Xu Wen didn't immediately start looking for something to repair.

He first took a pen and paper and began to count all the items in the Four Seasons Hall.

Eight beds, what is the name of each bed, what materials are used, describe them in a brief paragraph, especially where the parts need to be repaired.

The same goes for other furniture, how many cabinets, how many chairs...... He counted everything and counted it in a list.

After the furniture was the box, a total of more than 100 mouths, Xu Wen opened them one by one to see.

There are several mouthfuls of calligraphy and painting boxes, how many calligraphy and paintings are in each box, how many calligraphy paintings are few, and what are the contents.

At this point, it gets a little tricky.

Furniture is okay, he spent a year to learn this, all types of basically clear doors, large and small pieces of statistics are also very convenient.

But in terms of calligraphy and painting, Lian Tianqing only gave him a general idea, and the specific content has not yet been involved.

He has also heard of some famous calligraphers and painters, but he can't do it if he is a little more obscure.

It's okay that the inscription is complete, but if it's eaten by insects or is already missing, it's very troublesome.

Xu Wen thought about it for a long time, suddenly patted his head, took out his mobile phone and looked, sure enough, there was electricity!

Now you can't make calls in this state, but other functions of the phone can still be used.

Xu Wen directly took pictures of them, the file names corresponded to the table, and then wrote a short description, which temporarily solved the problem.

When he counted the furniture, he was calm and easy, and after counting the calligraphy and paintings, he was sweating, and he was very ashamed.

There is no end to learning, and he knows too little...... If you have the opportunity to go out, I don't know if you can buy more books and bring them in......

There are many other things in the box besides calligraphy and painting.

Ancient clothing, various silk textiles, ancient books, gold and jade ivory carved ceramic vases and other large and small ornaments, gemstone jewelry......

There are many more and more complicated than Xu Wen imagined!

All these things know at a glance that they are not ordinary, just the word "exquisite", Xu Wen doesn't know how many times he wrote it in the description.

There are too many things, Xu Wen was pleasantly surprised again and again, and at the same time felt that his head was big.

There are still inscriptions on calligraphy and painting, and you can also find the origin, what about these things?

What is the difference between those different silk fabrics? This embroidery method and that embroidery method are really different, what are they called, and which master embroidered them?

There are more and more pictures on Xu Wen's phone, but the description on the paper is becoming more and more lackluster.

Recording and recording, he suddenly thought about something.

When he first began to teach him restoration, his master Lian Tianqing told him that this industry involves almost all categories, and its path is extremely far-reaching.

Xu Wen can be said to have a very deep understanding this time, and he is a little curious at the same time, so many things, can even Tianqing know? If he is here, can he recognize all these things?

Well, not necessarily.

It can be seen from the calligraphy and paintings in the box that these things come from various eras and span a very large scale.

Before appearing in the Banmen World, even Tianqing might be able to identify it, and after that, he would definitely have no choice.

After counting the contents of the box, Xu Wen thought about it, and opened the door of the cabinet to look at it.

When he opened a cabinet, he froze, turned around and moved the pen and paper on the table to continue his work.

The cabinet was also stuffed with things, all rare antiques, how rich was the original owner of the Xu Mansion!

It was dark and bright, and it was dark and dark.

Unconsciously, another five days passed after Xu Wen returned to Xu's house.

In the past five days, he didn't do anything, and spent all his time counting the items in the Four Seasons Hall.

Finally, he was holding a thick stack of paper full of words, a little dazed.

In addition to the building itself, there are a total of 17,812 items in the hall, including ancient books of calligraphy and painting, gold, silver, copper and iron, bamboo teeth and jade, lacquered wood and woven clothes, and all categories are included.

These more than 17,000 items, each of which is a fine product, is undoubtedly a huge treasure trove, but it also represents an even greater workload.

I'm a servant of this house.

Xu Wen touched his chin and couldn't help laughing, so calm that even he was a little surprised.

He put down the paper in his hand and carefully pressed it with a ballast.

The classification of cultural relics itself is a very difficult task, and coupled with his limited ability, only the fine wood type is more fine, and the rest are rough.

Let's start with the joinery.

After five days of sleepless work, Xu Wen didn't feel tired at all.

As early as when he was making the statistics, he had already identified his first target to fix.

Now he turned around and walked into the Four Seasons Hall without hesitation, and moved out four chairs from the deeper part of the room.

The Four Seasons Hall is too dim and has too many things to be repaired.

The workshop behind the rockery is too small and too remote to be used to repair large items such as furniture.

So Xu Wen sorted out a piece of space in the patio outside the Four Seasons Hall, and took out a large piece of white plastic sheet from the accumulated rags in the hallway, cleaned it, and propped it up above the patio.

This forms a temporary workshop, which is relatively bright and not invaded by wind and rain-

Yes, Xu Wen found the so-called time stop here very strange, as if it was only related to something directly related to him.

For example, apart from mental fatigue now, he will not be tired, nor hungry, nor sleepy.

But that's not the case for the whole house.

Time is still passing as usual here, just as the objects in the Temple of Four Seasons are still constantly affected by time. It's still windy, it's raining, there's sunrise and sunset, and there's a four-hour cycle.

In other words, if the repaired things are not stored properly, they will be damaged again......

Xu Wen moved the chairs one by one to the patio, and after the strong sunlight was filtered by the translucent plastic sheet, it became soft and shone on the four chairs.

These four chairs are all official hat chairs, which are obviously a set, simple and smooth, with a clear Ming Dynasty furniture style.

The official hat chair is one of the typical styles of ancient chairs, which began in the Song and Yuan dynasties. The "brain" of this kind of chair, that is, the uppermost part of the back of the chair will poke out its head, which is shaped like the open wings of the ancient official's black gauze hat, hence the name.

The official hat chair reached its peak in the Ming and Qing dynasties, but the styles of the two were completely different.

The official hat chair of the Ming Dynasty is simple and generous, the shape is elegant and concise, the curve and straight line are perfectly matched, and the chair is less decorated.

In the Qing Dynasty, the official hat chair was often used in the shape of a pot or a flower, and most of the backrests and armrests had floral ornaments, and the style was much more gorgeous and complicated than that of the Ming Dynasty.

The four chairs in front of Xu Wen now are very typical official hat chairs of the Ming Dynasty.

Its backrest is framed with log strips and is essentially empty, with only a backplate in the center. The back panel is also surrounded by a log frame, and there is a pattern in the center, which is called "frame inlay". The entire back plate forms an S shape with a very elegant arc, just enough for people to lean their backs on it and fit their spine.

This can be regarded as ancient ergonomics.

The back panel is embossed with a text and a hollowed-out ruyi moire on the top, but otherwise it does not appear to be decorated. But if you look closely, you will find that the teeth between its legs are embossed with grass patterns in the middle, the rear post is slightly bent back, and the head is slightly arched back, forming a just right back-dip angle.

Every detail of it is very meticulous, ingenuity can be seen everywhere, the overall shape is very stable, there is an indescribable charm, an absolute masterpiece.

The shape of the four official chairs is basically the same, except for the text in the central relief. Fulu Suxi, all of them are seal scripts.

If you name this set of chairs according to the rules, it should be called "Fulu Suki Nanguan Hat Cover Chair", by the way, it should be added to the front.

This material is the reason why Xu Wen chose to repair it in the first place.

These four chairs are made entirely of cedar wood!