Whether it is a literary film or other types of films, when shooting, in a complete scene, the shooting process is actually coherent.

It's just that when it comes to editing, there's a difference.

Some are flat and straightforward, some are interspersed back and forth, some are cut in front and behind, and some are cut in half and left in half.

When filming this part of the plot in the library, of course, it was in a normal order, from Meng Yan entering the door until she left.

The first thing to do was to shoot the whole story of the library.

Of course, this process can't end in a day.

After that, it's the exterior of the mountain city, about Liang Jiahui and Meng Yan, especially the bridge.

It's over here, and Liang Jiahui's role is basically over, of course, there are some supplementary scenes, such as the mountain village primary school where Chen Qing went to teach later, Meng Yan still has a scene with him, but compared to these, it is very simple.

This part came from Chen Qing's poem, Zhou Yu was very excited, and even her joy was even greater than Chen Qing's.

When Zhou Yu joked: "Is this poem really written by you", Chen Qing picked up the newspaper and went to the desk, wearing a vest and shorts, and recited affectionately.

When Chen Qing finished reciting and bowed, Zhou Yu, who couldn't help himself, immediately rushed over and kissed him warmly.

There had been a clearance indoors, so Ning Yuan and them could only be outside, but people like Ning Yuan could take a look behind the director's monitor.

Seeing that in the monitor, Liang Jiahui was standing on the table, bending down almost next to his legs, and kissing Meng Yan, Ning Yuan felt that this guy's waist was really good.

In the short few seconds in the movie, it took at least dozens of minutes to shoot.

Liang Jiahui's waist bent back and forth for dozens of minutes.

Of course, there are many more violent scenes, not Meng Yan's appearance, but her stand-in, a girl named Zhou Xianxin.

They really look alike, they are all the same beautiful, the same fair, the same ...... Majestic. is the difference in temperament, which is naturally the difference in experience.

However, once he starts performing, Zhou Xianxin can also quickly enter the state.

Stand-ins like them are in a rather embarrassing state in the circle, and if they are substitutes, such as Wu Ti, they must be paid more than small roles, but small characters can at least show their faces.

However, this is also the birth of the industry and the choice of individuals, and even going back to a long time, ghostwriting is also a kind of substitution, sprinkling a large article, but the final signature is not himself.

If you are really powerful, it is not impossible to enter in this way, and in the process of substitution, let others see your own ability.

Weren't Cheng Long and Hong Jinbao also from martial arts at the beginning?

But this is only for those who have the ability, otherwise no matter how much they do, they are still standing still, and they can get ahead, ability and opportunities are indispensable, and they still need to continue to learn and improve after they have been able to maintain and rise steadily.

Just like at the beginning, with the name of Fa Ge's stand-in in "Let the Bullets Fly", Wen Xiang's starting point is not low, but after many years, the only one who can get his hands on it is still this one.

How far can you go if you keep lying on this name and consuming it?

On the contrary, Lian Yiming, who became popular with Zhang Haiyang, the second male lead in "Blood Romance", is different.

He was born in Peking Opera, because he was more than 1.8 meters tall and had no future with his voice, he happened to meet Li Lianjie who went to Beijing to shoot "Huang Feihong", and ran a trick in it, which made him decide to change careers.

When he arrived in Xiangjiang, he was admitted to the Xiang brothers' Yongsheng Film Company by learning the basic skills of opera for many years, and was born in martial arts, but after going around for two years, the biggest role is probably the villain at the end of the cast in "God of Gamblers 2".

The tree moved the dead and the living, and Lian Yiming went to the TVB exam again, although he didn't make any splash this time, he also served as the martial artist of several dramas - obviously he couldn't do it without growth.

Unwillingly, he returned to the mainland in 00 and signed into Hairun, and finally became popular with the role of Zhang Haiyang after years of polishing.

If you follow the trajectory of others, you should take on a large number of scenes steadily, but Lian Yiming tossed again, and as a result, the first time he directed the remake of "Wildfire Spring Breeze Fighting Ancient City", it was a success.

Is it luck?

Apparently not.

And the same is true for Zhou Xianxin, although she did not act like Lian Yi and directed well, but at least she completed the ranks from Guoti to a well-known actor.

You must know that she was not a bachelor's class at the beginning, but a clinical medical student who graduated from West China Medical University. After choosing this path, she not only applied for the junior college class of Chinese opera to study systematically, but was also admitted to the graduate school of the Chinese opera performance department.

If you change to such a beautiful girl, it is estimated that she would have been lost in Vanity Fair a long time ago.

At this time, Zhou Xianxin was still very young, and he smiled shyly when he saw everyone, especially when facing Ning Yuan and Liang Jiahui, one was a very popular first-line in the mainland, and the other was a famous actor in Xiangjiang.

But when it came to bed, she was a different kind of style.

Even if she didn't have her face in the end, she still worked hard.

Ning Yuan doesn't have much experience in bed scenes, but Liang Jiahui is different, and he gave her a lot of advice.

Although his face was red, Zhou Xianxin listened very carefully.

At the beginning of August, the filming of the scene in Shancheng was completed, and the crew chartered a hot pot restaurant, and had a lively meal of midsummer heat under the moisture of air conditioning.

Before leaving, Ning Yuan said with tears and laughter:

"The director really knows how to pick the time, shoot here when it's hottest, and after the shooting, the heat slowly drops down. ”

Everyone burst into laughter.

The next stop is Yunnan Province, but not in Kuncheng, but in the Red River and Yuxi.

Zhou Yu's personal scenes, as well as the rivalry with Zhang Qiang played by Ning Yuan, and the scene of Chen Qing's teaching at the end, will all be filmed here.

Ning Yuan didn't know how the director found these places, such as the ceramic factory in Yuxi.

After coming, Ning Yuan knew the history here, the longevity of blue and white porcelain was not lost to Jingdezhen, and the final decline was also because of the impact of Jingdezhen.

Zhou Yu's identity is a craftsman who paints vases in the 'Sanming' porcelain factory.

Her contact with Zhang Qiang also started with a vase.

However, in front of the scene where the train met, Zhou Yu's scene in the ceramic factory was filmed first.

The ceramics factory is very old, still in the style of the fifties and sixties of the last century, with a large tiled house and a large iron sorghum structure on thick wooden pillars.

Although the benefits here are not as brilliant as in history, Ning Yuan can see that the people working here are still meticulously doing their work.

Because he wanted to experience life, Meng Yan went to do ceramics, and Ning Yuan ...... Then go with the pigs.

To be precise, follow the veterinarian to work.

Although Ning Yuan knew that the veterinarian in the movie only existed in the mouth, since the director arranged it, then go for it, and increase the life experience.

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