By the end of the weekend, the sisters' entry "Parallel Worlds" had begun to take shape.

Amberine was full of praise for her new dance music, and although most of it was due to her sister, this sense of accomplishment made her more and more interested in composing.

Amber explained the theoretical knowledge of composition to her sister in a simple way, and at the same time integrated it in practice. Now Amberin can occasionally hum a few minor tunes and fill in random words with Japanese pronunciation.

Amber found that her sister seemed to have some talent in this area, and perhaps creative people could be connected in many fields, as long as they were used in the right place.

In the past, Amberine always used her cleverness to find ways to be lazy, but Amberine didn't know that her sister could memorize lyrics so amazingly. But it seems that such a remarkable memory is only reflected in music, and sometimes it is even forgotten.

There is also the problem of ligaments that is the most troublesome, Amber has always encouraged her sister to pull away, and she strictly follows the teachings of Teacher Doudou to be a professional assistant, but my sister still has tears in her eyes even if she even lies on the frog.

"Will we not be on track to catch up with the rehearsal?" said Amberine on Sunday night, with 12 days left until the April 1 rehearsal.

"If you don't dance well in rehearsal, you should spend April Fool's Day, don't put so much pressure on yourself. After Friday's incident, Amber also saw that at least she had to be as open-minded as possible when facing her sister.

On the day of the rehearsal, it was raining.

"I think we were a little bit under-thinking in terms of stage design. The sisters in the waiting room muttered quietly.

Contestants were not allowed to attend the rehearsal, and they were placed in Group 8.

Amber asks her sister what she thinks, and Amberin thinks it's best to talk to the props teacher first.

"You mean you want to add two rotating lifting devices to the stage?" The props teacher was arranging the background curtain to be used in the semi-finals as he spoke: "But there are no conditions for installation in the theater, and all the props needed for the performance are prepared by the contestants themselves, and they have to inform us in advance." ”

Sure enough, the simulated images in their minds could not be fully presented on the stage, and they needed to be rearranged and rehearsed temporarily.

"Why don't you tell me about your ideas and see if I can help?" the prop teacher was relieved, unable to bear to look at the sisters' embarrassed looks.

Amberin's original idea was to use the lifting stage to make the sisters alternate, so that the audience thought that one person was actually two, so as to achieve the purpose of opening the chapter with a parallel world, and the function of the revolving stage was to express the interlacing of time and space and the dispersion of dreams.

"This can actually be done with lighting and backgrounds. The props teacher provided the sisters with a reference, so they called the lighting engineer to go to the rehearsal site to discuss the stage effect.

When the music plays, the gaffer pulls off the stage lights, leaving only a white spotlight in the center of the stage, and Yomi's solo appearance shows the girl's growth and transformation from babbling to cardamom with a soft dance.

As the music beats more and more densely, white spotlights frequently switch around the stage, and each time it appears, a girl dances in the aperture.

In fact, the sisters are alternating, and they need to silently record in their minds where the next beam of light will appear, move quickly and wait for the moment when the lights come on, giving the audience a sense of visual change.

The thunder came, and two white lights lit up on the stage at the same time, and people suddenly realized that it was a performance of two people. And the tragedy is at this moment, Yomi's originally happy world collapses, desperate and helpless, it is Utau who pulls her into her own world, accompanies her, and warms her.

But the endless desolation still comes to Yomi, and a dance solo tells the pain and struggle of inner thoughts, hoping to be healed but difficult to be cured.

At this time, Utau, who had already changed his outfit, reappeared, and it was the appearance of Yomi's grandfather.

Yomi sees the loved one of her dreams, the stage lights gradually warm, and the grandfather and grandson do a comical tap dance. Entering the climax, an affectionate hug made the prop teachers in the audience moisten their eyes.

It's just a heartwarming scene that only happens for a moment, and the surroundings are plunged into darkness, and a white spotlight hits the center of the stage again, leaving Yomi alone to wake up from her dream.

Towards the end of the music, at the back of the stage is the back of the grandfather, slowly turning back on crutches and waving to the audience.

The props teacher involuntarily applauded in the audience. Of course, she's already marked the timeline with the materials and transitions needed for the performance.

"It's such a poignant story, and your body language is heartfelt. The props teacher's evaluation made the sisters feel very encouraging.

The gaffer signaled in the control room that one final confirmation was needed, and that the D.C. combination could be done again. In order not to delay the next set of rehearsals, the sisters quickly returned to the stage in the dark, ready to reach the starting station.

"Ahh

Next Chapter Preview: Rehearsal Accident Scene (2)

Don't make an accident at this juncture!