The sixth part has a total of 116 chapters, and for me, the overall completion is still up to my expectations.

In the fifth part, I said that the peak of the plot is in the sixth part, note, I am talking about the peak, not the climax, laugh, because I clearly knew at the time that the coolness and explosiveness will be a little lacking, and the core is to give a strong sense of impact, which I can clearly feel the joy of writing when Amon said Chernobyl and when the chief said that Omi Bella has long since died.

Correspondingly, the post-subscription has also exceeded 60,000, becoming the peak of the whole book, especially Amon's piece, the highest has reached 60,000, as for the chapter of Omibela, because when the summary was written, it was not yet 24 hours, so I couldn't give the result, I only knew that when I uploaded it for an hour, there were 30,000 2 post-subscriptions.

These are the two peaks of the sixth part, one end and the other, just strung together the whole article, all of which are the products of the complete idea that I had before writing the first part, or even the first part, and consciously buried the thread outline, one is something that was determined when I did the worldview setting, when I typed down the words crimson in the first chapter, everything corresponding was already in my mind, one was the inspiration that gradually took shape when I started to write about Silver City, when I wrote the curse, and then there was the Harvest Church and Emlyn White, and the corresponding clues were actually given a lot, more obscure, but not without hints.

And around these two peaks, a lot of revelations have been unfolded, and in general, there is no problem with this piece, so that the overall world view begins to take shape, and there is a relatively complete framework, so that I can smoothly unfold some information and clues about the old days and the outer gods in the seventh part, and write the things of the ancient sun god family, a family, uh, it seems to be very pyrotechnic to describe this.

Speaking of fireworks, we have to mention the issues of war and "justice" that many friends have criticized very much.

When I was writing about martial arts, I really summed up a set of writing methodologies that suited me, but at that time, many things were still relatively vague, and it was not until I started to write mysteries, with corresponding experiments and gains, that I became a little clearer and summarized more things.

For me, one of the first and most important things about writing is a very simple word:

Expression.

What I want to express and what I want to convey is one of the things that you need to think about before you start writing, and then make plot trade-offs around it, so that the focus is not shifted.

To put it simply, it can be described by a word that everyone hates: the central idea.

So what do I want to express in the sixth part, first, it is the sense of impact brought by the two peaks, second, the insignificance and helplessness of human beings in front of the gods, and third, even if they are as small as moths, they must chase the light.

The second point is actually not unique to the sixth part, which is something that will inevitably exist in the worldview of the gram system and the quasi-gram system, the fear of the unknown, the insignificance in front of the "unknown", and this is also in the same vein as the straw of the second part.

So, before writing the sixth or even the fifth, I was thinking about what kind of plot I wanted to use to support what I wanted to express, so that it could accurately convey to everyone's hearts.

If I write about war, the focus will become all kinds of extraordinary abilities and battleships, machine guns, and artillery, which will be relatively fresh, and it can also bring sacrifice, blood, the cruelty of war and other deeper things, but this is a certain deviation from the focus I want to express, because since I have gone on the battlefield, I have a clear understanding of the meaning and reasons of death and survival, and there is no taste of being at a loss in life or being at a loss in death.

Similarly,It's always been about transcendent warfare.,In the sixth part.,Even started the king of angels.、The decryption of the gods.,If it's expanded into a comprehensive one.,The war of human beings,Not only will there be conflicts in the style of painting.,And it's more discordant.。

With this in mind, I said a long time ago that I would not write about the war in detail, but would focus on the ordinary people in the war, and I deliberately blurred their faces and did not give them names, which belongs to the reverse operation of the second Facelings, in order to reflect the feeling of a large number of people, and reduce the corresponding pain and sadness, and focus on dazedness, numbness, and confusion.

The only people with names and surnames are the landlord and his wife, and that part is to deepen the pain and discomfort, otherwise Audrey would have made the decision to kneel and kiss her parents without sufficient strength.

Originally, Audrey didn't need to appear so many times to do charity, in order to strengthen the numbness, dullness, pain and dazedness, I deliberately wrote a few more times, resulting in those plots, Audrey's inner changes were not reflected, a bit monotonous and repetitive, however, her two conversations with Klein, two different reasons for confusion, as well as the behavior of making decisions, and the manipulation after making decisions, I don't think there is any problem, not procrastinating, not cumbersome, there are their own contradictions and corresponding plot tensions.

