Thank you for the reward of the literary ruffian 2~

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The so-called entering the play, to put it simply, means that the thoughts and feelings are deeply rooted in the role of the play, and they are very dedicated to performing.

Well, this explanation comes from "Xinmin Evening News", and there are examples of others, "Out of the theater, we bought two pieces of baked white potatoes, chatted while walking, and while talking, he actually entered the play, holding the white potatoes in his hand as a begging bowl, and walked on the stage." ”

Well, this kind of being able to use white potatoes as a rice bowl and chat for a while can also talk about stepping into the drama is really advanced, Zhang Bufan obviously can't reach it.

It is not too accurate to say that Zhang Bufan entered the play, that kind of state is indeed similar to entering the play in the eyes of outsiders, but for Zhang Bufan himself, it is not the case at all.

Now his state is a little strange, between half asleep and half awake, well, a bit exaggerated and profound, but he has regained the feeling of experiencing the great life in the dream, because it was experienced in the dream, so at this time he naturally thinks that he is also in the dream now.

Entering the play is to enter the role to be played, but what Zhang Bufan entered, for him, was a living person, just this point, his state was different from entering the play.

But others can't see it, so it's good to be in the play.

So, in the next shooting, when the three girls handed Li Chenggong the biscuits he refused, Niu Geng on the side suddenly reached out and grabbed a piece, and stepped on Li Chenggong's foot because of this, obviously only in the corner of the camera, he turned his head and looked at this scene with a smile, this time, there was a different meaning in his smile, that is a kind of envy for Niu Geng, who is not young but still maintains his innocence, he also had this kind of innocence, however, as he wanders outside for a long time, that innocence has long been erased from his heart when he fails or is injured。

So, on the next minibus that had to be transferred because of train problems, when listening to Niu Geng singing "Rich or not, go home for the New Year", he was the first to smile and sing the song, with slow memories and nostalgia in his eyes, and the emotion even overflowed into the song, which actually caused Xu Zheng of the old rivers and lakes to almost break his work, forgetting what to play and singing with him, fortunately, the unsmiling face was still stiff, and finally endured.

So, on the tractor to Khankou, he sang a parting song, although it was a parting, but he had a happy smile on his face, after so many years, he was finally going home, singing parting, but the mood was to return to reunion.

So, after finally parting with Li Chenggong and Niu Geng, he walked towards the sun, his steps became faster and faster, and with a happy smile on his face, the innocence and heartiness that had been lost returned to his face again, and he was going home, returning to the home that could tolerate and heal all his spiritual wounds.

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In the first version of the script of "People in Embarrassment", in addition to the main line of Li Chenggong and Niu Geng, there are also a lot of sub-lines, such as the sub-line between Nana and Da Ma, and also involving Dawei, and the sub-line of a teacher who ran to cheat money in order to save the eyes of students, as well as the sub-line of Niu Geng's girlfriend, and so on.

When the script arrived in Zhang Bufan's hands, he was cut by his hand without hesitation.

The plot of Nana, who originally had a romantic, sad and unforgettable love, is gone, and she and Da Ma have purely become two people who sell small things, and the salesperson is also gone, leaving Li Chenggong.

Moreover, for the sake of the integrity and rationality of the plot and the comedic effect, Zhang Bufan wrote an ending to them after this plot, where Li Chenggong squeezed on the train, here, Li Chenggong began to squeeze on the train, and on the other side, Nana and Dama, who were peddling fake goods, were chased by the railway police, and they fled without their lives.

Then, the teacher's plot was gone, a comedy, but such a pure bitter drama was added, although it was also a part of Li Chenggong's mood change, but it still felt awkward and awkward, and it was not easy to change, so the whole paragraph was killed.

As for Niu Geng's girlfriend, do you still need to be entangled?

After killing so many lines, although the entire plot line is clear and reasonable, it is a little monotonous, so Dawei's role is expanded.

Zhang Bufan was purely out of plot considerations at that time, but he didn't expect that he would dig a big hole for himself.

In the early part of the movie, Dawei, as a painter, although he has been carrying various tools for painting, has never shown his painting skills, but sings and shows his singing voice, and at the end of the story, he finally starts writing.

The picture unfolds, it is not a studio, but a very ordinary living room, beds, tables, chairs and benches, these things are so incompatible with the set of drawing boards placed in the middle of the house, however, behind the drawing board, Dawei, holding ink in one hand and a pen in the other, is so relaxed, as if this is the most suitable "studio" for him, because this is home.

Just after a painting was finished, he took it off the clip of the drawing board, and looked at the painting, his face showed a warm smile, and there were memories in his eyes, was he recalling the superficially mean and stern but actually very sympathetic Boss Li? Or was he recalling the innocent and kind milkman? Or was it the bizarre and funny story they experienced together?

He put the painting into a bag, on which was pasted a courier list, he carefully filled out the list, put it aside, took another piece of drawing paper, and began to paint.

Li Chenggong, who returned home, was still hesitating about the divorce, and the things he experienced along the way made him start to rethink this matter and the relationship between him and the two women.

His wife walked in with a large bag in her hand, and he took it, opened it, and took out a picture from it.

At sunset, on the tractor pulling the haystack, three fellow travelers of different ages and identities greeted the sunshine and sang loudly, singing about parting and reunion.

He looked at the painting stupidly, then looked up again, and looked at her stupidly.

Niu Geng returned home, back to a few friends, he held a big bag, and proudly shouted, "Quick, come and see!"

They gathered together, thinking that he had gotten a lot of money somewhere, but they didn't expect him to take out a painting from his bag.

On the muddy road, a somewhat silly young man was holding an old lady hard, a jujube kernel spit out of the old lady's mouth, a minibus in the distance, on and off the car, a group of people looked at this side stupidly, he was standing in the gaze of a group of people, his body was so tall.

"Hi. They waved their hands and walked away disappointed, leaving Niu Geng squatting alone, looking at the painting, smiling more happily than asking for his wages back......

At this point, Dawei's scenes are finally over.

Xu Zheng looked at Zhang Bufan, who was sitting behind the drawing board, and was thinking about how to go over to relieve people, when he heard a long yawn, and the goods behind the drawing board raised his hands above his head, stretched a big lazy waist, and groaned, "But it's so good that I'm tired of shooting." ”

Then, he stood up like a normal person, tore off the hair cover on his head, and ran away.

Only Xu Zheng was left stunned, muttering to himself, "This is a play?"