Morning, Beijing Broadcasting Institute.

Today's winter vacation starts, students report to school, and there is a lot of chaos. Fang Tingting of the advertising department stopped the car at the school gate and didn't like to enter for a moment. Her family is in the capital, and she doesn't have classes today, so she came over to order something.

She crossed the street, ran to a newsstand, and asked, "Is there any news today?"

"Yesterday's Lantern Festival, is it news?"

"You're funny, serious. ”

"That's gone. ”

The boss spread his hands.

Shh

Fang Tingting had to look for it herself, and when she saw dozens of red, green, and green newspapers on the stall, she flipped through them a few times, and suddenly her eyes lit up.

"This newspaper specially invited Xu Fei, the producer of "Hutong People" and a famous screenwriter, to open a column to discuss the art ...... film and television dramas with you"

As a fan of Hutong, she naturally knew who this person was, so she hurriedly bought one. I followed into the breakfast shop next to me, asked for a bowl of wontons, and watched while waiting.

In the later supplements, the long pages almost take up one page. The name of the column is "On the Self-cultivation of Film and Television Dramas", the first issue, "Performance".

Burst!

Fang Tingting looked at this title and looked at it seriously, with a unique Hutong style, and looked down busily.

"The small characters have been in the industry for several years and have achieved a little success...... At the invitation of this newspaper, I would like to open this column, and I look forward to communicating with you.

First of all, I would like to state that this name has nothing to do with Si's masterpiece "The Self-cultivation of Actors", and it is purely personal liking.

Since 1905, when Ren Jingfeng, the owner of Fengtai Photo Studio, filmed "Dingjun Mountain", Chinese films have gone through 84 years of history. Since CCTV broadcast "A Bite of Cakes" in 1958, domestic TV dramas have also experienced 31 years.

Today, film and television art is a mature industry in the world with a huge audience.

As an art form that presents to the audience, it is mainly storytelling, and the most intuitive carrier is the actor, and the core thing of the actor is the performance.

For a long time, the domestic literary and artistic circles only valued the subject matter and content, ignoring the personality of the actors. has improved slightly in recent years, at least there are special actor awards......

Today, I would like to share with you what a good performance is and what is not a good performance.

Remember two concepts first, entering the play and exiting the play. To put it simply, a good performance makes us into the play, and a bad performance makes us play.

Let's start with an example.

The last paragraph of "Under the Bridge", the delicate and timeless artistic conception has always been praised. Gong Xue won the Golden Rooster and Hundred Flowers awards with this, so let's analyze the performances inside.

The character played by Gong Xue has been in line for many years and returned to the city. When she was cutting in line, she met a man who had a child out of wedlock, and as a result, the man ran away from home.

Gong Xue was under tremendous pressure to raise the child alone, and was moved by Zhang Tielin's sincerity, and confided in her heart at the end, telling her experience.

Knock on the blackboard and highlight the highlights!

Analyzing the performance, you must not take out a single clip, you must combine the situation and the character. ”

"Hah!"

Fang Tingting's wontons had already come up, but she didn't care about eating them at all, and continued to look down.

"Gong Xue first cried bitterly, then calmed down and said: 'Strange, why did I tell you everything today?'

Zhang Tielin: 'I understand. ’

'What do you understand?'

I understand it, and you understand it. ’

At this time, Gong Xue's strong and closed heart for many years has actually been softened by the other party. She trusted and loved this man, so she tore open her most painful scar and showed it to the other party.

That's why after she cried, she said seemingly inadvertently but deliberately, 'Strange, why did I tell you everything today?'

The subtext is, 'Oh, it's time for you to confess!'

"Poof!"

Fang Tingting burst out laughing, she felt that she was talking nonsense at first, but it was very reasonable when she thought about it.

The girl herself didn't know why? She must have known, so why should she ask? Just to get a response.

Similarly, "It's easy to talk to you" and "I seem to have talked a lot today." ”

It's because she knows it in her heart, so when she asked, she was already a little shy and expectant.

Everyone looks at the picture, Gong Xue has been holding a handkerchief in her hand, she was pinching it before, but when she said this, she began to slowly wrap around her fingers, slowly wrapping them.

This is a typical example of borrowing props and subtle movements to express the inner life of the characters.

At this moment, it was still a preliminary temptation, and then Zhang Tielin said, 'I understand', and this layer of emotion was revealed.

Gong Xue's daughter's mind has been punctured, and it has also changed, and friends with conditions can listen carefully to this sentence 'What do you understand?'

That tone obviously changed from coquettish to coquettish.

Zhang Tielin said again: "Anyway, I understand, and you understand." ’

Gong Xue's performance followed by her is the best part of the whole film. She was stunned for a moment, then leaned down on the table, rubbed the back of her hand against her forehead, and bit her lip slightly.

The camera enters wonderfully, giving a close-up, the side face that shows seven points, the eye waves, a little shy, a little happy......

The bittersweet touch, the subtle and eternal beauty, came out at once.

This is called entering the play.

Of course, some people may say, hey, what are you doing with so much trouble?

That's right, but depending on the different views, the feeling is different from the perspective of the flowers or savoring. For example, if we understand the paragraph just now, we will understand what the two of them said.

It's time for you to confess. ’

'I know. ’

'What do you know?'

'I scarce you, and you scarce me. ’

"Goose Goose Goose Goose Goose ......"

