However, just when Peng Hui had a headache, "Fire Boy King" was released on TBS in Japan. At the beginning, although TBS introduced this special effects drama, it did not invest much in publicity.

It can only be regarded as a very ordinary recommendation.

That is, before the release, a teaser was given.

And it was made the day before the release.

It can be said that it is a very garbage recommendation.

However......

A surprising scene occurred.

The premiere rating of "Fire Boy King" is only 0.2, which is not a high value.

But the ratings of the second episode have increased to 1%.

By the second day, the third episode was 0.8, and the fourth episode had already reached 2%!

If the ratings on the first day were just an accident, the ratings on the second day were just a novelty.

Then by the third day, the ratings of the two episodes had already reached 3%!

At its peak, it even reached 4%!

It's on fire!

It's on fire without exception!

Surprised?

Actually, it's not surprising.

Unlike the previous life, although the second dimension is still popular in Japan in this world, there has never been a situation in which tokusatsu dramas can be handled.

Manga dramas and tour dramas are the basis of the world's Japanese dramas.

is not a short bloody drama in the parents, or a variety of manga and travel dramas.

As for the special effects drama, there are too few to mention, and the ratings are not high.

Peng Hui thought it was impossible at first.

But then I realized that the root cause of all this is that Japan's preferences are more biased towards two-dimensional.

In other words, their preference for two-dimensional is even higher than that of all three-dimensional levels.

This has also led to a huge impact on Japan's three-dimensional dramas.

The reason for this is not clear to Peng Hui.

However, this undoubtedly brings Pengda a huge advantage.

And "Fire Boy King" itself was very burning by Peng Hui in terms of moving the mirror.

With the lines of middle two and hot-blooded in terms of daily matching, it undoubtedly becomes more exciting.

In this case, it is inevitable that the ratings will rise.

The popularity of "Firepower Boy King" also made TBS immediately see the business opportunity, not only bought the broadcast rights of "Firepower Boy King 2", but also took a fancy to "Armored Warrior".

And just these two dramas brought Pengda an income of 50 million red money.

However, Peng Hui also sensed the huge business opportunities in Japan, so he simply took Xiong Qingchun to Japan together.

Ah Xiang originally wanted to go, but recently she took over a drama and was filming, so she couldn't get away.

I can only regret giving up.

Xiong Qingchun was happy to be able to go to Japan with Peng Hui.

After all, women, even if they have to share men with other people for some reason, still want to be able to stay with each other alone.

After coming to Japan, after some investigation, Peng Hui acquired a film and television production company and a game studio in Japan that could not survive.

There is nothing in the film and television production company, as for why you should find a game studio, it is actually to prepare for the animation of "Pokémon".

To be honest, I'm afraid only Peng Hui can know what kind of miracle will appear in the animation of "Pokémon".

But there's no rush to do that.

After all, the live-action special effects drama has not yet been filmed, and it seems a little too early to animate it now.

The main purpose is to find the director of "Pokémon".

There are very few directors in China who are suitable for special effects dramas.

It can even be said that there are almost none.

So if you want to let it go, you need a "pick-up man" with excellent strength and other aspects.

Maybe it's because of a coincidence, or maybe it's because the other party is really well-known.

So when Peng Hui expressed his hope to TBS that he could find an excellent director, TBS actually pushed an "acquaintance".

Kunihiko Yuyama.

The name sounds unfamiliar, but just by virtue of the title of the director who was famous for directing the "Pokémon" series of anime in his previous life, you can't underestimate it.

However, as an animation director, because the IP popularity of "Pokémon" itself is too popular, it once covered up the director's true strength.

However, Peng Hui knows that if "Pokémon" needs to have a successor, then this person is definitely Kunihiko Yuyama!

Although this is a special drama, this is not a difficult thing for Kunihiko Yuyama.

The only thing that surprised Kunihiko Yuyama was that Peng Hui spoke fluent Japanese.

After a simple interview, Kunihiko Yuyama chose to join Pengda's Japan branch and became the new director of the last 180 episodes of "Pokémon".

"Pokémon" itself is a huge IP, and just eating this is enough to be used endlessly.

However, since he bought the game studio, Peng Hui's eyes will naturally not be limited to this point.

Considering that the mainstream of domestic players today is to focus on stand-alone games, Peng Hui did not take advantage of the trend to develop stand-alone games, but studied terminal games.

That is, online games.

However, unlike ordinary MM, Peng Hui asked the game studio to study MOBA-type games.

There are many characters in the game.

It mainly revolves around the well-known IP of Pengda today.

What the?

Less people?

Not to mention the eighty episodes of "Pokémon" that are currently aired, let's just say that "Fire Boy King" and "Armored Warriors" are several characters.

Of course, if it was just like this, Peng Hui would not be so concerned.

After returning from Japan, Peng Hui had just returned home when he received a call from Xiong Qingchun.

Said someone was looking for it.

However, these two are not directors, but producer Wang Lin and marketing manager Ma Teng, who were recently recruited by the company.