Sifan's stage art is simpler than that of a rhinoceros, which is monochromatic, and uses pure white curtains and cardboard to paste all four sides to create a pure little world.

After all, this drama is more illusory, because of the jumping and contemporary nature of the plot, it would be too complicated if it was really realistic, not only there were many scenes, but also the scene change was also a waste of time.

In addition, the plot is dominated by character performance, and if the choreography is like a rhinoceros, it will distract the audience's attention from the actors.

Both have their own emphasis, so they are treated differently.

This is similar to opera, most of them are non-physical performances, such as one hand in front and one hand behind the back, which is horseback riding.

Of course, this kind of design has high requirements for the actors, and they must control the audience, attract the audience's eyes and mobilize their emotions only through language and physical performance, and then bring them in.

What's more, Ning Yuan is already the fourth edition, and with the first three versions of Zhuyu in front, not to mention surpassing, it is already very difficult to be recognized by the audience.

In this first scene, not only are there a big name in the drama industry sitting in the audience, but also the main creative team of the third version, such as Zhu Yuanyuan, Zhuo Jie, and Liao Fan, which are easier to compare.

The stage was full of seats, and there was a buzz before it began, but when it was announced that it was about to start, and the lights went out on the stage, the audience fell silent.

At this time, Ning Yuan, together with Liu Ye, Hu Jing, Tian Yu, Shi Guanghui and Sun Honglei, the five 'performers', had already come to the side of the stage, the five of them were in the front row, and Ning Yuan was behind them, all sitting cross-legged.

They all wore uniformly customized white T-shirts with red and green color patterns, and as for Ning Yuan, not only T-shirts, but also pants were also bright colors of red and green.

When the lights slowly turned on, in the yellowish haze, the melodious voice of the five people chanting in unison sounded:

"In the past, there was a white lotus monk who saved his mother from the gate of hell, and asked how many roads there were in Lingshan, and there were more than 108,000. ”

After the repetition of the chanting, Liu Ye, who was sitting in the middle, picked up the wooden fish in front of him, and the sound of 'dong' was shocking, and they also began to chant: "Nan no Amitabha Buddha ......"

The sound of the wooden fish, the Buddha number is long.

At this time, a chasing light came down, Yuan Quan, who was wearing a red and green coat, looked solemn, and with a trace of sadness and sorrow, walked up from the backstage, walked to the middle, folded his hands, bowed slightly, and sat cross-legged on the ground.

"Cutting hair is pitiful for Nishi, a Zen lamp sleeps with slaves, time is easy to pass and urge people to grow old, and live up to the youth and beautiful boys!"

Yuan Quan's voice was not as crisp as Zhu Yuanyuan's, revealing a mellow and pleasant ear.

And this comes from the fact that she has practiced day after day in college for four years, even when preparing for the drama, even if she has memorized the lines, she has to practice talking to herself twice a day, and at the same time record it with a tape recorder, just to find the most accurate feeling.

Of course, she still learned this method from Ning Yuan.

After Yuan Quan finished speaking, Ning Yuan and Liu Ye next to him repeated these words in unison.

Dramas are not like film and television dramas, which can have subtitles, which is to deepen the audience's impression and also enhance the atmosphere.

After they repeated, Yuan Quan, who was sitting on the ground, opened his voice again:

"Xiao Ni Zhao's family, the legal name is empty, he has been a monk in Xiantao Nunnery since he was a child, burns incense and recites Buddha all day long, and sleeps alone in the evening, so desolate and desolate!"

This is the background of the introduction, even if the audience understands it again, it is an indispensable process, and at the same time of introduction, it also creates that lonely atmosphere through lines and tone.

After all, drama mainly relies on lines to show, and as for the body, it is also cooperative, and because of this, the line skills of drama actors are very powerful.

Not only these lines, but in the following lines, Yuan Quan began to narrate the past.

Sekong saw some young monks of the same age on the mountain and wanted to play with them, but she was suffering from the precepts of Buddhism, but at a young age, she couldn't suppress this desire and said the words "fire your eyebrows, and take care of your eyes".

"I want to be a monk here...... Just because my father reads the scriptures, my mother loves to read the Buddha...... I was born with many diseases, so I put my slave family in the empty door and sent it to life...... I only heard the sound of the bell and the trumpet, and I kept beating the chime rattle, striking the chime rattle, and beating the drum and blowing the snail...... Many heart sutras have been recited, and the peacock sutra cannot be broken. Only the seven volumes of the Lotus Sutra are the most difficult to learn, and our master has taught them in his sleep and dreams. ”

This passage is very long, hundreds of words, and it is not a modern vernacular, a little awkward, despite this, in Yuan Quan's subdued speech, not only did not have any pretentious endorsement feeling, but added a bit of charm.

