Let the other party see that without you, I can still live a better life, and I can still be unaffected in any way! In this way, the purpose of this whole play has been achieved. ”

Yi Yan nodded again at this time and said: "Director Zhang, what you said is more reasonable, yes, when we are separated, we should indeed deduce different things according to the scene and these different situations, acting is such a thing, there is really nothing that is a textbook, on the contrary, the more you teach, the more solidification will be formed in people's minds, so that he can no longer think of some other classic things in his mind!"

Director Zhang said: "So, the topic I just said, I once saw a director educate his own actors to learn to cry in this scene, but this actor is a former comedian, he can't cry, can't say that the director is wrong, nor can he say that the actor is wrong, I can only say that the way he educates is wrong, and the way he educates is not aimed at the actor's current situation to perform, and the actor does not have his own style."

Sometimes, we can often see some actors, they have their own performance style, that is, they know how to perform, others see it, they know that the actor is the actor of a certain play, style is a particularly important thing for an actor, when an actor has his own performance style, it can be said that the actor is a successful actor, because he has his own temperament, it has formed its own set of systems.

In the future, when this actor has his own style, he needs to forget his own style, he can't think that he should shoot like this, he should shoot like that, all this, he needs to forget, maybe my sentence is more difficult for you to understand, I can also give you an analogy here, that is, when the actor is acting, many times, you can see at a glance, you know this actor, obviously.

That's it, his style has appeared in your mind, you know who this actor is, because you know when you see his style, but if it goes on like this for a long time, this is not a good thing, because the actor has formed his own fixed thinking, you see that this actor is himself, for example, an actor is now playing an emperor, but when it comes to the next play, you find that he is still playing this emperor.

At this time, if you say something, you will say, isn't this actor the actor? What kind of play did you perform in the past, at this time, you can remember this actor, but you don't remember the role played by this actor, a successful actor is not only able to make others remember him, but more importantly, it can make others remember his play, this is called a successful actor, and this is also the quality of a script that a successful actor must have.

This is what we call acting like something, transforming into a transformation of what is acting, only if he can get this transformation can he become a good enough actor, so, I told you just now, as an actor, you must have your own style, but, at the same time, as an actor, you must also be able to forget what your style is like, and you must be able to make others not remember yourself, which is what he should do. ”

After Yi Yan finished listening, he suddenly felt a sudden realization, lowered his head and pondered slightly, he continued to digest all this that Director Zhang said to him now, and secretly thought in his heart, all this is really good, and said: "Director Zhang, I understand, when many actors perform, they can't think about how they should perform this scene, what he should think about more is that he is the role he is now, and he should do it this way, so that he can perform well." ”

Director Zhang said: "It's similar to what you said, I also want to express this meaning, this is considered from the actor's side, but from the director's side, it is again; on the other hand, as a director, what teaches the actor is not only how to perform this scene better, as a director, what should be thought of is that the actor should learn to act in the future, which is the most important thing."

So, as a director, we should not only teach the actors what to do and how to act after the necrosis of the performance, but also teach the actors a method, and this kind of education should be judged according to the current situation of the actors.

The director chose to make the comedian cry forcibly. But he can't cry! He can't cry, so what can we do? What if we look at it in another way? What if we make the actor cry with joy? If he cries, he can't cry, but the actor is very good at laughing, and if you ask him to laugh in a hundred ways, he can still make you laugh, so you make him laugh.

However, when he laughs, he gradually reminds him of some sad things, so that when he laughs and laughs, will he gradually become expressionless? After he becomes expressionless, gradually, will he be able to cry? This is the problem that we as directors need to take into account, and his crying of joy is also very high-end, so that after the audience sees it, they will instantly feel, I Cao, wow, it's really awesome.

This is what a director should let the actor do, and another example is the crying scene that the two of us just talked about, in this crying scene, if it is a breakup between lovers, then, what should the director do now? It is completely impossible to arrange a couple for him now, and the director needs to let him be able to imagine, if he has not been in a relationship before, if he has not had any emotional experience before, he may have a relatively vague understanding of this concept.

At this time, the director must give him the image of this unfigurative thing, so that he can understand what to do, for example, ordinary directors will say this to him at this time, you imagine that you are now breaking up with your own couple, and the other party is one of your girlfriends, and now, you are about to lose your girlfriend, what kind of feeling will you have in your heart, so that he can perform this feeling now, it is already done.

However, this is an ordinary director, this director didn't think of one point at all, this point is that the current actor has no emotional experience! Without any emotional experience, then, he has no way to experience the feeling of breaking up now, so he can't perform such a feeling, no matter what your director says to him, no matter how hard you give him, there is no way, because he will never be able to experience.

But what if you do it the other way? you tell him that he's married now, and he's one of his wives, and now you're going to get divorced, and you're going to tell him something more serious, and you're adding to him, think about it, you've been living with him all along, but. From now on, you will need to be alone, you will lose him, you will never see him.

At this time, the actor tells the director that he has a crush, then, the director will ask the actor to imagine that your crush is going to be with you, and he has agreed to be with you, and you like him very, very much now.

However, just when the two of you were about to be together, suddenly, there was an accident, this girl's whole family is going abroad, you will never see her, you will always lose her, in the past, the two of you still have this opportunity to be together, and, soon, together, but, in the days to come, the two of you will never be able to meet, your like, now it is completely an illusion.

Yi Yan, if you look at it, this is also the director teaching the actor how to film, but this last one is often the one that the actor can accept the most, because the actor himself can experience the feelings in the role, will it appear better, is it more acceptable to the actor? This is called teaching according to their aptitude, which is to give them different things according to the different experiences of no one, so that they can experience these things on their own. 、”

Yi Yan pondered for a moment, turned the cola quilt in his hand around, and now Yi Yan suddenly had a feeling, this feeling is to listen to your words, better than reading a book for ten years! Yi Yan said: "That's right, director, I know what you mean by these words to me, that is, as a director, you must understand an actor in all aspects, and as an actor, you must also understand the director's thinking in all aspects, and the director's filming style, only in this way can you cooperate better." ”

However, the current Director Zhang only said part of it, and there was another part, Director Zhang didn't tell Yi Yan, that is, the director is like this, so what should the actors do to cooperate with the director? Therefore, the current Director Zhang just looked at Yi Yan quietly and didn't say a word, he wanted Yi Yan to have a good understanding of what he wanted to say, and Yi Yan was also completely stunned when he looked at Director Zhang's current expression!