Chapter 522: Excerpt from the murals of Yongle Palace

Taking advantage of this quiet point, Liu Zhiyuan has spoken out again, "This mural is centered on eight 3-meter-high main statues of the South Pole, the North Pole, the East Pole, the Jade Emperor, Gou Chen, Mu Gong, Hou Tu, and the Golden Mother, and the front painting is the Qinglong and the White Tiger Two Star Jun, and the back has Tianpeng, Tianyu Two Marshals, Zhou Zhi Xiancao, Xianguan, Tianding, Lux, Taiyi, Waiter, Golden Boy, Jade Girl, Twenty-eight Su, Thirty-two Emperors, etc., a total of 394 portraits ......"

"The scene of this character's complexity, the brilliance is concentrated in nearly 300 "gods" to worship the Taoist rites of the Yuan Shi Tianzun, among the many characters, the costume wearing occupies a large area in the picture, and it is also a very important part of the picture, in the color, the use of heavy color to fill in, the color is thick and rich, gorgeous and coordinated, the props are rich in decoration on the background, in the crown, placket, lavender and other places to drain the powder and paste gold, gorgeous and dazzling......"

Liu Zhiyuan opened his mouth, although it made people shocked and angry, but whenever he opened his mouth, he would definitely not disappoint, except for the first sentence, which broke everyone's cognition and made a group of people soar into anger.

As Liu Zhiyuan spoke below, everyone began to fall silent, quietly listening to Liu Zhiyuan tell some of the analyses they had not heard of below.

Does this Yongle Palace mural really exist?

A group of people listened to Liu Zhiyuan's explanation, and their eyes were already full of doubts.

This person said that this "Chaoyuan Tu" is not a painting, but a part of the mural, but there are too few people who know the information about the murals of Yongle Palace, so everyone listens to Liu Zhiyuan and is suspicious.

But listening to Liu Zhiyuan's talk about the murals that seem to be real, listening to people going to the South Pole and the North Pole, and the Golden Mother of Heaven, they began to start again, maybe this Yongle Palace mural really exists, right?

After all, what this person would say is so reasonable, and he can also tell so many characters one by one, it feels like this person has seen the existence of the murals of Yongle Palace with his own eyes, and everyone who thinks like this can't help but have a yearning in their hearts.

If this "Chaoyuan Tu" is really just an excerpt, then the painting that is just an excerpt can be wonderful to this extent, just like the mural mentioned by this gentleman, what kind of magnificent existence should it be?

Even though the ancient master Zhuyu had already analyzed the "Chaoyuan Map" before, listening to Liu Zhiyuan's analysis at the moment was a completely different feeling.

From the beginning when everyone suspected that this person was completely a straw bag, to the moment they were completely attracted by what Liu Zhiyuan said, the process did not seem to take long, but everyone's state of mind can be said to be full of twists and turns.

It's just that whether this person's narration will end from a wonderful point to the end, or just sound touching at the moment, everyone has a burst of worry in their hearts.

After all, they had never seen this young man, and they had never seen a person like him in the entire appraisal world.

Appraisal of this industry is different from the general industry, he relies on a large amount of knowledge and insight combined with personal talent, mixed with it to support a person to walk in this walk.

Only a good man can use this skill to go on stage and tell something about the treasure he knows.

But this Liu Zhiyuan's appearance is different from normal people.

It is precisely because of this that everyone is a little worried.

However, no matter what they were thinking in their hearts, Liu Zhiyuan was already in control of the audience at this moment.

The huge scene is densely packed with people, but even in such a dense crowd, even a quiet breath is inaudible.

There was no sound even on the stage, just waiting for Liu Zhiyuan to continue to speak below, so many eyes were staring at one person, this scene could be said to be particularly shocking.

"The main characteristic of the color of ancient Chinese murals is the decorative meaning, especially the color effect of Chinese murals is more decorative. The eight main gods in the "Chaoyuan Tu", such as the Antarctic Immortal Emperor, the Zhongtian Ziwei Arctic Emperor, the Taizhen Golden Mother Yuan Army, the Haotian Jinyun Supreme Jade Emperor, the Donghua Xiangmu Gongqing Tong Daojun, and the Houtu Emperor Diqi, etc., all use a lot of red, and also use gold powder to paint on the crown, placket, streamers, armor, smoker, etc., so that the picture is more three-dimensional, and a small number of purple, white, yellow, ochre and other colors are regularly distributed around, which increases the decorative effect, strengthens the visual contrast, and highlights the status of the eight main gods......"

The analysis of the same painting, Liu Zhiyuan and Master Gu are completely different, not to say who is right and who is wrong, but to see from the details.

Before the two of them talked about it, the gap that everyone thought was like a moat seemed to have been leveled at this moment, no, maybe it was even higher than it.

"Chao Yuan Tu" The colors of the characters also have a contrast between black, white and gray. The gray part of the picture is the main color of the "Chaoyuan Map", which is mainly reflected in the picture composed of ochre green tones, creating a peaceful atmosphere. There is also a large amount of white in the picture, which is due to the fact that the Mongols of the Yuan Dynasty admired white, and the extensive use of white represented their respect for the gods, mainly on the faces, hands, cuffs and halos of the characters' faces, hands, costumes, and ......"

Liu Zhiyuan did not deliberately speed up, or slowed down the speed of speaking, and the speed of his voice was as slow as the flowing water of a clear spring.

The tone, the timbre, and the such pleasant and intriguing content brought by such a beautiful voice made everyone really silent in Liu Zhiyuan's voice and couldn't extricate themselves.

"There is less black in the picture, mainly focusing on the black lines, the hair of the characters and some jewelry. The black lines play a very important role in coordinating the picture. For example, Taiyi next to Jin Mu Yuanjun and Taiyi behind Feng Baoyunu, both figures are located in the front of the picture, close to the main image, and next to them are figures wearing white robes, forming a strong black and white contrast, which naturally coordinates the gray tones on the main image, reflecting the superb artistic techniques of the murals in Yongle Palace......"

When Liu Zhiyuan first started talking, a group of people thought that Liu Zhiyuan was pretending to be coercive, using alternative methods to attract people's attention, and gradually corrected their attitude towards Liu Zhiyuan in the future, but they didn't expect that Liu Zhiyuan alone could say so much when he opened his mouth, which was completely fresh information about "Chaoyuan Tu".

It's been more than half an hour, and this Liu Zhiyuan has rehearsed a painting thousands of times, from the whole to the layout of the details, from the characters, to the most elaborate clothes, this person seems to have rehearsed thousands of times, and it is more like these things are engraved in his mind.

The more they listened, the more everyone was amazed, and Master Gu didn't say a word for more than half an hour, and sat quietly in place.

It looks like listening to Liu Zhiyuan's analysis of "Chaoyuan Tu", oh no, the most classic excerpt from the murals of Yongle Palace.