This is just a discussion between Ning Yuan and Meng Hui, in addition, Ning Yuan and Meng Hui also sat down with Yuan Quan to discuss.

Sifan, speaking of a drama, is actually the main thing is the little monk and the little nun.

This is similar to Sifan's Kunqu Opera, he is a person from beginning to end, so the opera industry says that women are afraid of Sifan, just because there is one person in the whole play.

When performing, the Kunqu opera performers are heavy and changeable. The first half of the drama focuses on the delicate singing and the process of ideological transformation, while the second half of the drama focuses on body kung fu, covering the field of boudoir and sticker.

Because it is very difficult, only insiders are afraid, and those who can act are all cattle.

The drama is similar, because it is a fusion of two dramas, so Ning Yuan and the two of them, a large number of lines, not to mention those film and television actors, even many drama actors have to worry.

What's more, in order to show this absurd atmosphere, the actors' movements are also relatively large and exaggerated, just like "Lin Chong Runs at Night", singing, reading, and fighting are all done by one person.

Of course, there are five actors in the design of the drama, but most of the time, they only act as narrators, or as a supplement to the performance, appearing as "performers" to undertake the narration and commentary of the story.

In this respect, it's a bit like an aside-to-narrator.

Therefore, this drama is basically a matter of Ning Yuan and Yuan Quan.

said to be a discussion, but in fact it is to analyze this drama, just like cooking, only when every detail is clearly understood, can it be truly controlled.

The story of the nun and the monk is the embodiment of the most essential desires of human beings, even the monks who accompany the ancient Buddha with the green lantern all day long also have the idea of greedy for red dust, and all these suppressed and bound desires are completely ignited in the encounter between the monk and the nun. Ning Yuan said while thinking, speaking very slowly.

Meng Hui nodded and motioned for Ning Yuan to continue.

The little nun began to complain that she was "pitiful for Nishi by cutting her hair", and she was lonely in her heart, and she met a few children who were playing games outside the mountain gate, and her heart was even more enthusiastic, and the water in the basin could not calm her down. ”

Smiling, Ning Yuan said again:

"The little monk is greedy for red dust, and he can't bear it" There is no part of the fragrant mash wine, and the pink beauty is not allowed to look at it", when he saw the little nun that day, he was even more distracted, and he had no choice but to chant the Buddha to restrain him. The similarity between nuns and monks is that they are forced to enter the empty door due to various factors, and they are in the Buddhist gate and their hearts are in the mortal world. ”

Fortunately, they did not suppress themselves repeatedly, and in the last scene of the play, they broke through all the rules and precepts, broke through all kinds of constraints, and both went down the mountain to finally become married. ”

Except for the last scene, it is basically the inner entanglement and contradiction between the two, on the one hand, there is self-blame and guilt for being a Buddhist disciple but having distracting thoughts, and on the other hand, there is also an urgent yearning for their inner desires. ”

"This kind of ambivalence is actually in everyone, should you restrain yourself from going with the flow, or should you rise up and resist and follow your heart?"

"I think it's my own pursuit, right or wrong. ”

Yuan Quan looked at Ning Yuan with admiration in her eyes, this was the first time she looked at Ning Yuan from a professional point of view, and it also made her understand more that it was not a fluke that anyone who could become famous.

Ning Yuan can say this, from his experience of being forty years old in his previous life, and Yuan Quan, who is only twenty-three years old now, talks about Sifan from the tenth day, as well as European classical literature and Chinese classical repertoire, and it is also the first thing to say.

"The two stories of "Decameron" interspersed in the play also continue the meaning of "Sifan". Whether it is the two young men and the family, or the groom and the king and queen, both stories are absurd and unethical, but in the end, the "victims" are no longer held responsible, but let them go, which also happens to be clever. ”

Meng Hui and Ning Yuan both looked at her in surprise, but they didn't say anything, and listened to her continue:

"The truth is often not important, what matters is whether the outcome is as desired, is this irony or revelation? ”

At the time of the appearance of "Decameron", the Renaissance movement was underway in the West, condemning "asceticism", and using this kind of story to satirize and hope that people would understand this truth: do not restrain your desires. ”

"Whether it is a story or a life, it is full of dialectics and contradictions, but the most important thing is to understand oneself. Choosing to restrain oneself from following the principles of heaven, or choosing to follow one's heart and release one's nature, is a personal pursuit. ”

In the end, she smiled: "But in my opinion, there is another point, that is, the premise of not influencing others, it just so happens that the little monk and the little nun have only completed their personal redemption and pursuit, and have not affected others, this is perfection." ”

Ning Yuan and Meng Hui both applauded, looking at Yuan Quan with admiration, this beautiful, plain-faced girl.

The reason why she has this insight is that she reads books.

"I don't like to go outside, except for classes and some necessary activities, I just read books, and when I finish reading all the books at home, I read them at school, and sometimes I go to the street with my parents and ask them to put me in the bookstore, and I can wait until they come back after shopping. ”

The discussion was not a one-time discussion, not only between them, but also with the five actors, listening to their opinions.

The clearer the reasoning, the more they analyzed, the clearer the context, the more thorough the personal understanding, and with it, the more comfortable it was when performing.

Ning Yuan's memorization is not a problem, Yuan Quan did not memorize them by rote at first, but straightened them out and understood them, and in her own words, it didn't take a day to memorize them.

"That's amazing. ”

Facing Ning Yuan's praise, Yuan Quan smiled embarrassedly.

Originally, Ning Yuan was still a little worried, after all, Yuan Quan's personality was suitable for sensible, gentle and graceful ladies, dignified and generous, and the little nun was ignorant of the world and lively and excited, Ning Yuan was worried that she would not be able to control it.

However, after the real rehearsal, Ning Yuan realized that his worries were unnecessary.

No matter what, she has just graduated from school, her age is there, plus she is talented and very good at getting into the play, not only rehearsals, but also holding this feeling after work, and slowly getting on her body.

Perhaps, she is an experiential?

When Ning Yuan asked her, she smiled: "It's still up to the character, if I have experience, it's more about methods and performance, if I don't have experience, then I can only experience it." ”

Ning Yuan was stunned.

After day after day of rehearsals, Ning Yuan attended classes during the day and rehearsed at night, without delaying a day, and soon ushered in the day of the premiere, which was held in the small theater of the Huaxia Drama Theater.

At the same time, Ning Yuan also received an invitation from the Golden Pheasant Award to serve as the guest of honor for this year's Best New Actor Award.

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