(Cat flutter Chinese ) Wang Weina!

That's Wang Wei!

The top ten painters of China, the pioneer of ink painting, the poetry and painting are unique, the famous master through the ages, the great master who moves the generations, the great poet!

There is only one of his paintings in the world that seems to be genuine, and none of them are in China!

Oh, my God!

His paintings are still in the world!

It's still in this world!

It's shocking, it's shocking!

Although everyone in the observation seat was sitting, their hearts were trembling, and the news of the scene had already spread instantly through various communication software.

The whole day the capital is known, the whole Shenzhou is known, and the whole world is known.

Wang Wei's painting was born!

On the table, a group of masters had already seen that their hearts and minds were broken, and their souls were out of their bodies.

Although the inscription is Wang Wei, although the idea and brushwork are absolutely at the level of a great master, according to the rules, it is still necessary to do further testing of this painting before the conclusion can be drawn.

After all, in the past 2,000 years of calligraphy and painting in China, there have been too many amazing and gorgeous demons.

Some people imitate Wang Wei, not necessarily.

Xia Yuzhou looked at the material.

The painting is a silk painting, and the silk and paper are the most important components that make up the Shenzhou civilization.

The calligraphy and painting handed down from generation to generation are nothing more than two kinds: silk and paper.

Comparatively speaking, the cost of silk is much higher, but it is also convenient, because the silk can be washed off if it is wrongly drawn.

Moreover, the silk paintings can be preserved for a very long time.

In ancient times, rich people would play silk books, just like modern people, rich people smoked and the world, and ordinary people occasionally bought a pack and enjoyed the world.

And the poor will smoke purple clouds for the rest of their lives.

The same was true of the poor in antiquity. Painted on rice paper and worse paper all his life.

Wang Wei is a famous poet and painter in the Tang Dynasty, and his background is even more noble.

The Taiyuan Wang clan in the "five surnames and seven hopes" in the Tang Dynasty scholars.

and another Langya Wang clan in the Tang Dynasty was also "five surnames and seven wangs" and called the double king.

Wang Wei has a prominent life, and he is the first and first. He has successively served as the judge of the right collection, the supervision of the imperial history, and the envoy of the Hexi Festival.

During the Tianbao period of Xuanzong of the Tang Dynasty, the worship of the Ministry of Langzhong and the matter were given. When An Lushan captured Chang'an, Wang Wei was forced to accept a false position.

After Chang'an was recovered, he was appointed as the crown prince. During the first year of Tang Su Zongqian, he was appointed as Shangshu Youcheng, so he was called "Wang Youcheng".

His life is very awesome, and like Su Dongpo, he also became famous as a teenager and moved Chang'an.

Later, he gradually stabilized in middle age, and after the age of forty, he realized Buddhism, converted to Buddhism, and Meng Haoran was known as the Buddha of poetry.

There is nothing to say in terms of poetry, but in terms of paintings, it has created a precedent for ink painting, and is the originator of Chinese ink landscape painting.

His ink paintings are concise and unrestrained, and pay attention to natural lightness. Exceptional and unique.

Su Dongpo commented on him, "There are poems in paintings, and there are paintings in poems." ”

Painting with the eyes of a poet and writing poems with the perception of a painter, its poetry and painting are very rich. Wang Wei integrates the techniques of painting into the creation of poetry, which makes his landscape paintings beautifully composed and with a strong sense of spatial hierarchy, giving people infinite associations.

Although Wang Wei retired to the mountains and forests in the later period and participated in Zen and enlightenment, he never worried about money because he was born in a famous family.

Therefore, he basically used silk for his paintings.

The silk of the Tang Dynasty has reached an unprecedented level, and the material is very recognizable.

The advantage of this silk silk is that it can make the silk hard, and the longitude and latitude of the silk fabric are not easy to change, and the painting on this silk can be blended, so that the color of the picture is superimposed, and it is more layered.

Because of this special technique, it is very easy to recognize this kind of silk.

Xia Yuzhou touched his hand, and still had an answer.

Silk is fine, then it's basically no problem.

Looking at the inscription, the existing calligraphy of Wang Wei has inscriptions and copied paintings can also be used as a reference.

In addition, the time is estimated through the period of payment, and then the relevant records are found in the history books and local chronicles.

In 758 AD, Wang Wei was imprisoned for being a puppet army in the Anshi Rebellion, and he was supposed to be beheaded, but later he was lucky and became an official again.

It didn't take long for Wang Wei to retire, retire to the mountains and forests, devote himself to Zen and enlightenment, and return to nature.

Three years later, Wang Weixian died.

The place where the painting was made is also right.

Look at the accompanying poem on the painting, 'Xizu Sanzhi stays'.

