When Cui Zhong called Shen Huan, he was a guest at the Huajing Drama Theater.

Fan Dan, the vice president of the Huajing Drama Theater, has already actively invited Shen Huan to their theater as a guest.

After the Spring Festival, the third wave of the tour of "The Gift of Room No. 7" began again.

Before, it was two groups of people who went out one after another, and this third tour was directly divided into three parts.

The two teams of AB have already been tested by last year's tour.

The C team, which began to be formed in October last year and starred in a total of 40 games in Huajing before and after the Spring Festival, was also widely acclaimed.

Although it is the same drama and made by the same screenwriter, the actors are different, and the taste of the performance is different.

So the audience who haven't watched Team C's performance is too addicted during the Spring Festival.

Especially some young women in literature and art, some have watched 5 shows, some have watched 10 shows, and the most exaggerated record is to watch 20 shows in a row.

This is true love!

Thanks to the blessings of your fans, such 40 performances are full again.

If it weren't for the problem of cheekiness, the bigwigs of the northern dialect almost decided to sell standing tickets.

The topic comes back.

The three teams of ABC, each of whom is responsible for twenty or thirty cities in a region, directly sank into the important prefecture-level cities of the third tier this time.

Originally, some high-level officials of Beihua were still a little hesitant, thinking that such a third-tier prefecture-level city would cause "The Gift of Room No. 7" to be cold because the masses did not have enough literary and artistic cultivation and could not understand the drama.

But after the advance ticket system was implemented in advance, in an instant, these more than 50 third-tier prefecture-level cities and cities sold out all the tickets for the three and five games, which made them feel at ease.

As long as there is a basic disk, then whether to add the encore or adjust it next, it is all secondary.

So starting from March after the Spring Festival, the third team of the drama version of "The Gift of Room No. 7" embarked on their journey again, and returned to Huajing successfully in June.

During this period, they performed a total of 180 performances of "The Gift of Room No. 7", with an average of 60 performances per team, and the performances were full.

Whether it is a new third-tier prefecture-level city or a first- or second-tier city that I have been to before, it is in short supply.

It's also natural to think about it.

A concert is usually 1-30,000 people, and a little more such as Tang Yuan and Su Mo are at least 50,000, and 100,000 people have sung in venues.

Therefore, if you go to a city to hold a concert, it will be 2-3 at best, and there will not be enough audience if there are more.

But drama is different.

If the theater is good, it is usually around 600-800 is the most suitable, and the effect will not be good if it exceeds 1000.

If you think about it, even if you run 10 plays in one place, there will be less than 10,000 audiences at most.

Compared with first-tier cities such as Beijing, Shanghai, Guangzhou and Shenzhen, and second-tier provincial capitals with a population of more than 5 million, is such a 10,000 audience a lot?

Not much at all!

For example, on the side of Shanghai, the ABC team has more than 30 games in two years, but they still shout that it is not enough, and they have to grab every ticket, and the cattle are even more profitable.

So this is the main reliance of Beihua to dispatch three times in a year.

The response this time was also very good.

Many provincial capitals have received an enthusiastic response, and many audiences who have not seen a drama before have experienced this form of artistic expression for the first time, and have praised it and looked forward to their next visit.

On average, there are only two or three performances of "The Gift of Room No. 7", which is far from enough for them to satisfy their cravings.

Fan Dan invited Shen Huan over, and also took Shen Huan to see the rehearsal and preparation process of the actors, and by the way, he could also give his opinion in private.

Why do you say privately?

Because apart from Fan Dan, even their big boss didn't know that Chu Liuxiang was Shen Huan.

Fan Dan kept this matter very tightly and regarded it as his biggest secret.

However, Mr. Lu Xiaofeng is also a famous artist, a great mathematician, and a good friend of Mr. Chu Liuxiang, of course, he is also qualified to watch the rehearsal preparations of the actors in the theater.

In June, the three ABC teams returned to Huajing one after another, and after a more or less rest, they made new rehearsal preparations.

Every year, every script will make some changes according to the actual situation, which is also a means to increase the freshness of the audience.

It's not that these players don't know how to rest.

The ticket holders are so enthusiastic that cultural centers and ticket performers in more than 80 cities have sent out invitations to prepare 200 performances of "The Gift of Room 7" for them.

Winter is more suitable for indoor programming.

Therefore, the three months from November to January are also peak seasons.

The bigwigs of the theater feel that it may be a bit unrealistic to quickly sink to the fourth-tier cities to perform, but there are no scruples about going to all the third-tier cities.

Since the audience likes to watch it and is so popular, there is no reason why they should not perform and expand the influence and vitality of drama performances.

"The Gift of Room No. 7" is comfortable to watch, so the next classic plays "Thunderstorm", "Teahouse" and so on, can't you also go with it!

After coming and going, isn't everyone familiar with it, so that a new audience group is cultivated?

Even if there are failures and setbacks along the way, it is a good thing to cultivate more new audiences.

The significance of this is greater than making money.

That's why they started filming actively again.

Although I was very tired, I only rested for about ten days, and only rested for about a week.

But now everyone earns a lot, and a random behind-the-scenes can get a bonus of more than 10,000 yuan a month, and the supporting roles can also exceed 30,000, and the protagonist has 50,000 a month.

Compared with people in the entertainment industry, there are hundreds of thousands or millions of salaries at every turn, and this figure seems to be very low.

But in the drama circle, this prize money is a lot.

Not to mention, the theater has a basic salary for everyone, so everyone is very satisfied.

Now it's even better.

Shen Huan also directly asked Xin Changkong to select people in Beihua to participate in the performance in "Yue Prison".

This man's drama requires a lot of role actors.

If you want a cheap price and good quality, then a theater is definitely the best choice.

With a salary of one or two hundred thousand, you can invite an actor with good acting skills.

Even if thirty or fifty actors come over, the total is only 10 million at most, which is much cheaper than inviting stars.

And such a huge demand also gives drama actors the opportunity to find extra money.

Beihua can still draw a little in the middle, which is really happy!