This is the origin of these antiques from the Eastern Ying Kingdom.

Most of these things are the authentic works of the former painting masters of the Dongying Kingdom and some local Buddha statues, most of which are mainly wood carvings.

After Jin Feng saw these things, he also called them retribution in his heart.

It took me half a day to read it, and the rest of the time was naturally the time to ask Jin Feng for advice.

As the museum with the largest collection of calligraphy and paintings in the First Empire, the preservation and restoration of 1,200 calligraphy and paintings of various dynasties and dynasties has become the most headache and most painful problem for the museum.

For example, Han Gan's Chengma picture scroll in the Tang Dynasty has been repaired several times by the great experts of Shenzhou, and it has almost lost its original color.

Like Mi Fu, Zhao Mengfu and Li Gonglin's calligraphy and painting due to the use of paper and ink, it has been so dark that it is impossible to see the original traces.

The protection and restoration of calligraphy and painting is not much less difficult for these white skins than the moon landing.

China is the only country in the world that can do the restoration of these calligraphy and paintings.

But now there is a strange phenomenon in Shenzhou, which is completely puzzling to many national museums.

In the past, these calligraphy and paintings were still before Xia Ding, as long as any museum sent a letter, email or phone, Shenzhou immediately sent the top masters to come over overnight to help with restoration and maintenance.

And......

Don't take a penny, don't take a penny.

You don't even need a return ticket.

All you need is food.

This kind of good thing is simply impossible for foreign museums.

But that's exactly what happened.

At the beginning, the foreigners were still grateful, and over time, the foreigners got used to it, and their hearts became more calm.

Who called these calligraphy and paintings all your gods!?

If you don't repair, who will fix it?

If you don't fix it, then we'll let him rot.

Anyway, we have a lot of calligraphy and paintings here, so it doesn't matter if we lose one or two.

As long as you Shenzhou can't bear to see your national treasures rot and rot and turn into pulp and slag.

Originally, everything was fine, but last year things changed.

It's not that Shenzhou won't be repaired.

But......

Shenzhou can't draw up manpower.

Think about it, there are so many museums abroad, even if each one has five calligraphy and paintings to be restored in a year, how many are there in the world?

unimaginable figures.

Even in China, it takes at least two to three months for the top masters to restore a painting.

Hearing the response from Shenzhou, several large museums and national museums have quit.

In the past few years, you have all been able to spare manpower, but now there is no one for Mao?

Your guys pinch?

Where have your people gone?

Many curators and high-ranking officials directly contacted Xia Yuzhou, the chief consultant of Shenzhou's archaeological history, and questioned him face-to-face.

Wow.

Shengmien fights Mi Feud.

The-eaters also bluffed the-eaters.

What the is this called logic?

But Xia Yuzhou was not angry at all, but explained to every curator and senior official with a smile.

Most of our restoration masters have retired from old age, and the new generation of restoration experts are still working technology, and I believe that it will not take a few years to fill the vacancies of the older generation, and everything will be business as usual when the time comes.

This explanation is perfect, and foreigners have nothing to say.

However, in fact, those restoration masters did not retire when they were old, but were driven away by Xia Yuzhou.

Several top masters of the National Museum, Xu Xinhua, all got out of the way, and went home to take their grandchildren to square dance.

A few very capable old academicians of other academies saw too much, so they simply waved their hands and excused themselves to pretend to be sick and recuperate.

The retirement age of academicians is 70 years old, and these academicians have already passed the retirement age for several years or even more than ten years, and they have finished teaching everything they should teach.

When Xia Ding was there, he didn't have anything to say, Xia Ding was gone, Xia Yuzhou had this intolerable virtue, and the old academicians didn't care if they were lazy.

There are still some first-class restoration experts in the rest, who are naturally Xia Yuzhou's descendants and henchmen, but the number and technology are still a few points worse than those of the retired.

These restoration experts are tired enough just to repair those first-class national treasures in China, and if they want to run abroad, it will simply kill them.