"Luoyang guest in front of the door, dismount and whisk clothes. It is not in vain to drive the old people, and he hides more in his life. Pedestrians return to the deep alley, and the snow brings afterglow. Those who are in the early years of their comrades, where will the high car return. ”

This poem can also be found in all Tang poems.

The comparison of poems and paintings is completely matched.

This painting, don't look at it anymore.

There is no doubt about the authenticity!

Xia Yuzhou exhaled softly, overjoyed and excited.

Luo Ting's masters are still studying the idea of the pen, as well as the most important collection stamps and seals.

At that time, the celebrities of the Tang Dynasty did not have any awareness of copyright, and only the payment was made, and only a very small number of big people used the seal to stamp it.

In the Song Dynasty, the literati liked to stamp and stamp.

Since this painting can be handed down to this day, it must be absolutely a heirloom.

If it weren't for the heirloom, it wouldn't have survived to this day.

The most famous collector of the Northern Song Dynasty in later generations was also Li Gonglin, a master of calligraphy and painting, and his stamp was impressively on this painting.

Because the Song Dynasty was recognized as the peak period of the first collection in China. At that time, the Song Dynasty was really a dynasty at the peak of the cultural atmosphere, even more than now.

Liu Songnian, a famous collector in the Southern Song Dynasty, also stamped his seal.

Emperor Xuande Zhu Zhanji of the Ming Dynasty, and Emperor Jingtai Zhu Qiyu and his son also have seals.

There are also various Song, Yuan, and Ming dynasties, and various great writers and collectors, and there are also more than a dozen seals.

Su Yijian and Wang Pu, the two most prestigious collectors in the Northern Song Dynasty, the Songxuezhai seal of Zhao Mengfu in the Yuan Dynasty, and the imperial sister book collection stamp of Xiangge Raji, the eldest princess of the Lu Kingdom in the Yuan Dynasty.

The seal of Sun Chengze in the Ming Dynasty and the seal of Kuaixue Hall of Feng Mengzhen.

After arriving in the Qing Dynasty, there was no longer no seal stamped by Qing Dynasty celebrities on calligraphy and paintings.

That is to say, this painting was already hidden in the Qing Dynasty.

But it doesn't matter, it's enough to have a group of people on it.

Everyone was still immersed in this ethereal and bleak painting and couldn't extricate themselves, and they didn't know when, the living fossil Xia Ding was pushed by the secretary and came to the painting.

After taking a closer look, Xia Ding immediately narrowed his eyes, and was also calmed by the coldness on the painting.

If Ni Zhan's "Late Autumn of Taihu Lake" is bleak and desolate, then the artistic conception of this painting is ten times that of the late autumn picture.

Shaking his head halfway, Xia Ding's face showed a touch of sadness, and he sighed softly, "Sad and cold, ethereal and peerless." ”

"It's a good picture of "Cold Mountain and Snow Visit". ”

"Maha layman, shaking the ancient and modern, see it today, die without regrets!"

"I, Xia Ding, die without regrets!"

This evaluation was too high and too high, and everyone's hearts shook wildly and they held their breath.

The people were all overjoyed, and they were unprecedentedly proud of Wang Wei's authentic work.

However, a few people were stiff like ice sculptures at this time, standing to the side stupidly, their faces like ashes.

It was Shen Zijing's father and daughter, master and apprentice.

But when this "Cold Mountain and Snow Visit" first appeared in the world, the three people were also shocked to the extreme.

As one of the four major collectors, their eyesight goes without saying. The moment they saw "Cold Mountain Snow Visit", the three of them were stupid.

In every respect, this painting far surpasses the late autumn picture.

Wang Wei's name alone overshadowed Ni Zhan.

And most importantly, this painting, which is a Tang painting!

Painting of the Tang Dynasty!

Tang Dynasty's!Tang Dynasty's!Tang Dynasty's!Tang Dynasty's!

Say the important thing four times!

There are only a handful of silk books from the Tang Dynasty that have survived to this day!

"Five Oxen Picture", "Spring Tour", "Portrait of Emperors of the Past Dynasties", "Bu Yuan Picture", "Fu Sheng Teaching Scripture Map", "Hairpin Lady" and so on more than a dozen.

Although the "Fusheng Teaching Scripture Map" hidden in the Dongying Kingdom was also made by Wang Wei, this painting is doubtful.

Because his silk is not of the same age.

Although Dongyinggou has always insisted that it is Wang Wei's handwriting, it has not been recognized by Xia Ding.

With Tang painting alone, it is enough to crush Ni Zhan's ten streets.

Moreover, this painting is quite well preserved, and its condition is second to none among the Tang paintings.

The results speak for themselves.

"Cold Mountain Snow Visit" beats "Taihu Lake Late Autumn"!

Undisputed!

Cat flutter Chinese