The scene to be filmed today is a-for-tat rivalry between Qu Jinghong and Miss Shen Er after Liang Fusheng was released by the Japanese.

Jiang Man and Xu Chunqiu have both won the Golden Dragon Award before and after, and the two of them can stand in that position and lift the Golden Cup of the actress, which is more or less professionally something.

While the staff set the scene with their hands and feet, they couldn't help but continue to get together and talk to each other.

"Other crews first shoot some warm literary dramas to let the actors enter the roles, and it's good to be a director, the first scene is such a fierce confrontation scene. ”

"Feng Dao, who can touch his temperament. ”

"I really didn't expect Queen Jiang to succumb to a supporting role and play such an unpleasant role to set off others. Xu Chunqiu is also in her early twenties, two years younger than me, how could Director Feng choose her?"

"The villain supporting role is also very attractive, okay, and Xu Chunqiu didn't also take the Golden Dragon Queen, although he is indeed a little too young......"

"It's started, and the stand is up. ”

“......”

At this stage, Qu Jinghong has fallen into a relatively depressed situation because of singing for the Japanese.

The costume team prepared a set of gray shorts for her, the clothes were specially distressed, and the shoulder line was picked open. In order to hide people's eyes, she also wore a rag around her neck, which Qu Jinghong took from the backstage of the theater to cover her face so that no one would recognize her.

On the other hand, Miss Shen Er played by Jiang Man is delicate from head to toe, with a lace crepe skirt, high-heeled small leather shoes, and two round and full pearl earrings hanging from her earlobes, which looks quite decent.

"All departments prepare," Feng Tusheng shouted at the top of his voice, "One shot at the thirty-second scene—"

This is the first scene actually filmed by Xu Chunqiu's group, but it is the thirty-second scene marked on the director's workbench.

The field reporter teacher closed the field board with a "click".

“ACTION！”

Xu Chunqiu ran as if he was dying, and ran like a headless fly in the streets and alleys built by the scenery team.

The amplitude of the shooting movement is too large, the fixed camera shooting is not realistic, and the photographer carries the camera on his shoulder and moves with it, and it is difficult to ensure that the machine will shake uncontrollably.

Therefore, the crew used a rocker arm of the track, with a dark and bulky machine fixed on a pre-arranged track, and the photographer pushed and pulled back and forth.

Xu Chunqiu ran at alternating paces regardless of it, as if he wanted to leave something behind, until Miss Shen Er intercepted her forward trajectory.

Feng Tusheng waved his hand and shouted "Click", and from here on, he had to cut the close-up scene.

He beckoned to Mr. Steadicam and said, "I'll take a look at the monitor." ”

This segment of the video was broadcast three times over and over again, and he frowned and said, "Change the lens and shoot at a wide angle." ”

Feng Tusheng needed a close-up and a panorama to appear in the same long shot in turn, combining the upper and lower lenses, which required multi-camera editing, into one to form an internal montage.

To achieve this effect, you had to shoot with a wide-angle lens.

Telephoto and wide-angle are two types of lenses commonly used in photography, and they differ in focal length, field of view, and subject.

In layman's terms, a telephoto lens is like a telescope, which can "hang" distant scenes, and can also shoot close shots from a long distance, but it is difficult to shoot long shots.

Wide-angle lenses, that is, lenses with short focal lengths, can meet both the needs of both close and long shots because of their perspective characteristics with a strong sense of space.

But immediately afterwards, the assistant director, who had been standing aside, raised objections.

"You're worried that the telephoto won't be able to shoot moving shots, right?" the assistant director tried to persuade him, "and with the cooperation of the track, Steadicam can also support some simple push rail shots, and shooting like the one just now is no problem." ”

Feng Tusheng shook his head: "It's not enough. ”

The assistant director sighed: "It's not good to shoot people in a wide angle." ”

One of the biggest problems with the wide-angle lens is that it is close to large and far small, which will cause perspective distortion when shooting faces.

Once the focus of the shoot is on the face, the actor's head will be too big.

And the popular aesthetic rejects this top-heavy proportion.

"And to be honest with you, our set team has already finished painting the wall, and this section of the background is five meters long," the assistant director sighed and said, "If you change to a wide angle, I'm afraid this scene won't be filmed today, and we will have to repaint the wall." ”

A wide-angle lens shows more of the background behind a person than a telephoto lens.

If you use a telephoto to bring to five meters, you can switch to a wide angle and bring it to a 10-meter-wide background.

Twice the amount of background meant twice as many walls for the set team, and the assistant director had to find a way to fit twice as many ensembles into the frame.

"Crazy on the Day" itself was filmed by Feng Tusheng who gambled his net worth and posted money himself, and now he suddenly has to use a large number of wide-angle lenses, which is simply worse for the cost of film shooting.

But Feng Tusheng listened in silence and said unmoved: "This is not something you have to think about. ”

His emotions erupted like a volcano, he was overly excited, neurotic and emotional, he pointed at the camera and shouted, "I'm going to shoot this shot at a wide angle!"

The assistant director knew that there was no need to negotiate, so he worked hard.

He beckoned the person in charge of the set team over, patted him on the shoulder, and told him to double the amount of background.

In the middle of their sentences, Feng Tusheng suddenly interrupted them again.

"This wall is all repainted. ”

The assistant director is like a cat whose tail has been stepped on, he feels that he will definitely not be able to cooperate with Feng Tusheng in his next play, and if he continues to do this, he will one day be made to a nervous breakdown.

"This wall doesn't want to be gray, I want red. ”

"Give me the peeling, low-saturation red. ”

He seemed to sink into his own imagination, and he was a little fluttering.

"This is a conflict between two women, and I want to use a red background to intensify that conflict. ”

The set team didn't understand why he bothered so much: "But the audience ......"

The audience simply does not appreciate his attention to these details, they can only see the actors' faces on the screen.

Feng Tusheng said stubbornly: "Movies are never made by people. ”

"What is there to shoot people, aren't they all two eyes and one nose, two arms and two legs?"

"Movies are about a world. ”