Senxia has the inspiration to create because of Lihua, but he probably hasn't thought about what he wants to write yet.

But on the other side, Zhenxia Gengyi is already lying on the street.

He was holding the phone and was looking for foreign help.

Koichi Shinshita is now the supervisor of "Sword Messenger Shrine Maiden".

"Sword Messenger Witch" is a "real dazzling work" that Mori Xia suddenly wanted to make.

According to Mori Xia, he wanted to make this work "a benchmark for real fighting in the new century."

You say, I'm a good animator who makes "rice shochu", why did I come to make real animation?

But Senxia said that the organization has been decided.

So really plough it...... He didn't read poetry, so he hurriedly called someone to find someone, and then found Mahiro Ando, a freelance animator, hoping that he would join.

Ando Mahiro is the same as Shinshita Koichi, he said that he is an animator, and it is really a bit high to go to Musashino, so you should ask for another master!

Hearing Mahiro Ando say this, Koichi Shinshita was in a hurry.

Mahiro Ando is not alone, because he has a lot of contacts here, and he can directly become a team of painters when he pulls it out.

Brother dei, you want to pull my brother at this time!

But Ando Mayu over there also has his own considerations, and Musashino animation is getting bigger and bigger, so I have to cooperate with them, so I really have to think about it carefully.

There's no way, it's really a good sacrifice to make a killer offer.

"We're going to do a real fight animation with one shot at a time!Full frames, enough treatment, theatrical animation!Please be sure to help us!"

"Hey, please advise!"

As soon as Koichi Manosita here finished speaking, Mahiro Ando over there actually ...... directly Agreed?

So fast?

"Is it really a whole shot?" asked rhetorically.

"Ah, yes. "At least all the fights are filmed all the way, and what we're going to do is an experimental animation, and there will be a lot of new techniques and techniques added to it." ”

Hearing the words of Manosita Koichi, Mahiro Ando over there seemed to be relieved.

Musashino likes to do experimental animations and works, and everyone in the industry knows that.

Musashino, which is backed by A Society, is a model of rich willfulness.

Not only that, but the theatrical version of the animation made by others is also very popular.

The previous "The Void of Fate" directly increased the value of Superintendent Kontoshi tenfold.

So people really don't have bad money.

If it was changed to another club, Mahiro Ando would not believe in this kind of nonsense of "one shot at a time".

But if this sentence is said to be Musashino, it is different.

Because they are real tyrants.

The kind that is full of rage.

You know, at this time, most of the animation companies have turned to the "production committee" system model, and the funds and profits are strictly limited, so the performance of the animation company has been greatly affected.

But on Musashino's side, it's not uncommon for people to make animations. And here, if you're not Sony Nintendo or something, and you want to form a production committee, no one will want to bird you!

"Great, when can we talk?" said Koshita, looking at the calendar.

"No, I'm in Tokyo right now. I ...... in the afternoon No, I'm two hours...... Ah, I'll be there in an hour!"

Musashino animation also has a lot of yuan and outsourcing, and because of its huge size, the industry basically knows where Musashino animation is - in fact, just listen to the name, Musashino animation, of course, in Musashino!

In fact, it only took more than fifty minutes for Mahiro Ando to arrive at Musashino Animation.

Koichi Mashita looked at Mahiro Ando, who was panting, and didn't say anything, but invited him to the café and discussed the matter while drinking a drink.

After signing a non-disclosure agreement, Koichi Shinshita began to describe the production of "Sword Messenger Shrine Maiden".

"Well, this is an animation made with the theme of traditional swordsmanship, and we want to be the benchmark for real animation, so we don't spare any money. "Really go down to Ko'ichi to know his own situation.,This kind of animation lets him do it.,It's really hard to make it.。

And the reason why it's Koicue Shinshita.,It's because he's the veteran of Musashino animation.,And he's also made the "Rice Shochu Trilogy", so it's also a girl-themed "Sword Messenger Shrine Maiden", and it's actually not wrong to look for him - if you don't care about the fighting part.

But Senxia said that the fight must be done well, this ...... If you don't ask for foreign help, you really can't do it.

After all, this kind of work with 24 full frames per second is rare in the industry.

Mud bomb animations are 24 frames per second, but most animations will use one shot two or one shot three to make a picture in order to save money, that is, shoot a picture twice, which may be a simple modification of the mouth or scenery. Therefore, such a picture, maybe eight or twelve pictures per second is enough, and the work is time-saving and labor-saving. If you complete a work with 3,000 paintings, you can turn it into an episode of animation.

But if it's one shot at a time, it means that you need to paint in full, twenty-four pictures per second, and in twenty-four minutes, you need close to 35,000 pictures - ten times more than those cost-saving animations.

In the future, there will be an animation called "Light Feather Flying", which advertised that it used more than 20,000 pictures to paint, but it was actually because of the action scenes.

The reason why action animation burns so much money is that this is fundamental - so in the future, many animations will like to use 3D to paint, because it saves money!

Of course, the actual painting is not so exaggerated, because the action scene is limited after all, and the literary drama does not need so much painting, on the contrary, excessive painting will even have the opposite effect on the literary drama.

"Our current plan is to make a 3D storyboard and then use it as a reference to create a 2D image, which may also have a real person. Koichi said.

"Rotoscoping?" asked Mahiro Ando again.

"No, it's for reference and reference, and it's not directly rotoscoping. ”

Rotoscoping is of course the most convenient technique, and it can explode a large number of painting sheets at once, but the actual effect is not good, because the lines of the rotoscoping picture will not be very good, and the picture effect is unstable.

Mahiro Ando closed his eyes.

At this time, he had already imagined a picture in his mind: on that dark and windy night, the two swordsmen met unexpectedly, this was the fateful battle between Itsukushima Ryu and Ertian......

"This work is a story about girls as the main characters......"

"Bridge bean sack (wait a minute)!" Mahiro Ando felt as if he had misheard, "Girls, you say?"

"Hey, the protagonists of this work are all cute girls. Well, to be precise, it's a shrine maiden, and the sword makes a shrine maiden. ”

Witch......

Mahiro Ando felt like his whole head was a shrine maiden......

......

Mahiro Ando is the one who did the Emperorless Blade Tan, and by the way, he also did the Canaan of the original case of Takeuchi, and the recent new wolf is also him......

The second more meow.

The typhoon is coming.,See if you can save some drafts of meow......

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