After coming and going, the restoration of foreign calligraphy and painting was delayed.

Jin Feng has long known these things clearly through his own channels.

"Commissar Kim, I have heard from my colleagues in the Roman Kingdom that your restoration technology is the best in the world......

"Can you help us restore a few of the calligraphy and paintings in our museum?"

"They're dying. ”

Hearing the curator's request for help, Jin Feng showed a look that he had never seen before, smiled, waved his hand and shook his head, and refused repeatedly, claiming that he was okay without that. It was all a boast of the Romans.

I only know a little bit about fixing.

"Commissar Kim, don't be polite. As a Shenzhoutong, I still know you very well. ”

"In your country, your repair skills are very admired by Master Xu Xinhua. ”

"Yes. I'm an old friend of Babaten, he's in front of me, but he says everything. ”

"I also heard that you helped Princess Meglia restore the rarest general figurines in your country. ”

"Don't deny this. ”

"Yes, yes, you're welcome. ”

"We really need your help. ”

The shelf is almost in control, Jin Feng smiled euphemistically and said at the moment, try it yourself, try it.

The curator and several directors of the museum were overjoyed, and no one saw the essence of Jin Feng's pupils flickering.

At that moment, the curator personally took Jin Feng to the secret vault of the museum.

This is the most important and confidential area of every museum, and under normal circumstances, only the curator and a few independent directors can enter it.

The keys are also kept by the curator and several other directors.

The curator has one in his hand, and the other directors take turns keeping two.

Three keys in order to open the door to this special vault.

When it was opened, Jin Feng was naturally politely told to avoid it, and after it was opened, Jin Feng was still asked to wait outside.

In the basement outside the vault, scrolls of ancient calligraphy and paintings were brought out by the directors.

Although he pretended not to care, he could see the scrolls and papers of these ancient calligraphy and paintings clearly and truly.

For a moment, Jin Feng's heart jumped out of his chest, and his palms were instantly filled with sweat.

"Zhou Fang !!"

"The Ming Emperor's Concubine !!"

"Ni Zhan!"

"Autumn Bamboo Forest!"

"Mi Fu!"

"Chongxi Poster!"

"Anonymous of the Northern Song Dynasty...... "Luohan Map". ”

Zhao Mengfu ...... Li Gonglin ......"

If there is anyone in China who can have Jin Feng's deep understanding of the Freer Museum's collections, the answer is that only Jin Feng himself.

As early as the days when Jincheng was dormant, Jin Feng had already studied all the museum's collections clearly through various posts and travelogues on the Internet.

Especially these calligraphy and paintings, I have long been dying.

There is no need to get started at all, just looking at the shafts and paper of these calligraphy and paintings, Jin Feng can clearly know their origins.

Found a treasure!

I've found a treasure!

Jin Feng's teeth clenched together, screaming in his heart.

It's a goddamn gift!

If these treasures don't move them back, how can they be worthy of their ancestors and ancestors!

My heart is about to bloom, but my face is extremely cautious and polite.

I opened these peerless paintings one by one, looked at them carefully, and greeted the eighteenth generation of the ancestors of this group of white-skinned dog mongrels in my heart.

He nodded calmly: "I can repair." ”

Upon hearing this, the curator and several directors suddenly showed surprise.

"This ...... The book has burned so many small holes, can it be repaired?"

The bookmark that has been burned out of many small holes is the eternal noun "My Nong Ci" made by a generation of talented women.

This is a unique treasure in the world.

Many people don't know the origin of "My Nong Ci", and what they know is only a small niche.

When this poem was really popular all over the country, it was written by Li Yunlong's wife Tian Yu to Li Yunlong on the wedding night in "Bright Sword".

"You and I are affectionate. There are many feelings, and the heat is like fire. Put a piece of clay, twist a you, shape a me. ”

"Break the two of us together and mix them with water. Pinch another you, and mold another me. ”

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