A group of secretaries at the door should be silent, immediately recorded, and released this passage through their mobile phones.

Zeng Zimo silently squatted down, picked up the smashed sawdust and debris one by one, and put them in the box.

"I bought the drum stool. Trouble Curator Qin to tell him that I will take it back and help him with the beads. ”

Qin Yunhua nodded softly, and said in a low voice: "Mr. Jin Feng is a young man with a bloody temperament, and he has a straight temper. ”

Zeng Zimo was stunned, and suddenly smiled delicately, like a rose blooming.

"Jin Feng!?"

"It turns out that his name is Jin Feng!"

"I finally know his name. ”

At ten o'clock in the evening, Jin Feng took away the sixth uncle and the eldest baby from Xiao's mother's self-service hot pot city and went straight to Anning Park.

In the pond of Anning Park, Uncle Six brought up a bag of things.

In the dark, after reading something in the faint light of an old-fashioned mobile phone, Jin Feng took the bag and threw 120,000 yuan to the sixth uncle.

At the time of the transaction, there were only two people, Uncle Six and Jin Feng, and the eldest baby was pushed aside by Uncle Six.

The sixth uncle nodded heavily, showing a touch of gratitude.

"I can't thank you enough. ”

They dispersed, and Jin Feng rode home on a cart.

Someone from the construction team invited to watch the construction site, and Zhou Miao went to Long Ao's shop early to help.

In the makeshift shed, Jin Feng opened his bag and took out a few things in the bag.

The first thing is a jade Guanyin carving.

Twenty-two centimeters high, eight centimeters wide, ten centimeters at the base.

Jade Guanyin was covered with mud, and Jin Feng took a large basin of water and washed it with water.

This Jade Guanyin revealed its true face.

The body is beautiful, the treasure is solemn, the face is full, the nose is plump, the eyes are slightly drooping, kind and dignified, as if the world and everything are in full view.

The back of the head is backlit with flame patterns, and the head wears a cylindrical crown of flowers and vines, and is dressed in a white gauze robe.

He wore a jewel on his chest, crossed his knees at the ends of his clothes and silk across his shoulders, drooped at his elbows, and slightly outward-tilted on both sides of his shawl, which was elegant.

Holding the most familiar jade bottle in his left hand, holding a willow branch in his right hand, he stands on the lotus seat of the nine-grade compound petal.

The willow branches in the hand are particularly exquisitely depicted, delicate and delicate, and even more radiant.

The whole body of the statue is crystal clear, the carving is delicate and spiritual, and the agility is extraordinary.

This jade Guanyin is undoubtedly made of Hetian seed white jade, and it is still a few points away from mutton fat jade.

But her carving is delicate in the atmosphere, and innovative in the simplicity.

The lotus petals under the rosette can clearly see the most subtle auspicious cloud patterns.

In particular, the jade bottle held by Guanyin Bodhisattva, a touch of natural sprinkling gold appeared on the white jade all over the body, which raised the momentum of the entire Jade Guanyin to the extreme.

This is the sprinkled gold skin that comes with the raw materials, which is very rare, and it is wonderful to use it on this jade Guanyin.

There is nothing more than this.

Holding it in the hand, the tentacles are warm and cool, full of oiliness, and the jade is quite dense, delicate and warm, exuding a soft and shallow luster under the lamp.

Although the material of this jade Guanyin in his hand is not mutton fat jade, there are very few Hetian white jade carvings like this.

In ancient times, the mining of Hetian jade was not like now, directly on the excavator, at that time the mining was all manual, and the mining was extremely difficult.

Such a large piece is expected to be made into Jade Guanyin, which is by no means affordable by ordinary wealthy families.

There is no inscription on the jade Guanyin, but from the carving point of view, this jade Guanyin is a typical technique in the middle of the Ming Dynasty.

The only regret is the color of this jade Guanyin.

There is a lot of color on the back, and a brown line with the thickness of chopsticks extends to the base, losing a lot of points.

There are also quite a lot of colors on the lotus petals on the base, and the spots are dotted, which adds some special artistic conception to the overall Guanyin.

Under the Guanyin robe on the front, there is a whole piece of white spots on the floating clothes, and on the lotus feet of Guanyin, there are also two such white spots.

This color is different from the texture color of Jade Guanyin, which is a special color formed by long-term soaking in water.

These white spots appeared on the Jade Guanyin, giving the whole of the Jade Guanyin a special taste.

Putting down the Jade Guanyin, Jin Feng lit a cigarette and picked up another object.

It was a gold medal with a lot of words engraved on it, and Jin Feng glanced at it and threw it aside.

