, it's important, but art and ideas are presented through stories. Just as the economic base determines the superstructure, the story is the foundation of the medium of the TV series.

Including costumes, props, shooting, performances, etc., in the final analysis, it is to serve the story, and then dig out the profoundness from the story, dig out the era, and dig out the shock. ”

"Humph!"

Jin Yan snorted suddenly, "Having said so much is all fake and empty, and I still haven't figured out what to film?

“......”

Everyone is a little unhappy, this person has an average level, and he thinks very highly of himself, and he has always been unpopular.

"Of course, it's not my mouth, the audience's aesthetics are different, but there are commonalities on some levels, such as this ......"

Xu Fei stood up, strode to the board, and tore open the cloth with a brush.

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