"It's the difference in the structure of the house itself. Xu asked.

He had been listening quietly to others before, but no one could ignore him, not even Wu Keming.

Wu Keming has been sweeping his gaze intentionally or unintentionally, wanting to hear his speech, but Xu Wen has never spoken.

In fact, Xu Wen didn't mean to keep his head in obscurity, but related to this question, he saw too much information in another world, and it was not entirely his own thinking.

It's not fair to someone else to interject in this way.

And for his part, he would also like to see if there will be more answers to this inconclusive question.

He had listened so much, and at this time he opened his mouth specifically for the part that the others had not just mentioned.

"Wooden houses are usually built with beams and columns, built on their own, and the strength is inward, so even if there are no nails, only mortise and tenon joints can be formed, and they can be maintained for a long time. ”

Xu Wen habitually wanted to find a place to explain while drawing, but it was full of stones, unlike other places where there were mud floors, so he looked around and had to give up.

He didn't indicate his intentions, but Wu Keming seemed to understand, beckoned to him, turned around and walked to a nearby room, and pushed the door in.

The stone house is unlocked, and there is a few cases in it, on which there are four treasures of the study, and there is a painting on the wall that cannot be seen clearly.

There was ink in the inkstone, Wu Keming directly led Xu Wen to the side and handed him a pen.

Xu Wen thanked him, tried his pen, and began to draw.

This is a question he has been thinking about lately, and now he has some answers in his mind, and there is no ambiguity in drawing the picture.

His pen is accurate, the lines are clear, and all the auxiliary marks are familiar to these people in the first team of Yue Ling, and it is not difficult to understand it now.

In comparison, Wu Keming was slightly obstructed, but he didn't ask questions, just listened to his explanation while looking at Xu Wen's picture.

Relatively speaking, what surprised him even more were these other young people, who naturally gathered around Xu Wen and listened quietly, and their expressions reminded him of when he was apprenticed to a teacher.

"There are several ways to combine the components of a common timber building: first, stacking. The solid wood is stacked parallel to each other, and the concave tenon is chiseled at both ends of the wood......"

Some time ago, Xu Wen studied and accumulated knowledge in modern times, and walked on foot in this world, spanning long distances from east to west, seeing and feeling a lot.

Like a great wave sweeping across the plains, these knowledge, feelings, and thoughts hit him, bringing a lot of things and leaving behind a lot of things, deeply buried and waiting to take shape.

Now, in this cold and remote mountain stone house, these things are beginning to sprout in earnest, in front of these companions and students who are in another era but have received a new education.

"Second, staggered combinations. This combination is mainly based on the unique toughness of wood, which is ...... from small to large."

"Third ......"

“...... It can be seen that the timber frame structure is a balanced and symmetrical integral frame structure, all kinds of forces are inward, balanced, relatively flexible, have a certain deformation capacity, although the construction time is short, the processing difficulty is small, but the adaptability to environmental changes is relatively strong. Relatively speaking, the stone has a large weight, high hardness, high density and weak toughness, which is more suitable for upward development and the formation of large buildings, and has no advantages in small houses. ”

Xu Wen is represented by graphics, which is clear and distinct, Xu Sanjiang Wangfeng and they can understand it at a glance, Wu Keming is ignorant of this, but he also vaguely understands.

Just like what they learned before, Xu Wen said these things, maybe no one in this world has thought about and summarized from this perspective, but only a small number of people have made such an attempt, and they have not made a systematic and complete conclusion, at least not passed down.

This is very consistent with the previous thinking of Xu Sanjiang Wangfeng and other people in the first team, but it is not completely difficult to understand from pure theory to architectural practice, but it can be understood after a little thought.

This is very impactful for Wu Keming.

He is a painter, and he has always accepted and excelled at all sensual things, such as the conflict and influence between culture and form, which he realized early on and deeply sympathized.

And now Xu Wen is talking about this, I have to say that it is a completely unfamiliar field for him.

No, this is a new way of thinking and thinking logic, and he even vaguely feels that in this kind of thing, such a way of thinking is correct and effective.

Undoubtedly, this opened his eyes to a whole new world!

"The formation of a phenomenon is usually multifaceted, and when it comes to architecture, the practical factor is certainly a crucial aspect of it. Xu Wen finally concluded.

Practicality and the culture behind it often go hand in hand, especially in ancient China.

According to Xu Wen's understanding, there is actually another cultural factor that Jiang Wangfeng didn't mention just now.

Chinese feel that houses are built for the present generation, only one generation needs to live, and future generations should continue to renovate and expand on this basis. This is in stark contrast to the generations of stone architecture of Westerners.

So up to now, there are only a few ancient buildings that have survived, and many of them have been rebuilt or rebuilt later, unlike the entire city in the West.

The Chinese's achievements and development in wooden architecture are enough to make it meet the needs of many parties from top to bottom, so it has become a unique cultural symbol.

When something exists, there will be many people who justify it from various aspects.

In particular, it is difficult to distinguish whether the cultural factors have made wooden architecture the mainstream, or whether its advantages have been magnified and inherited first, and then explained and interpreted from the cultural point of view.

But whether it is the antiquity of the present world, or this other world that is extremely close to history, has made it a reality.

"In this way, stone buildings are not as easy to use as wooden buildings?" Xu Xihuai frowned, staring at the figure Xu Wen had just drawn, and his voice was a little dull.

"Of course not. Xu Wen raised his hand, pointed upward, and drew a circle again.

If nothing else, they're in a stone building right now.

"But its building conditions are relatively special, and it is still a kind of cave. If there are no such suitable conditions, what if you build on flat land?" Xu Xihuai did not relax.

"With the help of some external forces, of course, it can be done. Xu asked.

"The biggest problem with stone is that it is heavy, tough, and difficult to achieve balance spontaneously. But what if we find a way to add some external force to it? For example, the Tianyun Mountain in front of us is the external force with the help of Shibiju. There are other ways to try to find other ways. Xu Wen thought and said.

"In what way?" Xu Xihuai asked, a little impatient.