As Yun Liang said, Whether or not you can survive the plague at that time really depends only on everyone's creation.

Because there is no cure.

Two months after he took the baby from the tower, the plague killed nearly half of the people of Luoyang City, and continued to spread throughout the Wei kingdom with a burning fire.

To make matters worse, it coincided with the end of the war between Wu and Shu.

Wu Guosheng. The defeat of Shu made the short-lived alliance that Wu had formed with Wei to deal with Shu unsurprisingly vulnerable, so no matter how bad Wei and the turmoil caused by this sudden natural disaster and natural disaster, no matter how bad it was, no matter what price it had to pay, it must not leak the slightest rumor.

Therefore, the country was quietly blocked, all trade with other countries was temporarily cut off, and all infected and suspected infected people and their families were quarantined, claiming to be infected with wind and cold......

These measures, due to the original lag of ancient communications, did not allow the other two countries in the Three Kingdoms at that time, especially the Wu State, to hear any trouble.

But this has also made the predicament of the plague even worse.

The lack of trade leads to a lack of resources, and the closed environment leads to aggravated infections...... Soon, the whole Wei kingdom was like hell on earth.

Fear begets despair, despair begets alarm, and after the initial panic and frustration, those people suddenly realize in a very angry way that they may have been deceived by the national teacher.

What everyone saw on the day the tower was burned, whether it was the door that was drawn, or the baby who appeared in the fire tower and was on fire, perhaps, everything was just some kind of trick made by the national teacher through his clever means.

And the nine empty towers are really the key to bringing the plague.

Some people have discovered that the trajectory of the plague coincides with the order of the nine towers when they were burned down.

This discovery spread to ten, ten, hundred, and soon spread to every corner of Luoyang City.

People are saying that maybe Yun Liang's original intention of building the nine towers in order to prevent the arrival of the calamity star is true.

But as he said, the mandate of heaven cannot be violated, and no matter how powerful a person is, he can't overcome the sky, so everything he did, maybe even he didn't expect it in the end, it was just a prelude to the disaster brought by the disaster star.

But what was the reason for him taking the baby he called the Scourge?

The former can be explained by the fact that people are invincible, but what about the latter?

It wasn't so much that he had taken the baby away and imprisoned, but when he thought about it, his gestures at that time were more like protecting the baby—protecting it from the chaos of the people who feared it after it was taken out of the flaming tower.

So, was the nine towers Yun Liang's unintentional mistake in order to stop the natural disaster, or was there another reason?

For example, the so-called sealing of the calamity star is just a deliberate move made by the national teacher who used to be a tomb robber in order to cover up some ulterior secret?

This speculation soon made Cao Pi suspicious of him, especially after the appearance of infected eunuchs in his harem.

The young king felt as if he had smelled the stench of corpses, and the proximity was chilling.

Therefore, when the ministers impeached Yun Liang in front of him again, he did not shelter the national teacher who was left to him by his father, and even acquiesced to the people who were trapped like beasts and imprisoned in the hardest-hit areas to rush out of the high wall and rush to the national teacher's mansion with the □□ caused by anger.

Therefore, on the sixtieth day when the so-called 'evil star' was taken out of the fire tower by Yun Liang, the inconspicuous mansion of the national teacher Yun Liang's family, which was in the midst of the buildings in the royal city, was surrounded by the angry people on three floors and three layers outside, and then slammed open the closed door with a thigh-thick wooden stake.

However, it was not what those people expected.

When these people pushed open the cold gate that had once been discouraged, and ran into the mansion in a rage, ready to vent their anger on the national teacher who had not appeared for a long time, they found that there was no one behind the door.

It's like the door is just as unguarded.

This was not uncommon in the past, because the Chinese teachers were indifferent and had always been alone, and once they thought that not having a door was a habit he had developed by hiding in the rivers and lakes all year round.

But now, they are terrified.

It seems that he is really the only one in the National Teacher's Mansion all along.

When he's gone, there's no one.

No, there is still one.

It's just that that person is too inconspicuous in a mansion in Nuoda.

Skinny, small, quiet.

Motionless sat in the shade of a tree, with his back to the silent tall buildings of the mansion, facing the empty courtyard and the angry crowd on their faces. It was a fifteen or sixteen-year-old boy.

He has a nose and an eye, but it's a pity that he is a fool.

In the face of everyone's impatient questioning after discovering him, he would only smile slightly, no matter what he asked, there were only four words in his mouth: Master has not returned.

Not returning is not home.

Yun Liang was not at home, and at the same time, the baby that Yun Liang took away was also missing.

This discovery has once again pushed people into great panic.

What does it mean by the coincidence that both occur at the same time?

Does it mean that as early as sixty days ago, when the national teacher Yun Liang rescued the 'disaster star' from the fire tower, he had already left the people of the city who were devoured by the approaching death, and quietly took the baby away and flew away?

What is the reason for him to do this?

