Chapter 902: The Difference in Cultural Relics
Cultural relics, some of them are big drops of economic value, just like ordinary Qing Dynasty official kiln porcelain, the people in the glaze factory have been studying for dozens of hundreds of years, and then there is that guy who says that these mass-produced porcelain have any important research value, that is either a layman or a propaganda cliché, or simply a two-fifty-zero.
Some antiques are treasures in the academic research world, such as the Spring and Autumn Period and Warring States period bamboo slips that Zhang Nan gave to the Yongcheng Exhibition Hall free of charge.
If it's even worse in the hands of merchants, it's a bitter thing that can't be sold!
The masters who are on par with money in their eyes, who play that thing, are too professional and too tall for ordinary people to play.
There are also some antique artworks that are props hyped up by people with ulterior motives, such as the 12 faucets in the Old Summer Palace.
In the future, a blue and white jar will cost hundreds of millions of yuan, a royal faucet will sell for tens of millions, and the shrimp map, which was worth two months' salary ten years ago, will also be worth millions of dollars casually......
The economic value of many cultural relics and artworks is specially fried, and in this circle, money is paramount, and you can't play without money, and the East and the West are the same!
After all, pedantic experts like Nong Bosheng are rare animals, and in the future, there will be many experts who are supplemented by research and mainly engaged in secondary traders: experts, they also have to eat, and they have to eat well!
However, Zhang Nan personally believes that the most extreme of this kind of hype to make a lot of money in his previous life is not in China, but in the West!
The upside-down item is a painting.
Tens of millions, hundreds of millions of dollars, a normal human being, can not see the good or bad, what kind of oil painting can not be understood, in the mouth of professionals, it is very dripping: the artistic value flies into the sky, and even rushes out of the earth into the solar system!
Art, can't read it?
That's because your appreciation level is not enough, and you can't practice kung fu at home, it's not that you can't paint.
Those people don't think about how the painters who created these sky-high works lived when they were alive, some of them were well-off, and some of them were poor......
In this regard, some people will naturally say: I was not famous in front of me, because the society was too narrow and had no vision at that time...
Hehe!
Visionless?
There are always famous paintings in every era, the living kind!
When a person dies, no matter whether he can read or not the paintings he reads when he is alive, what the level is, or whether he is famous or not, at least one thing is certain: the person is dead, and there will be no new paintings.
Find a few that have room for operation and strong topicality, and fry them!
Not one person fried, but a group of people. It doesn't matter if you don't know each other or have no contact, as long as the common goal is money.
One year is not enough for ten years, ten years of speculation is not enough to add another generation, anyway, people who fry this thing from generation to generation have to make money, who says it's not good, that is to be the enemy of the entire art collection circle!
The interests are there, who will oppose ... Squirt you!
These are both economic and research value, which can be fried, but there are also difficult to fry, and it is even better not to think about measuring it with money, otherwise others will spray you to death every minute, and you will be asking for trouble!
In the United States, for example, no one cares about the Declaration of Independence stored in an inert gas display case.
It's not that it's worthless and won't sell, but because of the meaning behind it.
It's not even supposed to be privately owned.
This will be the Wang brothers to give Zhang Nan this bronze mirror that can be attributed to "Chinese cultural relics", in fact, they also have a similar idea.
Zhang Nan said that it "may be more precious than the sword of King Yue Buguang", which is not wrong: not only reigned for 36 years, but as a monarch of a big country and a strong country with a sword, he has a lot of swords, and at least seven have been found so far.
The sword of the king of Yue is not comparable to the "Chinese cultural relics", not only the number is too small, but also the meaning behind it.
"Qinggai is a mirror and four clothes, Duohe Chinese are rich, and the five grains are ripe in the ** season!"
Such an inscription, the Chinese people really like it, compared with it, you are not a sword!
If the Wang brothers have this mirror, not to mention the practical problems, the metaphysical things have to be weighed, just like Zhang Nan, Xiang Weirong and Guan Xingquan took the initiative to donate Hongli's gilt gold medal.
If you don't donate, don't you throw it away?
Weigh how wide your shoulders are, and whether you can afford to eat or not.
Zhang Nan is a person with a strong sixth sense, and when he visited Dingling in his last life, he felt very uncomfortable in the underground palace!
Most people may not feel it, but Zhang Nan feels it, very depressed, as if something is staring at him, or with bad intentions.
With such broad shoulders, looking around in the mausoleum of the emperor, it is awkward!
Grass people, grass people, when people die, they are also emperors, go down with the mentality of wandering around and hunting for curiosities, beware of crushing you!
Zhang Nan went back to the underground palace that time, but he was unlucky for many years, others didn't believe it, anyway, he believed it.
Royal, very large, the average person can't afford it.
The Terracotta Warriors and Horses of the Qin Emperor's Mausoleum are not counted, not only because it is just a burial pit, but also because many people who visit there will eventually have an admiring heart, and it is estimated that Comrade Yingzheng will not be angry, but will be very proud: it is his army, not the underground palace.
It is estimated that no one likes to have the coffin gouged after death, and then there is a dead body to be visited.
What about tomb robbing?
Not to mention that Zhang Nan has never dug a high-level tomb, he can't dig it, he doesn't dare to dig it, and the low-level tomb is low...
Fear each other!
……
The treasures collected by the Wang brothers for more than two years are here, which is faster and more efficient than most museums, and the reason is simple, one is because of the money, and the other is that the bonuses given by the museums to collect collections are not comparable to private acquisitions.
Third, many objects unearthed underground are not visible, and unless they are found by the police, they will not appear in the field of vision of the cultural management department and the museum.
What's more: the number and speed of the archaeological team digging underground cultural relics cannot be compared to the engineering team in any way!
When the head of a large construction group likes this bite, and then launches various networks, the general provincial cultural management department can only eat ashes behind people's butts!
You get reports that there is an ancient tomb... By the time you find out in the rescue, people have dug up at least a few hundred, how can you compare?
It's not like that, that's the reality.
……
The baby bronze mirror was put away, and Wang Degui turned out a small box again, and there was a new ink box on the side.
The contents are really a treasure in the eyes of ordinary people: the golden seal, a gadget given to Wang Debiao by a business friend in Hangzhou, which is said to be transferred from a certain collector.
It's quite small, the length and width are only two centimeters and zeros, and the height is only 2.5 centimeters: a gold square camel button, stained with ink, and knocked on a piece of white paper.
Inscription: "Jin Guiyi Qiang Marquis".