Chapter 142: The aura of jade mining, the teachings of the Buddha

Of course, under this high-frequency medicinal bath, the box of medicinal materials sent by the Tang family is also being consumed at an alarming rate, but it is better because of the large number and large base, and it should be able to be used for a while.

There was no moonlight tonight, and the yard was pitch black, except for a light bulb hanging from the doorway, and a few moths fluttering in the dim glow.

There was a cricket and toad cry in the grass, and a dog barking faintly in the distance, which was not very real.

Zheng Shaoqiu's upper body was flushed, his hands clasped the edge of the barrel, his body leaned back slightly, and the feeling of ants crawling on his body kept coming.

At first, he was a little uncomfortable, but now he can completely ignore it.

Now it's past ten o'clock, and the permission has already rested, Zheng Shaoqiu and Lin Cen Yue have been cooking on the phone for half an hour in the barrel, talking about some trivial things, listening to it, Lin Cen Yue is in a very good mood today, as if there has been a breakthrough in the project.

After hanging up the phone, Zheng Shaoqiu poured out the water in the wooden bucket, wore a tow board and a miner's lamp on his head, came to the board car, and took out a few things in the package.

Slightly deep, this is a jade Guanyin carving.

It is about 25 centimeters high, eight or nine wide, and about 10 bases.

The carvings were covered with layers of silt, and Zheng Shaoqiu took a bucket of water and washed it several times before revealing his true face.

The overall lines are smooth and graceful, Guanyin's face is charitable, his expression is peaceful, his eyebrows and eyes are lowered, his mind is meditative, and he has a kind attitude of giving nectar and purifying all sentient beings.

It makes people feel that his eyes seem to be closed and open, his lips are about to move, and his gestures seem to be silently reciting scriptures to save the suffering.

The texture of the garment is as soft as silk, depicting bare skin, and the texture has a moist softness and warmth.

The layout of the statue is reasonable, the figure is delicate and the carving is meticulous, which shows the style of the master.

On the whole, it is vivid and elegant, smooth and natural, but it does not lose the law.

Stop and taste, the quiet and peaceful atmosphere, and the mind of Cihang to help the world are about to come out.

The production of jade carving Guanyin in the process of material selection is a relatively high threshold, first of all, the requirement is a relatively complete material, and basically there are no flaws, but also requires the color of the raw materials to be consistent, plus the tightness of the structure to meet certain requirements.

And the piece in front of me is undoubtedly made of white jade, a good field seed material, but it is not yet up to the level of mutton fat jade.

Many Hetian jade merchants also call mutton fat jade when they make a Russian material, and they call mutton fat jade when they make a whiter jade, but in fact, they are not necessarily the case.

He sheep fat jade has a delicate structure, high oil content, strong waxiness and strong coagulation feeling!

It has a soft and waxy feel when coiled...... This is called mutton fat jade.

White is not necessarily good, but mutton fat jade, as the name suggests, is like solidified mutton fat, so it is called mutton fat jade, and this Guanyin statue is almost hot.

However, although it is not mutton fat jade, the carving is quite charming, and the atmosphere and delicacy are taken into account, which is breathtaking.

In particular, the three-dimensional carving on the side of the two sheep, one large and one small, makes the image plump.

The big sheep looked back and lay down, his ears drooped, his demeanor was serene, and a small sheep in front of him looked back at the big sheep, lively and cute, snuggled on the side, his demeanor was affectionate, and his posture was very docile and peaceful.

This kind of subject matter is extremely particular about the requirements of craftsmanship.

The most amazing thing is that the faint gold on the jade net bottle has raised the power of Guanyin to this extreme.

This is the natural sprinkling of gold skin on the raw material, under the distribution of light skin color, giving people a sense of simplicity, and this retro feeling is spontaneous, attracting people to like more favorable, and now it is used with unique ingenuity.

Holding it in the hand, it gives people a feeling of oiliness and smoothness, the touch is warm and cool, the essence is connotative, and there is a crystal delicate feeling, even if you don't need to play with oiliness, it is very obvious, and it emits a soft faint halo against the background of the miner's lamp.

Although this is not mutton fat jade, this kind of carving is also rare.

Because in ancient times, excavation and mining were not as easy as they are now, and at that time they were basically manual, and it was very difficult.

Such a large piece of seed material is directly carved into Jade Guanyin, and the previous owner is definitely not rich or expensive, and he is still very rich.

Zheng Shaoqiu glanced twice, and did not find the text inscription on the Jade Guanyin, but judging from the overall layout and carving, it should be an object from the middle of the Ming Dynasty, and overall, it is still very good.

Of course, the only fly in the ointment is that the color is a little unsatisfactory.

Finger-thick brown lines stretch across the back, making them very distinct.

The lotus petals on the base also look a little mottled, but they have a more quaint charm.

In addition, because of the long-term immersion in water, there is a white spot on the clothes of the Guanyin statue, and there is also a piece on the lotus foot.

This color is mixed with the original jade color, and the whole has an indescribable and unclear taste.

Youyun: "When the Bodhisattva of Freedom and Freedom walks in the deep Prajnaparamita, he sees that the five aggregates are empty, and he overcomes all suffering." ”

Avalokiteshvara is a symbol of compassion and wisdom in Buddhism, and has an extremely important position in both Mahayana Buddhism and folk beliefs.

His deeds of rescuing the suffering and helping all sentient beings have become more and more rich and full through the recitation of generations.

And the combination of jade and Guanyin is even more wonderful.

The aura of jade mining and the teachings of Buddha complement each other.

Zheng Shaoqiu held it in his hand and looked at it silently, with a sense of peace of mind.

After putting down the Jade Guanyin, he lit a cigarette, held it in his mouth, and then took out a gold medal from the package, with many words engraved on it, he glanced at it cursoryly, and then put it aside.

The third is a gold seal, the color is very new, the brilliant golden light is almost dazzling the eyes of a blind, the length and width are about five centimeters.

Shangniu is in the form of a crouching tiger, not too simple, not too amazing, can only be said to be mediocre.

With a flip of the wrist, the seal is engraved with four words in a small seal: the seal of King Xiang.

The engraving is okay, the font is clear, although there are slight flaws, but it is harmless.

There are many spots around this seal of King Xiang, which should be caused by natural wear and tear, and the overall look gives people a mottled and simple feeling.

Zheng Shaoqiu's eyes froze, and a hint of discoloration flashed in his eyes, he was really a little surprised to see this Xiangwang seal here.

If the princes and kings of ancient China were called 'Xiang' after their deaths, they could be called Xiang Wang.

In the various dynasties and dynasties of history, there are not a few people who have this title, Tang, Song, Ming and Qing dynasties, among which the most widely known people are: Li Chongmao, Li Xuan, Li Zhizhong, Li Xuan, Zhao Heng, Zhao Zongyu, Aixin Jueluo Bomu Bogol, Liu Guanfang, etc.

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