The words tell about her experience of entering the nunnery, and the boring and lonely life in the nunnery, because she has rich feelings, so that these words are a little desolate.

After finishing speaking, Yuan Quan still didn't stop, turned angry, and his tone became sonorous:

"Hate a matchmaker, scream helplessly, read a few dodan do, hey, how do I know how much I sigh!"

While talking, he walked back and forth anxiously, and his speech gradually slowed down:

"The more I think about it, the more I feel depressed, and I can't help but take a walk under ......the cloister, which is more or less good!

Being able to memorize and speak the lines completely is already considered hard work, and speaking well is not only kung fu, but also her daily practice.

After these lines were finished, although there was no applause in the audience, there was a buzzing discussion, and they all looked at Yuan Quan with admiration.

As for the little nun played by Yuan Quan, both the lines and her performance have been repeating the contradiction between advancing and retreating, and it is this kind of mood that has made her struggle from the beginning to the time she met the little monk played by Ning Yuan, and it has also infected the audience.

For example, she peeked at Ning Yuan, but when she saw that Ning Yuan was also peeking at her, she began to scold again, lying to Ning Yuan that she was sick when she went down the mountain, but when she exposed Ning Yuan's lie about going down the mountain, she scolded him for not being a good person.

This word, every smile and smile made Yuan Quan's interpretation vivid, even if Zhu Yuanyuan in the audience watched it herself, she was fascinated, not to mention others.

In addition, the integration of the opera's recitation and figure also makes this drama different from other previous dramas, and it looks quite beautiful and rhythmic.

And Ning Yuan, whose strength is there, not only did not Yuan Quan cover the limelight, but the two complemented each other well, and the more they watched, the more the audience was attracted.

However, at this time, the big names in the audience, occasionally commenting twice, were also aimed at Yuan Quan.

"This Yuan Quan has just graduated, which is really not to be underestimated. ”

"In the past two years, the new actors have become more and more careless, which has made many seniors criticize and begin to collapse, but seeing them, I think there is still hope for the future. ”

"Haha, don't underestimate her, the Best Supporting Actor at last year's Golden Pheasant Award was won by Ning Yuan, and the Best Supporting Actress was won by this Yuan Quan. ”

"Oh...... No wonder. ”

As for Ning Yuan, after all, he has become famous and has verified his strength in front of them, everyone is not surprised, but if Ning Yuan does not act well, they will let them talk about it.

It is precisely because of the good performance that I won't say anything.

Not only did Yuan Quan have a large number of lines, but Ning Yuan also had them, but when Meng Hui created it, he deliberately made it very symmetrical, first describing the origin of his entry into the temple and his experience in the temple, and then saying that he wanted to escape from the mountain but didn't dare to get entangled.

"To the yellow oriole tricky, both purple swallows are muddy; wear flowers and butterflies to return, and every day the peak holds flowers and makes honey. ”

Facing the bright spring outside the temple, Ning Yuan's face was fascinated, but soon, he became lonely:

"I only hate that I was born with a thin life, and that I was sick in my swaddling clothes. Thinking of me, a monk, in my mother's belly, it is bitter. Therefore, my father and mother were worried. ”

Sitting on the ground, Ning Yuan's face was distressed and depressed:

"When my father and mother gave birth to me, they asked a gentleman to calculate my eight characters. ”

As he spoke, Ning Yuan's voice suddenly raised an octave, and his face showed indignation: "That gentleman is my opponent!

Sighing, Ning Yuan said helplessly: "My father is also helpless, he will round me into the empty door, worship the Buddha and fast, and learn to recite the scriptures in the Buddha." ”

"There is no part of the mash wine, and the pink lady is ...... Don't look at it. The snowy night is lonely and cold, and the frost is cold. ”

Speaking of this, Ning Yuan yelled in pain: "It seems that he has suffered so many hardships and setbacks!"

As an experimental drama, Meng Hui's attempt is not only to blend this absurd story together, but also to integrate opera and intersperse the unrelated story of "Decameron", just to increase the persuasiveness and tell a truth together.

In addition to these, there are also little monks and little nuns who get together, it seems that the two are communicating, but in fact, their eyes do not look at each other, including the movements, so that the audience can understand at a glance that this is similar to a kind of dialogue over time and space, each saying its own thing, but it is cleverly like the two are communicating spiritually.

In Liu Ye's wooden fish sound, Yuan Quan came to Ning Yuan's side, knelt down side by side, just like a rapper, and started with the rhythm of the wooden fish.

