There is heaven above, and there is Suzhou and Hangzhou below!

It's a pity that Wu Jianye and others were not in Gusu City, but found a countryside to shoot the plot of "Under the Bridge" in the countryside, in fact, this plot does not need to come to Gusu at all, but Director Bai Chen firmly believes that everything should be based on the actual situation, so in the end, the crew finally decided to come to Gusu.

"Xiao Wu, I didn't expect you to be so active this time, and you could take the initiative to let the crew start filming on Gusu's side as soon as possible!" Bai Chen said with a smile.

After filming the plot of Huhai, Director Bai Chen's original intention was to let everyone rest for two days and then come to Gusu to shoot, but Wu Jianye, as the assistant director of the crew, suddenly proposed two days ago that he should take advantage of the fact that the personnel in front of and behind the scenes were in a state and immediately enter the plot shooting in Gusu.

Director Bai Chen thought for a while and thought that what Wu Jianye said was also reasonable, so he agreed with Wu Jianye's opinion and came to Gusu with the shooting team.

"I also hope that the filming can be completed as soon as possible, so that I can see the results of our efforts in the past year earlier!" Wu Jianye said with a smile, and then glanced at Gong Bin who was reading the script not far away.

Two days ago, Gong Bin suddenly found Wu Jianye, saying that his parents wanted to invite him to his home as a guest.

The plot of Gusu does not have the scenes of Wu Jianye, it is basically the scenes of Gong Zhen, Jiang Shan, Wang Wei and Fang Chao, and there are not many scenes, and they can be filmed in two or three days.

One of the most difficult to shoot is a rivalry between Qin Nan and Fang Chao.

Gong Bin doesn't have any problems, but he is a small Fang Chao, and he can't enter the state many times, and there is no way to deduce the state that the director needs.

The child couldn't talk too much, so Gong Zhen had to be by his side to help him find his state.

"Xiao Wu, the filming scene of "Under the Bridge", now only the part of Qin Nan going to the countryside is left, but that paragraph can not be filmed until after winter, are you going to stay in Huhai or return to Yanjing in the following time!" Director Bai Chen sat next to Wu Jianye and asked in a low voice.

"Let's go back to my hometown first, I've been outside for almost a year to shoot "Under the Bridge" this time, and the old lady is definitely going to be angry!" Wu Jianye said with a smile.

"Haha, yes, that's what we do, I believe your mother will definitely be able to understand!" Bai Chen smiled understandingly.

Nowadays, film shooting is very serious, it takes a big year to make a movie, it is a common thing, Wu Jianye and they took two or three months to experience life, which is less, and some movies even require the leading actor to experience life for more than half a year.

And this is very different from the Xiangjiang movies of this era, Xiangjiang movies are all for the box office, so soon, maybe even today, there is such an idea, the script has not come out yet, and the project will start shooting, and the movie is filmed while writing the script.

But even so, it made an excellent commercial movie.

Domestic films lack commercial competition, and studios don't have to think about the box office, so they are more refined, not that domestic films are better than Xiangjiang films at the artistic level during this time, it can only be said that both sides have their own merits.

But one thing that cannot be denied is that the influence of Xiangjiang films in the eighties and nineties was much greater than that in China, and most of the domestic films that came out during this period were only influential in China, but in the world, except for those films that won awards at the three major film festivals, other films are not comparable at all.

Even in the later period in the hearts of domestic people, domestic films in the same period also did not have Xiangjiang's movie classics.

In the next 15 years, Xiangjiang films are almost synonymous with the entire Southeast Asian film, if for the reborn, the film industry in Xiangjiang in the eighties and nineties is a copy of heaven, then the domestic film industry is a copy of hell.

"Director Bai, there's no problem over there, let's continue filming!" Gong Yan walked over and said.

"Okay. After listening to this, Director Bai immediately stood up and instructed all departments to prepare for filming.

Gong Bin glanced at Wu Jianye when he left, and he was full of amorous feelings, which was impossible in the past, and now her mother is willing to invite Wu Jianye to be a guest at home, which also indicates her mother's recognition of Wu Jianye's identity, in Gong Bin's opinion, the last obstacle has been cleared between her and Wu Jianye, and naturally she does not hide her emotions, but after coming to Gusu, Gong Bin also knew that Wu Jianye suggested that Gusu should be filmed immediately.

At the beginning, Gong Bin was indeed a little unhappy, but then he comforted himself, it should be that Wu Jianye was still shy, and with autosuggestion, Gong Bin was not so angry.

Wu Jianye smiled bitterly, this matter is getting more and more troublesome.

The rebirth of the 80s is not only a hellish difficulty in the film industry, but also a hellish difficulty in the affairs of men and women.

With the solution of the Dongdong problem, the scene of Gusu was finally filmed.

.......

"I'm really sorry to tell my aunt, I didn't expect something to happen in Yanjing suddenly, I have to go back, you also know that the school thing can't be delayed, so I have to wait for the next time I come to Huhai, I will visit my uncle and aunt!" Wu Jianye apologized to Gong Zhen, who was helping to pack his things.

Originally, Wu Jianye was going to learn editing behind Director Bai Chen, but Director Bai Chen thought that he should wait until the filming of all the scenes was over, and because of time problems, "Under the Bridge" had to stop filming for a period of time and wait until winter to shoot the scene where Qin Nan went to the countryside.

In order to avoid Gong Zhen's parents, Wu Jianye immediately found a reason and prepared to return to Yanjing immediately.

Wait until you arrive in Yanjing, and then return to your hometown, although this is a bit troublesome, but it is better to explain to Gong Bin here.

"Did my mother scare you?" Gong Zhen asked while packing her luggage for Wu Jianye, there is a gap between her and Zhu Xuan, although Zhu Xuan plays more of that kind of atmospheric and dignified role, but she is more passive in the affairs of men and women, Gong Yin, although she is a southern woman, seems to be euphemistic, but she is more active than Zhu Xuan in the affairs of men and women.

"No, how can it be, I feel that my aunt is very good, she invited me to be a guest at home, if it wasn't for Yanjing's matter, I really want to try my aunt's craftsmanship!" Wu Jianye said with a smile, this kind of thing is something that can't be admitted.

"Go back to Yanjing this time, I don't know when you will come back again!" Gong Ying said faintly, although Wu Jianye has not officially responded to the matter of the two of them, but Gong Jian has put Wu Jianye on the identity of his boyfriend, and now he is going to separate from Wu Jianye, so he naturally has a lot of reluctance in his heart.

Wu Jianye pinched Gong Yan's face and said with a smile: "When it comes to winter, when you shoot the scene of your trip to the countryside, I'll be back, don't worry!"

Facing Wu Jianye's first intimate action, Gong Yan's face was slightly red, but he didn't dodge, "Then I'll wait for you!"

Wu saw that her mood was a little low, and she couldn't help but tease: "During the time I leave, my aunt won't introduce you to any more people, right?"

"Nasty!"

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Sogou