"First of all, I have to say that Gan Jing's performance on stage was also beyond my expectations. ”

Luo Lei didn't realize the weirdness of each other's postures, he just expressed his opinion half-seriously: "However, I think the matter of changing the lines is debatable, Gan Jing, I don't know if you have noticed that as soon as your lines come out, you are a little unnatural against the player Liu Liwen in the play." I would like to ask, is this a change that you made during the previous rehearsals or did it happen on an improvised basis?"

Rehearsal before...... The words can be regarded as a rehearsal.

Gan Jingyuguang looked at Liu Liwen and said frankly: "It's a temporary change I made." ”

"Why did you change it like this? The original line was to ask and persuade, don't you think it's too persecutive for you to change it like this?" Luo Lei used a body language, he leaned back in the chair and clasped his arms with both hands.

Gan Jing repeated the answer just now: "I felt that I should have given such a reaction in the play, and I didn't think too much about it at the time. "As for Liu Liwen, as an actor, she should have an on-the-spot reaction, I have a better way, is it because you are weak?

He is not a person who admires that you are weak and you are reasonable, but he feels that this is the professional quality that an actor should have.

Of course, this is not very good to say on stage, and Gan Jing does not bother to accuse the actor to show himself.

Luo Lei shook his head, a little dissatisfied with this reply.

The third mentor is an actor Fang Qing'an, he looks like he is around forty years old, quite elegant, and at this moment, after seeing Luo Lei ask, he asked with interest: "To be honest, Gan Jing is indeed a bit unexpected, whether it is the performance status or the temporary change of words." No offense, Gan Jing, you seem to have not acted in more than two years?"

This question was asked by Fang Qingan, the director in the headset, and it was obviously the original plan of the program team.

It stands to reason that this question is simply a question for an outdated actor like Gan Jing.

However, Gan Jing has never been a person who likes to sell miserable, not to mention, to a certain extent, the current misery is not the misery he has experienced.

"Life is like a play, and drama is like life. Gan Jing couldn't say that he was not miserable, but he still replied succinctly, "I'm very happy to be back on stage." ”

Tutor Fang Qingan raised his eyebrows, a little funny in his heart, this Gan Jing really has some score on the stage, he glanced at Luo Lei, who seemed to be a little emotional, and then at Xu Li, who seemed to be thinking, and was ready to ask a question to deal with the time and then hand it over to other tutors.

"Gan Jing, you interpret this character well, are you usually a method or an expressionist?"

Even if it was time to deal with it, Fang Qingan subconsciously asked Gan Jing, who brought surprises.

Gan Jing was a little puzzled why the people here were keen to ask this, and he replied: "There are more experiential schools." ”

As soon as this sentence came out, the three mentors seemed to have some spirits, and Liu Liwen, who was standing next to Gan Jing, was originally a little depressed because the on-site mentor kept asking the opponent, but now she felt a little strange when she heard Gan Jing's answer again, why did she answer like this on the stage.

Tutor Xu Li, who was sitting in the middle, asked: "I thought that the Chinese opera was all methodistic, but I understand now, you just said that you are in the play, so there will be a natural reaction to change the words." As far as I know, the experiential school is a very niche performance school, so why don't you start with the method and choose it this way?"

Gan Jing stood on the stage and showed a surprised look for the first time.

The three major schools of performance, experience, method, and performance, there is no doubt that the experience school is the earliest, it is the performance system established by Stanislavsky of the neighboring Soviet Union, the method school is a derivation in the United States after it, and the expressionism is interpreted by the French actor Gorglan as a representative figure.

This should be common sense, but any actor should know it.

Wait, which world should it be common sense?

Gan Jing suddenly understood the problem, Stanley, who had established the experiential performance faction in his own world, might be mining in Lao Su's mine in this world, so was there a method school that a big brother played first?

Wait, without Stanley's words, no one would have written "The Self-cultivation of Actors"?

What a pity, I can't bear it!

Gan Jing turned a lot of thoughts in his heart for a moment, he showed a look that seemed to be smiling but not smiling, and remembered that he should answer the question: "The experiential school is more suitable for me to interpret the role." ”

Although we don't know the birth and evolution of the method, experience, and expression here, the truth has been verified by the works.

"Is the experiential school suitable for interpreting the role?" the mentor Luo Lei objected, "What are the methods and performances that are mainstream? That is, they are obviously superior to other performance methods, which you should have learned in Chinese opera." Although experiential school is a small niche, I happened to study it for a while, and it requires starting from the self first, and then taking on the role, which is a bit contradictory in itself, and the so-called truth in experiential teaching is difficult to achieve. ”

In the previous "Actor" program, the directors also debated the advantages and disadvantages of methodology and performance, but did not mention the niche experiential school.

However, Gan Jing on the stage immediately responded.

"Different people have their own ways of studying roles. ”

"There is no contradiction in the experiential school's self-starting role from the beginning, it is not two stages, the former is the foundation of the latter, and what needs to be done is to tap the part of the actor's heart that fits the role. ”

Gan Jing held the microphone in his hand and said seriously and seriously: "If there is a statement different from mine, then mine shall prevail." ”

Liu Liwen, who was standing next to her, was stunned when she heard this, what does it mean that if there is a different statement from yours, it will be yours? Isn't Luo Lei just said a different thing? This is simply hard! How dare you have the confidence to say this? Hey, you Chinese opera student!

Luo Lei in the audience was also a little stunned.

At this time, Xu Li played a round for Luo Lei, she didn't like this attitude towards her mentor, and said directly: "Whether it is methodism, expressionism, or experience, they are actually our theoretical methods for studying roles. What the actor has to do is to combine theory with practice and bring wonderful works to the audience. ”

This is said beautifully, and it is said loudly.

The audience gave a warm applause directly.

Gan Jing on the stage frowned slightly, this is in his own world, so there is no need to talk about this, what about the works, but if you put it here to talk about the combination of practice, doesn't that mean that you don't have any works.

It's not about the merits of the script for a while, it's about the performance faction, and that's very serious.

Gan Jing waited for the applause to end and then said into the microphone: "It is indeed necessary to combine practice, whether the three tutors are interested in going on stage, we improvised on the spot." ”

The audience was shocked, the three mentors looked at each other, and the backstage choreographer became excited.

Liu Liwen next to her was already dumbfounded!