Since the release of "Red Ling", Sika has been studying opera recently.

Sansan said that when she succeeds in learning, she will tailor a movie for her.

It's only been a little over a month, and it's not enough.

For a play, it is common for an actor to exercise for a few months, or experience the life of a character for a few months.

Except, of course, for traffic niches.

Those people are just harvesting a wave of leeks, quick money.

In a few years, they will be in the sea.

When fans go to the face of traffic stars, their end is doomed.

Because there are many good-looking people, the back waves of the Yangtze River push the front waves.

And acting, singing skills and other things accumulated by time and hard work are too difficult to find than appearance.

Sika had never done this kind of special training, and sometimes she couldn't help complaining, and the sisters said that if she didn't replace me, she wouldn't dare to complain.

The Marvel Universe is in full swing, but it doesn't prevent Wang Zi'an from doing something else.

Because now that there are rich people, he can do many things without asking, and someone will take care of them.

It's not like when I was in the first part, there was no money and no one, and I was stretched thin, and it was difficult to move an inch.

This movie created for Sika has Wang Zi'an in the role, and Yui Aragaki joins.

But the real protagonists are Sika, Prince Ann and Yui Aragaki are willing to be green leaves.

Let Sika learn to sing, of course, the plot is related to opera.

At first, Wang Zi'an planned to reverse the string, and so did Sika.

But after thinking about it, he reversed, and he was the protagonist.

So I decided to come normally.

The so-called reversal of opera, that is, the misplaced division of roles between men and women: men pretending to be women or women pretending to be men, is a common phenomenon in the performing arts of opera.

The origin of opera can be roughly traced back to the primitive sacrificial rituals, which gave birth to the prototype of opera performance, and also appeared in the embryonic stage of the division of roles: in men it is called Xian, and in women it is called witch.

Now and Wu have different responsibilities in this kind of sacrificial song and dance performance, and there is a cloud: "The matter of singing and dancing is done by men and women, and its style is very ancient. ”

With the collapse of primitive society, private ownership came to the stage of history, and the sacrificial songs and dances originally for the purpose of entertaining the gods were transformed into songs and dances made for entertaining people, and the emperors and nobles could also enjoy the worship of songs and dances.

Make the teacher make a new lewd sound, the dance of the north, and the joy of the show.

Later, the original sacred sacrificial songs and dances declined, and the original noble Wuwu was helplessly reduced to a lowly advocate of excellence.

In the past, due to the low status of women, feudal etiquette and religion were particularly imprisoning women, except for a few eras, women often appeared in public performance venues in violation of the existence of normal etiquette, so women gradually disappeared from the performance stage.

Therefore, the emergence of male dans is in line with the historical trend, and it is also a logical thing.

Although the object of their service is no longer the divine god, but the worldly imperial nobles, they have achieved a publicly-recognized professional identity and have a new identity name: "excellent" or "wandering excellent" and "advocating excellence".

Since the advantages are all filled by men, when it is necessary to imitate female roles, it is natural for men to take on them, which has become the origin of the "anti-string" performance on the stage of opera in later generations.

It was not until modern times that new ideas rose and the social atmosphere began to change, and the female actors on the drama stage were gradually dominated by women, and the era of anti-string was completely a thing of the past.

This is also the reason why Wang Zi'an gave up the protagonist position to Sika.

Aragaki Yui and the others are quite happy to see Wang Zi'an come back, and the three threes in the nurse's outfit make them unforgettable.

However, while the era of anti-stringing has completely become a thing of the past, singing is also almost extinct.

Only the Spring Festival Gala and some small stages leave a little space for the opera to survive.

Wang Zi'an feels that when the old people who have been influenced by opera pass away, opera may be annihilated in history and no one cares.

When I was a child, the village invited the opera troupe to sing a big opera, and a temporary stage was set up in front of the grandmother's temple for eight scenes in four days.

Since then, when every household was listening to opera, it has shrunk into a niche culture in a niche, and the audience has only stayed in the elderly population.

The decline of opera, which is expressed in a subtle and introverted manner, is the inevitable result of the current life, economy, culture and environment.

First of all, there is the overall fault line of the entire traditional culture.

The lack of traditional culture makes young people unable to understand and feel the aesthetic spirit of the opera stage, resulting in a cultural gap between the performances.

For young people who are accustomed to fast-paced life and fast food culture, it is not exciting enough to be crazy enough, and it is certainly not as attractive as rock 'n' roll hip-hop.

The reason why the elderly like to listen to opera is inseparable from the environment in which they grew up and their personal hobbies.

Most of the elderly who like to listen to drama are at least sixty years old and above.

People in this age group had a scarcity of entertainment at the time, and there didn't seem to be much entertainment other than drama.

Man is a habitual animal, just like young people nowadays love movies and TV series, habit is a subtle force, which will change people unconsciously.

Just like every time I eat out, I love to order my favorite dishes, and I watch TV dramas when I was a child, and it is difficult to change my habits after getting used to them.

Young people have lacked the environment of opera since childhood, and the younger generation now has a lot of mental activities to choose from, and even if they are exposed to opera, they will not stay for too long and will be distracted by new and other information.

Secondly, the process of urbanization has reduced the opportunity for opera to get close to the masses, and it is often necessary to buy tickets to enter the theater to watch opera in the city.

Young audiences have not been immersed and nurtured by opera since childhood, let alone love.

Again, herd mentality.

For the time being, this is a world dominated by complex cultural values, and opera and the traditional humanistic spirit and aesthetics it represents are outdated and out of step with trends in the eyes of many young people.

This kind of thinking has been passed down from generation to generation, and teenagers are often prone to hide their hobbies for fear of being isolated or out of the group, and the farther away from opera they are.

Finally, there is the issue of opera itself.

The content of moral preaching, the slow pace, and the weak drama are not suitable for the appreciation habits of most young audiences today.

The culture of opera has fallen too far behind the times, and although opera is now showing a situation of recovery, this is only for a small number of operas, and the vast majority of local operas are showing signs of decline.

Wang Zi'an made this movie because he was influenced by some remarks on the Internet that the quintessence of the country was about to die.

He wants to tell young people who are not very interested in opera that they should listen to opera more, which is a very beautiful art, a precious traditional culture, which gathers the essence of art, not as dull and lengthy as they imagined, with low and tactful and impassioned in it.