Ning Yuan's face showed a look of longing, he straightened up, and pointed forward with his two fingers: "The day before yesterday, I passed by the head of the family!"

Yuan Quan also looked expectant: "See a few disciples-"

Ning Yuan said the words of the little monk: "See a few young Jiao'e!"

"I'm playing at the bottom of the mountain!"

"The face is like a peach, and the sideburns are like a pile of crows!"

"He's looking at us!"

"Ten fingertips, Na Ting!"

"Let's keep our eyes on him!"

"Chang'e in the month can't compare to her!"

"He's with us, we're with him!"

"Therefore I care about her in my heart!"

"Twilight will leave her alone!"

"If you can't leave it out, you can't leave it out!"

"Really, really, really I can't leave it alone—"

In the last few sentences, the voices of the two merged, from separation to unity, and they also narrated one thing: their spirits reached the same thing.

What does this mean?

It's two hearts in the same place.

And as the last sentence kept repeating, deepening the tone and tone, in the high-pitched and excited, Yuan Quan fell in front of Ning Yuan, and his graceful appearance made Ning Yuan lower his head.

The four eyes met, from the fusion of spirit to body, and when Ning Yuan was about to bow his head and kiss him, Liu Ye next to him suddenly shouted in unison: "Hey!!"

In an instant, the two of them scattered like frightened rabbits!

This one also made the audience laugh, and there were many scenes like this, such as the boredom and loneliness of the little monk before, splashing water there, and interacting with Liu Ye and them, which was also full of jokes.

And the section between Ning Yuan and Yuan Quan just now, it seems simple, but in fact, the two of them have practiced countless times to cooperate to this level of intimacy, whoever is a little slower will disrupt the rhythm of the other party under the knock of the wooden fish.

If the practice is so-so and the performance is successful, it is only lucky, not necessarily every success, only when you practice to the point of complete familiarity, such as the point of fingering, every success is not a fluke, and you have the confidence not to be afraid of when and where you can perform.

This drama has a total of four acts, but it is not separated, but performed continuously, echoing the beginning and the end, the early stage talks about the bitterness and contradictions of the two, and the end is happy together.

As for the two parts in the middle, they are the two stories in the Decameron.

And these two parts, especially the story of two Chinese New Year's Eve staying in a family, the chaotic relationship is no longer dominated by two, after all, there are many roles, and everyone has a role.

For example, Ning Yuan and Liu Ye played the two young people, while Yuan Quan played the daughter of the family, Wang Yu and Hu Jing played the husband and wife respectively, Sun Honglei played their son, and the 'performer' was only Shi Guanghui.

When it came to the role of the king, queen and groom, Sun Honglei became the king, while the groom was Ning Yuan, and the queen became Hu Jing.

These two scenes, because the plot is exaggerated, and their limbs are also exaggerated, so there are many jokes, and the audience laughs together, and after laughing, it is thinking about the plot.

At this time, returning to Sifan's plot, inheriting the luck of the previous groom who escaped, the little monk and the little nun also came together.

Because the little monk deceived the little nun, after being exposed, Yuan Quan said:

"I see that you, a monk, are not a good person, you must have slipped down the mountain. ”

Liu Ye coaxed them beside them: "Yes, slip down the mountain!"

Ning Yuan glared at them, then turned back to Yuan Quan and said, "I see that you, a nun, are not honest, you must have escaped from the mountain!"

Liu Ye and the others echoed again: "Yes, escape down the mountain." ”

Yuan Quan also glanced at them, and then his eyes flashed, and he said slyly: "Xiantao is also fleeing." ”

Ning Yuan smiled: "Bi Tao is also running away!"

Liu Ye and the others pointed at the two together: "Nun monk, run away!"

Ning Yuan laughed: "Each other~~"

Yuan Quan looked up proudly: "It's the same!"

After some laughter, the lovers finally became married, and the consummation of the little monk and the little nun also completed the premiere of Ning Yuan's drama.

After the curtain call, there was warm applause and cheers under the stage, and even the seniors such as Cao Rulong and Tang Guoqiang applauded regardless of the image.

Finally, Cao Rulong took the stage to deliver a speech, and after some praise and evaluation, he said loudly: "I announce that the fourth version of "Sifan" premiered successfully and will soon start a national tour!"

"Oh!!" On and off the stage, a warm cheer broke out again.

Ning Yuan and Yuan Quan glanced at each other, and they also grinned, even though they had already made a name, they still felt sincere joy every time they conquered a mountain.

This is the joy of the beginning of the harvest after hard work, and it is also the joy of endless aftertaste after getting carried away.