In general, I put Audrey's inner strength accumulation, her own growth and the insignificance of human beings she wants to express together, and do a line of processing, resulting in sometimes I write about her, but the real focus is not her, making her become a bit like a tool man at some point, which is probably an "audience" Necessary duty and sacrifice, sigh, but also thank you for your tolerance and support, at that time, the chase was basically not much down, has been around 50,000, let me write very calmly, very calm, can be a little bit of foreshadowing what I want to express.

Finally, the battlefield of Beckland, from the perspective of Audrey, is to inherit the changes of the divine war, and the second is to put away the things that were laid before.

When the audience walked through the streets and alleys, walked home, and saw that the citizens, the nobles, and the demigods themselves were all dazed and numb, and they let out the sigh that they didn't know who they died for, and they didn't know why they died, I felt that the corresponding plot was not written in vain, and I felt that the plot floating in the sky returned to the earth, very heavy, very heavy, very stable, and very solid, so it was very good.

In addition, this also happens to form three progressions of emotions at the end, Audrey's line reflects the dazed, small, sad to the pursuit embodied in the Bernadette line, firm, no matter how dark and hopeless, to move forward, and then to the Silver City in the darkness for thousands of years, finally opened the door, saw the light, saw the thing called hope.

For this reason, the Great Emperor line, which I originally wanted to write in the sixth part, was postponed to the seventh part.

Well, the progression of these three emotions can also be arranged in reverse, which is very desperate and does not fit the title of "Light Chaser".

For the death of the chief, because of the death of Lovia before, I did not express my grief repeatedly, did more sensationalism, but just described his state very restrainedly, let the corresponding pain hide deeper, let the light take the lead, and express emotions with regret, relief and hope.

One of the problems with the sixth part is that there are too many battles to be done, some of them are dense, and there are not enough "relaxed" links in the middle, which is easy to make reading tired, which is a problem that needs to be paid attention to in the seventh part.

Also, if you don't write about the war, you lose the opportunity to unfold the whole world, making the stage of the plot seem small, however, this is also something I expected, because the stories of twenty-two ways, different countries, and many gods and angels If you unfold them one by one, let Xiao Ke run all over the map, it will be very cumbersome, very bloated, and every place can only be a little bit of water, and it is better not to write.

So, I have obviously set up the situation in Intis, Fenerport and other places in detail, and I didn't do it, at this point, a certain meter five classmate can testify, during the secret preparation, she asked me how to write the outline, I directly copied a small part of the setting of Intis to show her, that should be a more detailed version.

This is a point that I was sure of before the book was opened, try not to run the map, work intensively, and be able to write the atmosphere and characteristics of a country, bring out some characteristics of other countries' other ways, and completely outline the world view and world framework, then the mysterious book will complete its mission, well, you should be able to feel that I am writing it.

As for the development of other ways in other countries, I hoped to solve it with a clever method, that is, under this worldview, I wrote a second or even a third part, and used the unused settings of Intis, Fenerport, various secret organizations, and the Western Continent, so as to expand and improve the entire mysterious world from another perspective and another entry point.

I've even figured out some stories that I might or may not write about, such as a member of an old family who secretly infiltrated and tried to destroy, only to have an accident, lost his memory, was picked up by the Church of the God of Knowledge and Wisdom, and was "addicted" to textbooks and exams every day, such as starting as a hunter, being mentored by St. Daniz, licking Anderson with tears, fighting wits with the Red Angel, etc., etc., etc.

This may become the main line of the second part, as for the third part, it is probably the story of the Western Continent, the mystery of the Eastern Wind, I saw what the "Yuan Shi" route you tossed before, all with a smile on your face, of course, the power system of the Western Continent, I just left the interface, but I haven't refined it yet.

Well,The third part may not be written.,At present, I can only promise the second part.,And it's not the next book to write.,I'm going to change the theme.,Change the mood.,Write something else.,After all, a lot of inspiration has been accumulated.,There are two formed.,Interesting ideas.,One is a wasteland.,One is a fairy.,It's still difficult to decide which one to write.,Wait for the mystery to finish the book and then consider it in detail.,Collect materials.。

Let's talk about it here, back to the topic, the old rule, rest for three and a half days, and resume updating at seven o'clock on Sunday night (in fact, it's four days, but I wrote more than 3,000 words in my summary, which is also a chapter)

As for the name of the seventh part, I think many friends have guessed it, it is "The Hanging Man".

Finally, since a single chapter has been opened, how can you not ask for a monthly pass? At seven o'clock on Sunday night, upload the first chapter of the seventh part of "The Hanging Man" on time and ask for a monthly pass!

In addition, more than 98,600 are ordered, ask for a genuine subscription, I hope it will be over 100,000 ~ sooner

Finally, ask for a monthly pass~