Fang Tingting pinched the newspaper and walked into the campus like a fool, thinking for the first time that film and television art appreciation was so fun.

She slipped into the classroom, reported to the instructor, followed her eyes lit up, and ran to Chen Xiaoxu's side.

"Why are you here if you don't have classes today?"

"It's not interesting at home, so it's easy to come and see when school starts...... What are you doing with the newspaper?"

"I just bought it, it's interesting. ”

Chen Xiaoxu took a look and pouted.

"Here's another example.

At the end of "Hutong Family 1", Ge You sat on the steps and rubbed his face, which was praised by many viewers as one of the most memorable scenes. Today, we will also analyze it in detail.

First of all, Xiaowei is a liar, and the information is not completely transparent. What he understands is only what people let him know.

Secondly, as a superficial hooligan and an inward-looking man, it is not easy to meet a woman he likes, let alone want to marry her and have children.

So when the police come to the door and reveal all the truth, the impact on the individual is unimaginable.

Human emotions are complex and rich, and often a variety of emotions are mixed. For example, someone suddenly heard that his mother died in a car accident and died on the spot, and he didn't dare to say everything, at least most people's first reaction must be shock, and their heads were blank.

After that, sadness, grief, disbelief, hysteria, fainting, fainting, etc. will follow.

The previous scenes were simple, black and white, and the characters were face-painted. Even the mood is very monotonous.

With the abundance of themes and the increase in the number of film and television works, the requirements for actors will become more and more refined. A performance like this with a lot of emotional changes is what I personally call it layered.

Back to Geyu.

When he learned that his feelings were a scam, he was naturally shocked, and his head went blank.

The crowd had already entered, but he stood in the doorway and sat down on the steps.

Everyone looks at the picture, Ge You's eyes were empty just now, and he is at a loss at the moment, which is a fine emotional change. So what is he at a loss?

Is Xiaowei really a liar? Does Xiaowei like herself? Is she like a joke? And Xiaowei's real name, is it Shen Taohong?

If you continue to change, it contains doubt, bitterness, self-deprecation, self-comfort...... With so many things in one place, no one can perform at the same time.

So Ge You began to rub his face.

This action was designed by himself, and the shooting was amazing. The actor is not omnipotent, depending on how to respond, he rubs his face, covers his face, transforms his expression into limbs, and moves down in four or two.

Some people say, Ge You didn't perform, why did he still applaud the performance?

Because his rhythm is not broken, rubbing his face adds to the effect, always giving the audience a powerful emotional rendering state.

The audience can imagine that he is in pain, he is crying, anything goes.

This is also called entering the play. ”

Chen Xiaoxu and Fang Tingting huddled together, and they were fascinated unconsciously, and they didn't even know that the teacher said that they would have a meeting.

"Let's talk about the not-so-good performances.

Or "Under the Bridge".

The role played by Zhang Tielin is also a young man who returned to the city and set up a car repair stall. He is kind, upright, tolerant, and dares to break through old ideas and pursue true love.

Analyze a turning point first, he knows that Gong Xue is unmarried and pregnant, and has a five-year-old child.

At that time, his mother went upstairs, and Gong Xue sat down and looked back.

I don't want to talk about the layering or anything, because there is none. Zhang Tielin looked at her, looked left and right, took a cigarette in his mouth, pinched a match by himself, and looked for matches all over the room.

The eyes are not chaotic enough, there is no fluctuation in the face, and you can only use the match to show that you are flustered, which is a very simple acting.

He liked each other, and when he suddenly learned about this situation, the impact was huge. This performance obviously can't support this turning point and lacks strength.

On the other hand, Gong Xue also panicked after looking at each other, and immediately turned her head and continued to make clothes.

When people are nervous, there are many external manifestations, such as blinking, pursing of the lips, breathing rate, slight movements of the head, movements of the hands, and so on.

Gong Xue showed it relatively delicately.

And Zhang Tielin's simplistic performance fills the whole film, frowning, sighing, contemplative, staring at one place without moving, basically repeating homework.

Special ending paragraph, see the contrast.

Gong Xue's eyes and smile were full of affection at a glance, looking at the person she liked. Zhang Tielin's eyes were emotional, but not deep enough, and his face still did not fluctuate.

The two have gone through so many things, and they are finally going to be together, but it is difficult to feel his joy and expectation.

The tone of the whole film "Under the Bridge" is restrained and subtle, and the style of the actors also leans in this direction.

However, being restrained does not mean stiffness, it does not mean that it lacks meticulousness and appeal.

That's not called introverted, it's called no performance. ”

In order to satisfy Xu Fei's illustrated texts, "Beijing Youth Daily" made a bloody investment. Limited by technology, black and white pictures, high paste, can be matched with his text description and his own brain supplement, and he can magically distinguish it.

"That's not called introverted, it's called no performance......"

Fang Tingting slapped the table and played, "Teacher Xu is so funny, so funny!"

"It's okay. ”

Chen Xiaoxu pursed his lips, only to feel that the writing was good, fresh and interesting, not old-fashioned, and intimate.

Then she flipped through the newspaper, "Ah, it's gone." ”

"Huh?"

When Fang Tingting was having a good time, she immediately panicked, and flipped through it a few times, and was immediately relieved to see that there were still four words tomorrow.