In the general perception, all aspects of making a TV series are far worse than making movies.

Whether this statement is true or not, it depends on what aspect you look at.

If you go back 20 years, that is, in the 80s and 90s of the last century, those big productions, or productions with the prefix "country", whether they are TV series or movies, are actually extremely exquisite.

To briefly take a chestnut, the four famous novels filmed during that period, especially "Dream of Red Mansions", pay attention to the Tao, and it can be said that it has reached the point of perversion.

A group of main creators hold "The Story of the Stone" and various historical books every day to check around, from large clothing styles and colors, to small sleeve accessories, hanging accessories, to character makeup, hairstyles, etc., etc., are almost in the pursuit of the ultimate.

This point, even the movies at that time were incomparable.

However, in modern times, the situation is completely different, contemporary film and television dramas, even those with the prefix "country", have basically become the first pursuit of interests.

In this case, a TV series with dozens of episodes at every turn, under the condition of considerable investment, its pursuit of all aspects will of course be far less than a movie.

Therefore, the production quality of TV dramas is lower than that of movies, and the production requirements are lower than that of movies, which has become a norm.

It is also in this kind of environment that is actually somewhat deformed, that some interesting phenomena have emerged, such as some TV series, in order to restore historical facts, they have indeed worked hard in serving the Tao, and they have indeed achieved close to and restore history, and then the film party used this as a publicity gimmick, and the audience also ate this, and all kinds of praise and praise came one after another.

As everyone knows, what they do is actually the same as "it is the duty of an actor to arrive on the set on time and not be afraid of hardships and hardships", which is the "duty" of film and television drama production.

It's not that they're really too good, it's something else, so bad!

And this, even in Guan Hu's crew, is the same.

The shooting speed of TV series is very fast, purely in terms of the amount of shots completed every day, it is almost several times that of making a movie, and this speed is mainly based on the small number of NGs and the relatively single use scene.

That's right, don't look at a TV series It seems that there are many more scenes than movies, but in fact it is very single, just like "Three Brothers in the Line of Fire", the entire TV series is filmed in this film and television base, and those that need to be transferred can be completed quickly in a very short time.

The movie is different, in order to get the best effect, it is all running around in many provinces and cities, such as "Killing" was filmed in many places in Sichuan Province and Beijing, and Zhang Bufan participated in "Border Storm", which was also filmed in Beijing and Ruili respectively.

Therefore, even if Guan Hu wants to help Zhang Bufan hone his acting skills, NG a few more times in his role, and talk about more scenes, it will have almost no impact on the filming progress.

The speed of filming directly led to Zhang Bufan not having much opportunity to hone his acting skills during filming, after all, even if Guan Hu helped open a small stove, it was impossible to NG too many times in a scene.

But there's something else to be gained from this product.

After all, this TV series brings together the three major actors, and in addition, Zhang Luyi, who plays the villain, is also a powerful faction, so Zhang Bufan watched their performances whenever he had the opportunity and learned from them.

Zhang Bufan is not familiar with Zhang Lu, and usually only watches his performances, but the other three are different, Zhang Bufan has seen all the movies played by the three of them, especially Huang Bo, who watched him act in two movies on the "director seat".

Therefore, Zhang Bufan is relatively clear about the performance status of the three of them in the movie.

At this time, he compared it with the state of these three acting in TV series.

Not to mention, this effect is really good.

Just like Zhang Hanhe, when he was acting in a movie, his acting style was also relatively restrained, even if the sense of explosion was relatively strong, in works such as "Assembly Number", you can also see that under the fierce line collision, it is an extremely restrained body action.

Unbelief?

Compare Zhang Hanhe's roar with the roar of the "Roaring Master", and you will understand.

In the TV series, Zhang Hanhe is still relatively restrained on the surface, but his physical performance is obviously more open.

In order to have a clearer and more intuitive comparison, Zhang Bufan asked Guan Hu for a short clip of Zhang Han and the performance, first went to his laptop to watch it, and then went to Seven Impressions, borrowed someone's large-scale projection and watched it again.

It's not the big screen yet, but the contrast is already quite obvious.

On the big screen, when you can see more detail more clearly, the performance is not quite right.

This section is where Dalin mistakenly killed his comrades under the enemy's design, and it is where the feeling erupts, however, when viewed on the big screen, it makes people feel a little "fake", because it is too exaggerated to cause "fake".

However, on the small screen of the laptop, the explosive expression of that feeling is just right.

............

Zhang Bufan has a great advantage, that is, no matter what he does, he will not stay in the "theoretical stage", but is more willing to do it.

This is a habit developed from cooking in elementary school, learning to cook, no matter how many recipes you learn, it is useless if you don't do it, only if you do it yourself, taste it with your own mouth, you can really know whether you can, or you can do it but you can't do it well.

He constantly put what he observed and learned from the four of them into his own shooting, coupled with the continuous "meeting" with Keiji Koizumi in his dreams every night, so that his interpretation of Keiji Koizumi continued to improve at a visible speed.

"This kid, even if he is talented in screenwriting, he is also so talented in acting, and if he grows up like him, how can we still mix up those of us who rely on our faces to eat?" Huang Bolai was behind the monitor, watching Zhang Bufan and Liu Ye play against each other, while laughing and muttering to Guan Hu.

Guan Hu glanced at him, and his eyes were very clear-just do you still rely on your face to eat?, and then said with a smile: "Talent is something that can't be envied, but you don't have to be afraid, your face is unique, enough for you to eat for a lifetime." ”

Huang Bo said disapprovingly and grinning: "What about me, aren't you afraid that this kid will be interested in the director again one day, and it's time to rob you of your job." ”

"I wish he would rob it, do you think that we directors are the same as you actors, and we need to go around to grab work? Guan Hu smiled, and turned his head, the two of them had already finished that scene, and they were staring at the big eyes.

"Click, it's over!"