The soaked bookmark magically stretched straight in the air, but it was like an invisible support supporting her to slowly and softly sink to the restoration table.

When this scene came out, everyone was stunned.

This kung fu alone was enough to scare everyone on the scene.

Bursts of cheerful whistles came from Jin Feng's mouth.

My nongci calligraphy was spread on the matted absorbing paper, and Jin Feng carried another peerless treasure in one hand, and threw it into another reagent basin unceremoniously.

Turning around, he looked at my notebook, flicked his cigarette ash, and took a puff of his cigarette.

Squatting down, keeping his head down and his eyes at the level of the bookmarks on the workbench, holding a thick stack of absorbent paper in his hand, he kept pressing a few still warped papers to make them all flush with the bottom absorbent paper.

Repair this book, Jin Feng can do it with his eyes closed.

This thing is a pediatric compared to the uncle's sticker that was once restored.

My mind is not on restoration, but on how to get these peerless paintings.

After the time was almost up, Jin Feng's face turned pale, he lit another cigarette, his hands paused, and his movements suddenly increased several times.

Repair, officially begun.

The restoration room is absolutely unmonitored, because the infrared surveillance will hurt the calligraphy and painting itself, so the monitoring will only be installed outside the door.

Therefore, Jin Feng would never worry that these people would steal the top secrets of Shenzhou.

With a movement of both hands, the magic skill reappeared.

Tiangong conjured up a scene of afterimages, and took down the ribbed paper that had been prepared one by one, and dipped it into a special reagent, and then took it out and made up for it on my nongzi book.

Jin Feng's technique is like the most skilled violinist, playing the violin elegantly, and the hand speed has been tempered thousands of times to achieve foolproof accuracy.

For a while, everyone at the scene held their breath, and they didn't even dare to take a breath of air, and their eyes were full of deep horror.

Ribbed paper is the most famous paper in the Yuan Dynasty, and Zhao Mengfu's I Nong Ci is this kind of paper.

The ribbed paper in Jin Feng's hand was taken from a Ming Dynasty painting in the museum's treasure trove.

The ribbed paper of the Yuan Dynasty is really not found, so it can only be replaced by the Ming Dynasty.

The difference between the two is only seventy or eighty years, and the papermaking technology at that time did not improve much, but it was a good match.

According to the method of repairing his uncle's sticker, Jin Feng quickly repaired my nongzi calligraphy, and in the end, the biggest defect was the most time-consuming, because it was where the stamp of the collection and appreciation of the volume head was.

Half of the original seal has been burned, and judging from the vague remains, it should be Li Qingzhao's personal seal.

"Yi'an Jushi!"

Everything else is easy to fix, but this one is the most troublesome and can only be saved for the end.

After filling all the broken holes first, Jin Feng carefully opened another bottle of reagent.

After the reagent was heated slightly, I dipped the reagent and kept scrolling quickly.

This procedure is very critical, involving the short validity period of the reagent, Jin Feng must compare his hand speed.

The afterimage reappeared, and the eyes of the people at the scene were so wide that tears fell, but they couldn't capture Jin Feng's hand speed at all.

As soon as Jin Feng's heavenly hand appeared, the people present felt as if they had seen God, and their mouths were wide open, and they could stuff a wild goose egg.

At this moment, everyone screamed frantically in their hearts.

"Heavenly work!"

"It's really a heavenly hand!"

The Roman counterpart was right. ”

"He's faster than any machine!"

"Oh God. ”

"It's really fast, it's incredible!"

A second before the potion evaporated, Jin Feng had finally completed the most critical procedure, and a layer of fine beads of sweat appeared on his forehead.

The cigarette in the corner of his mouth did not move, leaving only five centimeters of soot.

Carrying a large brush and slamming it into the pure water, he lifted it and shook it violently, and raindrops fell over the restoration room again.

But the water droplets were all directed at Fandel.

Immediately, Fandel became a rain man who had just been fished out of the water, and his whole body was soaked with hair, and the people next to him looked down and laughed, but they didn't dare to laugh out loud.

Vander's anger was screaming, and the three corpse gods were all thundering.

Jin Feng glanced at Fandel with slanted eyes and smiled scornfully.

