With a good guess, Dr. Lessing's actions show that he did not tell the riddle at first, but only when he heard Guido say that his children and wife were in the concentration camp, he said the riddle with a solemn face.

As a doctor, his status in a concentration camp is definitely not low in terms of the fact that he can summon soldiers at will, and the puzzle can be explained as follows: can Guido and Dora pretend to be not Jews, produce a doctor's report, prove that they were caught wrong, and then the adults can improvise and fool around.

But children can't, it's like a platypus is a quack, a duckling is quack, the language is not understood, and there is no way to disguise it when it is too young.

So the doctor told Guido through the mystery that there was nothing he could do about the child, and the plausible evidence was that Dr. Lessing asked twice, "Is it a duckling?" and "Is it a duckling?"

And the doctor finally said, "I can't think of anything else but the duckling, help me, I can't sleep if I can't guess." The expression on his face was one of chagrin and pain, and after Guido turned to leave, he slammed the table hard, as if he blamed himself for not being able to save anyone.

"That doesn't feel right—" Kanta gasped at the sight, as he could tell it was Dr. Lessing's cold-bloodedness.

Dr. Lessing obviously treats the male protagonist Guido as a tool, and he never thought about saving people, and the lives of Jews are not worth a riddle in his eyes.

Guido was arranged to be a waiter at the banquet, just to ask him for the answer to the riddle as he had done a few years ago, because he couldn't guess it, so there was no way to return the riddle to the other party.

Kanta would think like this, it's not that he looks at human nature in the dark, there is a plot shown in the front, even if the new German army is coming, it will become bad after a while, how long has Dr. Lessing been in the concentration camp?

If it's really to give Guido a hint, there's no need to make up a riddle, because as mentioned earlier, the level of the doctor's riddle is a big addiction.

According to Kanta, the scene at the concentration camp officers' dinner was very shocking.

Guido thinks he's grabbed the last straw and that his friend Dr. Lessing will save him, so his eyes are full of hope.

But Dr. Lessing was talking about the riddle to himself, and even sad that he had not guessed the riddle, and the two were not talking on the same level at all.

With the doctor's reaction, Guido's gaze seemed to change from a lustrous gem to a bare stone, and he was desperate, and his specific request was not spoken.

As for what exactly Dr. Lessing is trying to say, the audience now has no way of knowing, because both explanations are supported by clues.

Guido, who was so desperate at the banquet, did not forget the romance for his wife, and his love was engraved in his bones.

At the banquet of the German dignitaries, Guido found a gramophone and found many records next to it, including the opera "The Boatman", which was also sung in the opera house on the night he and Dora confessed.

Turn the phonograph's loudspeaker out the window, and then the song and notes float over the walls, over the barbed wire, music and love can't be locked.

There is a plot in front of it, Guido brought Joshua to pretend to be a German child and eat delicious food, but because he said a thank you in Italian, he almost exposed his identity, but fortunately, Guido was eager to teach all the children how to say thank you in Italian, and he was confused.

The banquet was almost coming to an end, and Guido carried the sleeping Joshua back to the temporary dormitory, but due to the heavy fog, he couldn't see his fingers, and it felt that it was not a fog in the concentration camp, but a concentration camp growing out of the fog.

The melodious music of Offenbach's "The Boatman" is still playing, and then Guido takes two more steps as if into hell, and what appears before his eyes is the corpses piled up like small hills.

Music is a human art, and it is very beautiful and beautiful.

But the corpse in front of him was also created by humans, and it was very cruel.

The whole movie of "Life is Beautiful" does not directly describe the cruelty of the concentration camp, does not release a direct portrayal, there is no picture of Uncle Guido's death in the gas chamber, Joshua listens to others and pushes people into the incinerator to burn, there is no picture.

There are fewer and fewer Jewish children, all of them are dead, and there is no direct picture, not even the other children.

Every time Joshua was scared, he would be coaxed by Guido in various joyful ways, such as the day before the banquet, Joshua stopped playing the game and wanted to go home.

Come to think of it, even if you have the support of participating in the game and the tank award, you will get tired of hiding in a temporary dormitory for so long, and it is normal for children to have no perseverance.

Then Guido pretended to pack his things and wanted to leave, saying "Let's go, let's go back, although we are more than 600 points in the first place, but you decide to go, there is no way." ”

"We could have taken the tank home, but now we can only take the bus. It's a shame that the machine gun mounted on the tank is brand new, it's a pity. ”

Hearing this, Joshua said that he could still persevere.

To get back to the point, at this moment, in fact, these piles of corpses are also covered in a thick fog, and they can't see clearly, let alone bloody, but they are very shocking.

The joyful picture of the whole movie is almost over, and suddenly it comes like this.

