This statue of Mazu is white fetal, the glaze is milky white and moist, about 20 centimeters high, the statue wears a square flat-topped crown, wears a crown robe, a shawl on the shoulders, and hides his sleeves in front of his chest, sitting upright, feeling solemn and peaceful.

On the left and right sides of the statue are two small gods, clairvoyant and shunfeng ear, both bald-headed, wearing short clothes and shorts, and wearing a square scarf.

The clairvoyant raises his left hand to his forehead and looks far away, and covers his ears with his right hand to confide in him, although his body is small but vivid.

Zhang Nan recognized this as a statue of Mazu from the crown of the statue, yes, he thought it was Guanyin, as for guessing that it was fired earlier, it was a feeling that it was unclear, and there was no year mark on the statue.

The various statues near Yan County can tell the characteristics of the times, but the non-local and local statues rely on that feeling: few players in Jiangnan Province will know about the Mazu statues in Fujian Province, just like the collectors who play white porcelain in Fujian Province will not pay attention to the celadon in Jiangnan Province.

If there are local characteristics, then play local, and if you don't play with the local, you can study the goods from other places, and it is good to be able to do more with less.

As for the age of the statue, there is a factor that also affects Zhang Nan's judgment: the "Taixing" ran aground in the second year of Daoguang, and it is very likely that it was put into use in the Jiaqing period, otherwise how could a new ship that had only been built for two years be "playing smuggling".

The government is keeping an eye on the new ship, not to mention the giant ship with a carrying capacity of more than 1,000 tons: the Taixing was launched even before Qianlong hung up, such a giant sailing ship, well-maintained, still has a life span of more than 20 years.

As for the statues, many people feel that the older the age, the stronger the mana, and then in the middle and late Qing Dynasty, the white porcelain process of Dehua kiln seems to have been lost, and the local replacement is the manufacture of blue and white porcelain and colored porcelain, especially blue and white porcelain is the mainstream of Dehua locally.

A statue of a Ming Dynasty god is enshrined on the ship of Dao Guangnian...

Normal, nothing wrong.

Zhang Nan took the towel handed by Davis and wiped the seawater on the surface of the statue.

"There is limited fresh water on the ship, so these porcelains can be rinsed with fresh water after they land, they are not so fragile, just don't expose them to the sun.

If this statue is from the Ming Dynasty, the Dehua white porcelain Mazu statue of this period in China has at most one hand, which is a good thing. ”

I didn't say anything about the price, but when I got here, I used that towel and put the porcelain statue on the table, "This piece will also be sent to Huaxia and entered the museum at that time." ”

Legend has it that the soul is possessed, and it will not be attached to the statue, but even so, Zhang Nan doesn't want it, it's still the reason that he has always pursued: the gods and Buddhas at home are about to have a conference, and if you can't invite them at home, don't invite them at home.

Our house is not a temple.

There are plates and bowls in another bucket, Zhang Nan looked at it, they are all "Jiadaomin kilns" in the traditional sense, that is, it is estimated that there should be no fired by Daoguang - they are all daily utensils, and the ship sank when it was only two years old, and obvious traces of use can be seen on these daily utensils.

Not out of the water from the cargo hold, but from a position near the upper deck.

Most of the models without the year number, the bottom of the large whiteboard, the simple drawing of the workshop, the kiln marks have.

It's all complete, and the fragments are all thrown back into the sea after they are sifted out: they are not destroyed, how about coming up, what about this back in the sea.

The porcelain fragments of the folk kiln in the Jiadao period, the walls of the mud wall houses in rural China can be found casually, since there is a complete vessel, and then bring it back and even "have a certain research value" The words can't make up, stupid fork!

This will Guan Boss fished out a blue and white flower plate with a diameter of about seventeen or eighteen centimeters from the bucket, looking at the painting skills on the front, it can be considered good in the folk kiln.

Take it upside down and look at the bottom of the plate, with weird horizontal and vertical lines on it, and the ghost painting characters are generally written in blue and white styles!

But after recognizing it for a long time, Guan Xingquan just felt that it should be 6 words, but he didn't recognize a single word!

Chinese characters are composed of lines, but the lines on this plate are definitely visually the product of Western abstract painting and Chinese wild grass, mixed with some metaphysics.

What the hell is written?

Can't guess!

Depressed!

Seeing that Brother Guan was studying the knowledge, Zhang Nan glanced at it from a distance and said casually: "Qianlong year system of the Qing Dynasty." ”

When Guan Xingquan heard this, he raised his head.

Zhang Nan didn't need Guan Xingquan to speak, he knew what Brother Guan was thinking in his head - you were blinded, right?

Judging by the plate craftsmanship?

Can you guess that it's so difficult?

6 words, it's a little scribbled. ”

Zhang Nan didn't want to irritate Boss Guan, so he seemed to say it very casually.

"Is this called a word?"

Still irritated......

Guan Xingquan at this meeting was probably thinking in his mind: You are teasing me, Lao Tzu has read a book!

If that guy dares to write such a word for me to recognize, I promise not to kill him!

Zhang Nan tried not to irritate Brother Guan, and said: "In the folk kiln, at least 99 of the 100 kiln workers are illiterate.

How the master spends, the land follows to learn, if the number of goods is large, the work is busy, and the painting is more sloppy.

Anyway, the requirements for folk kiln porcelain are not particularly high, and even if there is, it mainly depends on the firing level and the front pattern, not this knowledge.

By the way, the style is a drawing, not a writing.

This Jiaqing and Daoguang are better, and the time to be the emperor is not super long.

Every time the new emperor ascends the throne, the potters still have to recognize it, otherwise they can't draw it.

At the beginning, there will probably be literate people who will teach them deliberately, so as not to commit taboos, and one or two decades are just one or two generations of apprentices, except for a few who are too sloppy, most of them can still recognize a little roughly.

Qianlong, this guy is long enough, he has been the emperor for 60 years, and after a few years of being too emperor, the potters have changed I don't know how many dials, and the masters and apprentices are even more, and the seniority is absolutely no problem with grandparents.

If you pass on three people in one sentence, it will be very different, this knowledge...... You can guess, and if you see too much, you will recognize it. ”

Since Boss Guan started mixing with the squad leader and Zhang Nan, the antique porcelain he came into contact with was almost an official kiln, and he really hadn't seen it a few times by guessing.

As for the past, who would study what the bottom of their own home dishes and bowls is.

Don't believe it, have you noticed what brand of porcelain bowl you eat at home, and how to write the bottom paragraph?

Boss Guan didn't pay attention to it, and he didn't have much contact, so Zhang Nan should be the same - where did he "see too much" to know these folk kilns?

However, Guan Xingquan is not interested in asking this question, anyway, Zhang Nan has enough secrets.

Several large barrels of porcelain, some of which still have a small number of sea creatures attached to them, according to the accompanying diver captain, such a well-preserved shipwreck as the Taixing is rare, and it is the first time he has seen it.

This guy's name is Weta Bruno, in his forties, he was a professional diver in the U.S. Navy two years ago, and has more than 20 years of professional diving experience.

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