"Legend has it that there was an era before the Great Zhou, called Tang. History has its own cause and effect, but only this Tang seems to have suddenly come to the world, with no origin, no record, suddenly coming, and suddenly dying. ”

Lian Tianqing paused and spoke slowly.

"There is no record, then how do you know that this Tang once existed?" Xu Wen listened carefully, he immediately realized that this Tang was completely different from the one he knew, and then keenly grasped the question in Lian Tianqing's words and asked.

"No history does not mean that there is no record, in this legendary Tang Dynasty, the most famous artists in history, the birth of the most fine products in history. The names of these people have been passed down along with their works, which is the best proof that they existed. "Lian Tianqing said.

"What do you mean?" Xu Wen didn't understand for a while, "You mean these people are piled together?"

"The timing is slightly in order, but it's pretty much as you say. Lian Tianqing said.

"You wait for me to sort it out......" Xu Wen stroked his forehead, still a little unable to react.

It's amazing, it's incredible.

Lian Tianqing means that in the history of the Banmen world, before the Great Zhou, there was an era called Tang.

There is no historical record of this Tang, so I don't know the details, but there are countless works that have been handed down, giving people a glimpse of its existence.

During that time, which lasted for an unknown amount of time, various famous craftsmen appeared one after another, leaving behind their own works, as if they existed for this purpose.

"In fact, not everyone can leave a name, and at that time, there was a peerless product, and it is impossible to know his real name, but this is already the best name. "Lian Tianqing said.

"How many years has Datang been in total?" Xu Wen asked suddenly.

"I don't know. Some historians have studied and found that those works were born in a very short period of time, and should not be more than a hundred years before and after. Lian Tianqing said.

"But that doesn't make sense. Not to mention anything else, the calligraphy inheritance of Master Yu Suiliang that we just talked about has been passed down from generation to generation for more than a hundred years!" Xu Wen asked puzzled.

A total of seven historians confirmed this matter, some of them were from the official family, some were from the people, some were old and virtuous, some were in the prime of life, some were all over the country for field investigations, and some spent a lot of money to buy treasures and bury themselves in ten years of hard research. The history of the Tang Dynasty is only a hundred years, which is their common judgment. Lian Tianqing said.

Xu Wen frowned and didn't speak.

This does not mean that he fully agrees with this judgment, but it is indeed worth referencing.

What if this is true? What if this legendary Tang really lasted less than a hundred years?

And there are only works, no history.

He suddenly remembered the doubts he had had when he was studying for Sparrow.

In fact, the inheritance of architecture is also very clear, which is related to the technology and aesthetics of different eras.

For example, the term "farrow" itself comes from the Qing Dynasty, and its name in the Song Dynasty was "Nickname".

Before the Yuan Dynasty, most of the finch components were used for the inner eaves, and after the Yuan Dynasty, especially in the Qing Dynasty, they were generally used under the forehead of the outer eaves, and the decoration became stronger.

In the Song and Yuan dynasties, the ornamentation was relatively simple, mostly composed of a small number of lines, and the Ming Dynasty was slightly complicated, and in the Qing Dynasty, its focus changed from mechanics to aesthetics, with different carving methods and complex forms, which were already comparable to independent works of art.

The first time Xu Wen learned to restore was Sun Boran's Que Ti works, and the name he learned from Lian Tianqing at that time was "Que Ti". The form of that work is complex, the decoration is obviously greater than its mechanical effect, and from the name to the style, there are significant Qing Dynasty characteristics.

But after going out, just in Jiangnan, he saw many styles of birds, many of which were in the style of Song and Ming Dynasty.

The most important thing is that these are not old works, but new "popular styles".

At that time, Xu Wen was a little confused, what is going on with this generational inheritance?

Not only the style, but also the name, there are various names for this component. Birds, curtains, corners, and tomu...... Although it seems to be just a habit, and they can understand what is being said by each other, the times are really very chaotic and confusing.

At that time, Xu Wen thought about asking what was going on, but he was busy here and there, and he didn't have time.

Now that these former thoughts came back to him, he tried to clear his mind, trying to find the truth through the fog.

In the past 100 years, ignoring the times, celebrities have emerged, and stars have gathered?

And these people, who should have appeared for thousands of years, have their own history and heritage, life and joys and sorrows?

The works carry the history, and the works have the inheritance between them.

Ignoring these and forcing their works to appear is like a pair of invisible hands that have shredded up a long history, picking out some of the highlight pieces and kneading them together.

This was so strange that Xu Wen couldn't imagine how it happened, and it was even difficult to imagine its actual form of existence, and the possible implications.

If you have the chance, pay attention to it......

Alternatively, you can find some clues from the objects of the Four Seasons Hall.

"Knock knock. Lian Tianqing knocked on the table twice and said, "Let's not talk about this for now, let's continue." ”

"Poetry hall decoration refers to a blank piece of paper inlaid above the heart of the painting, dedicated to the inscription of the poem......" Lian Tianqing continued to speak, Xu Wen quickly retracted his mind, listened attentively, and at the same time began to try to frame according to Lian Tianqing's explanation.

In the evening, Xu Wen rested in Xu's house and went to the Banmen World.

He was still thinking about "Tang" in his head, and he was still relatively focused at work, and when he was resting after work, his thoughts couldn't help but drift away.

"What did you think of again?" Jing Nanhai quickly noticed and looked up and asked.

Although the master plan for their city has been completed, it is impossible to stop thinking about it.

In the process of work, you will always have new inspiration, which cannot be given up or used all, and you need to follow the original plan to filter and supplement.

In the past, Xu Wen often had such a time to concentrate and think, which usually meant that he had new ideas.

"It has nothing to do with the construction of the city. Xu Wen shook his head and couldn't help but ask Jing Nanhai, "Have you heard of Tang?"

"Of course. Jing Nanhai raised her eyebrows, her expression a little strange, "I've read a lot of related classics." ”

"Can you tell me about it?" asked Xu Wen.

"Wonderful dynasties, it is reported that there are only 100 years before and after, and there are many strange people. There are many irrational places, as if the front and back are broken, and they cannot be continuous. Jing Nanhai said briefly.

"The front and back fractures cannot be continuous? What does this mean? Isn't that history continuous?" asked Xu Wen.

"There happens to be a person coming today, he is a member of the Old Tang Dynasty research, you might as well ask him, it should be more clear. Jing Nanhai said.

"Who?" asked Xu Wen.

"Hahaha, I heard that you are going to Tianyun Mountain today, take me one!" At this time, a hearty laugh came from behind Xu Wen, and the voice was very familiar.

As soon as he turned around, Zhu Gantang strode over.