With a shake of the shaft in his left hand and a twist of his wrist, the bookmark suddenly turned over.

Jin Feng, who was whistling, took the big brush and gently brushed his head on the back of the bookpost from left to right, then threw away the big brush, lifted the bookpost and put it on another restoration table.

Ordered the curator to turn on the heating lamp to heat up, and Jin Feng picked up another one that had been soaked for seven minutes with his backhand-

Peerless Paintings——

"The Ming Emperor's Concubine !!"

Tang Dynasty silk ink and color!

Author: Zhou Fang!

The most famous master of the Tang Dynasty who painted maids.

"Ladies and painters, the best in ancient and modern times!"

The most famous "Hairpin Lady" is from his handwriting.

There is also the "Picture of a Lady Waving a Fan" in the old museum, and the "Tuning Piano Sipping Tea Picture" is in Nelson's collection. Eakins Museum of Art.

According to legend, he also painted famous paintings such as "Emperor Ming's Cool Picture" and "Yang Concubine Bathing Picture", and now the above two are still in the world.

This "Ming Emperor's Concubine" is the third.

When he saw this painting, Jin Feng couldn't believe it at all.

Once when he was in Xingzhou Dafu, Huang Guanyang saw a photo of this painting, Jin Feng couldn't forget it after seeing it, but Long Yao was sick and hospitalized at that time, and he couldn't ask why.

It's also a blessing to see him here.

Such a peerless painting, it must also be taken away.

Jin Feng is still quite sure of taking away a peerless famous painting, but it is not easy to take away all six calligraphy and paintings here under the gaze of so many people.

You have to do some calculations.

Even if you can't take away six, you won't let go of what the Ming Emperor's concubine and I won't let go.

Compared with paintings on paper, paintings with ink and color on silk are much easier to restore.

The requirements for mending silk must be close to three.

The texture of the silk is close to the core of the painting, the color of the silk is close to the color of the core, and the natural praise of the silk is close to the core itself.

These are all information that can be found from Du Niang.

Shenzhou repairs silk paintings, and generally repairs the silk is dry.

That is, it cannot be wet.

But Jin Feng's repair is completely different.

The same as the wet supplement.

The natural elements of water and fire can destroy all things, but they can also create all things, and they can grow all things.

The most important thing in silk painting is the material.

As long as you find the appropriate material, it's very easy to fix.

The painting is not very rusty.

It's just that the paint on the heart of the painting has almost disappeared seventy percent, and the original appearance can not be seen in many places on the blackened silk.

The main restoration work is only to repair the silk, and the rest of the painting and repainting is only pediatric.

Quickly flipped the heart of the painting, and took advantage of the gap between the dry, Jin Feng cut off the prepared silk and kept adjusting it according to the broken parts of the painting.

Mending silk is actually the same as mending clothes in the old days.

It's just that the silk repair requires that the new silk must be connected to the silk around the broken painting heart.

It's the same as connecting neuronal systems.

Jin Feng, a special magnifying glass for the country of clocks and watches in the workshop, disdained it, cut a small piece of the silk silk prepared for him by the museum, and picked up the silk with tweezers.

The people around noticed that Jin Feng was repairing the painting differently.

Compared with the restoration of the paper painting, Jin Feng's expression was extremely solemn when he restored the silk painting.

From Jin Feng's movements with tweezers, it can be clearly seen that he is cautious and dignified.

People only felt that what Jin Feng was holding in his hand was not a silk silk that was lighter than a feather, but an object heavier than Narocki Mountain.

Gently put it down with a silk silk and cover the damaged part of the painting.

His eyes were fixed on the damaged part for a few seconds, and Jin Feng picked up a test tube with his left hand and slowly squeezed out a drop of reagent, which landed on the silk and the damaged area impartially.

It was as if the first drop of nectar from heaven fell on the earth, and the turbid reagent turned into the most magical spiritual water at this moment, soaking it up in an instant, spreading all the silk and damage.

After doing this action, Jin Feng seemed to have completed the 100-meter sprint of the Olympic final, and couldn't help but exhale heavily.

This gasp sounded like a shocking thunder in the eyes of everyone.

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