The third is a gold seal, the color is very new, the golden light is shining, the length and width are four centimeters, the upper button is the crouching tiger button, and the shape is so-so.

On the printed surface is four words, a small compilation of the book style, the seal of the king of Xiang.

The engraving is very good, although there are some flaws, but the font is clearly visible.

This gold seal is mottled all over the body, and there are many spots on the gold body, which are the marks of natural wear and tear.

Seeing the four words of King Xiang's seal, Jin Feng was a little surprised, closed his eyes and thought for a while, and felt that it was incredible to see this king seal.

The owner of the seal of King Xiang is King Xiang.

There are as many as a dozen people who have been named King Xiang in history. The four dynasties of the Tang, Song, Ming and Qing dynasties all had the title of King Xiang.

The owner of this gold seal is King Xiang of the Ming Dynasty.

Very little is recorded about him.

Xiangwang Zhu Yiming is a member of the Ming Dynasty clan, and their lineage is far away from the blood relatives of Chongzhen Emperor Zhu Youzhen, and their territory is in Xiangyang City.

The period in which he lived was the era of rebellion by the armies of Li Zicheng and Zhang Xianzhong.

Xiangyang was used by Zhang Xianzhong, and only 28 people dressed up as Ming Dynasty soldiers and entered the city with letters, and Zhu Yiming was easily captured.

After the city was broken, Zhu Yiming could not pray for life, and was executed by Zhang Xianzhong, and 500,000 yuan of money and grain in Xiangyang City was distributed by Zhang Xianzhong for disaster relief, winning the hearts of countless people.

Unexpectedly, Zhu Yiming's Wang Yin fell into Jin Feng's hands after hundreds of years.

Throw the gold seal aside and pick up another piece.

It is extremely heavy to start with, and the pressure feels very heavy.

This is a brownish-yellow jade seal.

The quality of jade is a little worse than that of Hetian jade, and it is made of topaz.

On the seal button is a dragon, the carving is very realistic, the lines are a little rough, and there is still a certain distance from the master's technique.

The cocktail is a form of a dragon, and it is mostly used on the seal button.

The dragon on the seal button is in a quiet position, the dragon's head is slightly raised, the dragon's eyes are angry and upward, but the left eyelid is slightly downturned, feeling a little decadent.

In particular, the dragon claws exposed by the dragon are not sharp at all, the dragon's tail is slightly upturned, and the fish scale patterns on the dragon's body are not very regular.

The whole dragon looked more ferocious and less powerful, and it was actually a little tired, more like a sick dragon, lifeless.

Compared to the dragon on the Yongzheng royal seal obtained by Jin Feng, it is simply an underground and a heavenly.

There is no domineering spirit that looks at the world on the dragon of the Yongzheng seal, and it lacks a majesty that is not me.

The overall proportion also seems to be problematic, and it is extremely incongruous in Jin Feng's eyes.

Just as he was about to throw it aside, Jin Feng still turned over to look at the surface of this seal.

There are six small scripts engraved on the printing surface.

Suddenly, Jin Feng tightened his pupils tightly, and his breathing stagnated.

"The Seal of the Great West Emperor!"

Holding this seal, Jin Feng showed a hideous smile.

No wonder it looks so awkward, it turns out to be his grass dragon seal.

Since ancient times, the dragon has been a symbol of Shenzhou civilization. The descendants of Yan and Huang are all called the descendants of the dragon.

For thousands of years, dragons have been used throughout the history and civilization of China.

In the feudal society, the dragon has played a pivotal and important role, whether it is royal or folk, the dragon is the highest spiritual sacrifice.

The dragon has become a symbol of the success and failure of each dynasty.

The most mysterious and specific is the manifestation of dragons on the artifacts of various dynasties.

Whenever the first founding emperor of a feudal dynasty ascended the throne, he ordered that the dragons cast on it, whether it was porcelain or gold, jade or other utensils, were all vigorous, vigorous and mighty, and dominated the world.

As dynasties continued from generation to generation, the dragons on the artifacts of each dynasty had their own characteristics, either gentle, brutal, depressed, weak, or decadent.

This is the most incredible and incomprehensible strange phenomenon, so much so that until now, many experts have not been able to give an accurate answer.

In the later period of this dynasty, the national fortunes declined, and the embodiment of the dragon on the utensils completely lost the momentum and hegemony of the first emperor of the founding of the country, and turned into decadence, powerlessness, and even dying.

In a very small circle of masters, they see the dragons on these artifacts as representing the rise and fall of a dynasty.

This embodiment is also called!

Luck!

This seal of the Emperor of the Great West represents the luck of the Great Western Kingdom. ()

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