Was it because he had realized that the plague in the city was incurable, because he had expected that the people he had frightened would wake up sooner or later, so he absconded early in fear of sin?

Fortunately, the panic caused by this terrible thought did not last long in the crowd.

Just when everyone was about to cause an even bigger riot because of this panic, suddenly, the national teacher returned.

But again, unexpectedly, his return cannot simply be called a return.

Because from beginning to end, this national teacher has always been in this mansion and has never left.

Since you have never left, how can you not go home, and the so-called 'going home', what kind of 'homecoming' method is it?

As he said this, the young man suddenly paused and looked out the window thoughtfully for a moment.

It was as if looking at something, but there was nothing outside the window.

Sensing the confusion in my gaze, he withdrew his gaze and smiled at me: "He came out of a landscape painting hanging in the main hall of his house. ”

It's as if he walked out of the door of the fire tower unscathed.

Just as the undying people rushed into the main hall to look for Yun Liang everywhere, in front of everyone's eyes, the national teacher who had been 'not returned' by his apprentice walked out of the painting hanging on the wall.

The painting is a landscape painting.

And he was dressed in plain clothes and pants, carrying a medicine basket on his shoulder, as if he had just returned from collecting medicine in the mountains.

The air even smelled of mountain wind and weeds with his presence.

For a while, everyone was stunned as if they had returned to the day when the Nine Towers caught fire, and the original monstrous anger and panic were instantly replaced by a death-like silence.

On that day, everyone who had broken into the National Teacher's Mansion was extremely confused.

They couldn't tell whether what they were witnessing at the time was an illusion, another trick of Yun Liang, or a real miracle.

How the hell can a person come out of a painting? The painting is so small, not even as tall as a six or seven-year-old child.

This seems even more ridiculous than drawing a real door out of thin air on a fire tower.

But it's really seen with your own eyes.

Let's ask, from ancient times to the present, who in the world can make such a realistic trick?

Although Yun Liang's Kanyu technique has been called like a god possessed by his peers since the Cao Cao period, it does not mean that he is really a god, and to put it bluntly, Kanyu is just a feng shui technique.

Feng Shui is not a magic technique, how can it be possible that water and fire do not invade, change the shadow and transform the shape, and go to the sky and the earth.

This question was still swirling in the minds of those people, who would have thought, only three days later, that national teacher was in full view of everyone, and once again let all the people of Wei State witness a miracle.

On the third day after Yun Liang walked out of the painting with the medicine basket on his back, the plague that had lasted for half a year and raged in Wei for half a year was suddenly brought under control.

It's like the terrible hungry demon that suddenly broke its neck by an invisible and powerful hand.

And the hand that broke the neck is said to be the basket of things that Yun Liang brought out of the painting.

Some people say that it is a herb, after all, it was picked from the mountain in the painting.

But everyone who has eaten it says no.

The first to eat those were the sick who had been locked down in the most densely populated areas of the pandemic.

It is said that out of jealousy and suspicion of Yun Liang and what he did in the past, no one dared to eat those things in his hands easily at that time.

A person who can enter and exit the fire at will and come and go freely from the canvas, who knows whether he is a human or a demon who brings disaster to the country and the people.

And there is nothing on the canvas except colored ink, and God knows what he can bring out of the canvas.

But when a person is dying, who cares about this.

Even if it was poison, I ate it, even if I knew that I was trying it for those powerful people, I tried it. What other options are there?

However, to their surprise, the medicine that had been taken out with the despair of death was actually revived a few days later by those who had been sent to the coffin to lie down waiting to die.

Later, the sick officials began to eat.

Later, even the cautious and shrewd Empress Guo in the harem ate it.

After that, Yun Liang was transformed in the eyes of everyone in the Wei Kingdom, and he was really worshiped as a god.

He received the respect that he did not receive even during the period of Cao Cao's reuse, and he also received honors that even Cao Cao did not bestow, and even those who were originally afraid of him and regarded him as a demon also built statues and temples for him.

They called him the Painting Immortal.

Because the door that opened the fire tower was drawn by him. And the painting that brought life-saving medicine to Wei was also painted by him.

But Yun Liang was not happy after being annotated with so much faith and honor.

That emotion was even visible to the stupid apprentices around him. The mood that was getting worse day by day made Yun Liang, who was already a little speechless, even more silent, just like when he first stood next to Cao Pi, who had just inherited the throne.

No one knew what the reason was, but it was just because of his personality, until one day, the only adult apprentice who came in and out of his side was expelled from the National Teacher's Mansion by him in an extremely harsh way.

The day after the apprentice was expelled, everyone was shocked to get the news.

Yun Liang, the great master who was regarded as a god by everyone in the Wei State and saved the lives of countless people and even the queen of the Wei State, was sent to the prison for framing and poisoning the former queen Zhen Luo with witchcraft, and trying to poison the people with the same means, disturbing the court and attempting to rebel.

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