In 1943, Italy surrendered, so it was natural that the German troops and concentration camps in Italy had to be withdrawn and destroyed.

God had to make them mad in order to let them die, and the persecution of the Jews by the German army was even worse, especially on the eve of the retreat, and even prepared to destroy the evidence by killing all the people in the concentration camps.

Guido immediately ran out of the temporary dormitory with Joshua, and he told Joshua that he had 940 points now, and that 60 points would be awarded after tonight, adding up to a thousand points.

That is, if you survive tonight, you can get a tank, so you must hide well.

The audience was very excited, feeling that this wave of three families could finally escape.

What they don't know at all is that the most abusive plot in the whole film is about to be ushered in.

Hiding Joshua in an iron rectangular mailbox, Guido disguised himself as a female prisoner and infiltrated the place where the female prisoner was being held to find his princess.

Unfortunately, the man was not found, but he was exposed, and in the dark of night, Guido fled in all directions, dodging the searchlights, and was finally caught.

In this paragraph, there is no use of camera skills at all, the plot is simply filmed, and the soundtrack is not tense, but it makes people extremely nervous and worried.

Originally, the private was going to shoot Guido on the spot, but he was stopped by the commander and told him to take him to the back and shoot him, either to destroy the evidence and concentrate on the back, or not to see the body here, for whatever reason, to temporarily pick up a life.

Cauchy was holding his breath and staring at the screen.

"Why is this movie all anti-routine, I thought that the doctor would save people, but I told a riddle, I thought that the German army retreated, Guido could save his wife, and the family of three went home safely, but they were arrested in a blink of an eye. Ross put the hostility aside for now, and then he swore that he didn't like movies that didn't go his way at all.

Kanta also stopped paying attention to the structure of the film, but immersed himself in the plot.

The private escorted Guido at gunpoint into the back alley, just as he was passing by the mailbox where Joshua was hiding, knowing that his son must be watching him at this moment.

As Cauchy put it, Guido is telling the biggest lie in the world, "not war, not racism, just games".

Blocking all the dark walls for Joshua, he decided to block it one last time and give the biggest lie to the circle.

I saw a familiar smile on Guido's face again, and he also took advantage of the private's inattention to wink at his son in the mailbox.

Walking forward with a high leg raise and an arm wave in unison, Guido was telling Joshua that it was still a game.

To be honest, because Guido was pretending to be a female prisoner, he wore a brown cloth on his head, rolled up his trouser legs, and wrapped a curtain as a skirt, and the whole thing felt nondescript.

In addition, when I was dodging the searchlight just now, I was very embarrassed to jump up and down and fall, so the funny step of high lifting, the whole thing was together-

The picture is from the perspective of Joshua's mailbox, it looks really funny, and in an instant the picture has a sense of joy, and Joshua also laughs.

But the audience, who have watched it from God's perspective for so long, no one will find this scene funny.

It is one of the most classic scenes on film and television,

The private with the gun behind him was stunned, he didn't know why he was still happy, smiling, and acting so funny, sure enough, the Jews were sick in the brain.

If it weren't for the execution in the back alley on the orders of the commander, the private wanted to be shot on the spot.

The camera moves with Guido, out of Joshua's line of sight, and he resumes his normal walking movements, and the escorted private angrily urges him to enter a fork in the road.

But the picture stayed at the fork in the road, and did not follow into it, only heard a series of machine guns "bang bang bang", and the private rushed out on his shoulder.

The camera is still focused on the fork in the road, and the audience in the theater knows that Guido can't be alive, because logically and otherwise, it is impossible to be alive after the gunshot.

But everyone on the scene wanted a miracle to happen, and they wanted to see Guido come out and say again: Good morning, my princess.

"Will definitely come out. ”

"Definitely, otherwise the picture stays on what to do. ”

"Come out of here. ”

The people in the exhibition hall couldn't help but whisper, and their eyes were staring at the wall.

More than ten seconds later, the camera flashed and the sky was bright, and Guido didn't come out in the end.

Ross felt the malice from the director, not called anti-routine, but to give you hope, and then told you that hope is fake and slightly omitted.

The darkness walked, and the day represented the light, and many of the Jews who had been hiding last night came out, and Joshua followed the rules of the game and waited until dawn to open the cabinet and come out of it.

At this time, there was really a tank in the concentration camp, it was a tank driven by American soldiers, Joshua was very happy, a thousand points could really sit on a big tank, and his father didn't lie to him.

The American GIs left the camp in a tank with Joshua in their arms, encountering a group of rescued Jews on the way.

Joshua saw his mother and pounced on him happily, then said that he and his father had won.

"That's my story. ”

"This was my father's sacrifice. ”

"That's what he gave me.

The whole film is over.