Chapter 188: Addition and Subtraction

But in the blink of an eye, Shan Zheng shook his head with a wry smile.

He knows that no one can create a script in just one week without knowing the script.

Although this is only a re-creation, and the difficulty itself is low, it is ......

In the case of screenwriters in the industry, this possibility is also very low.

It's not that there aren't anybody.

But those are all well-known gold medal screenwriters who have been famous for a long time.

Although these people's scripts can also be done, they basically take time to pile up, and some screenwriters also like to carry private goods indiscriminately.

So such a "clean" script was really made by the young man in front of him.

But the more this happened, the more shocked the mountain battle became.

"This script ......"

"Is there a problem?" Peng Hui asked with a smile.

"Not really. Shan Zheng asked, "When are you going to shoot?"

"Brother Shanzheng......" Peng Hui heard this, and said helplessly: "I still have to act." ”

"You are a director, what kind of drama are you playing! Hurry up and make more movies is the king!" said Shan Zheng with some dissatisfaction.

Peng Hui smiled but said nothing.

"What nonsense?" Tao Hong saw that her husband was confused, and slapped him helplessly, "It's a good thing that Peng Peng likes to perform." ”

"Uh-hehe, that's not what I meant...... It's just that my hands are a little itchy. Shan Zheng said embarrassedly.

When a good actor meets a good script, it is like a martial arts master encountering a peerless cheat, which is absolutely unbearable.

Peng Hui said funny: "To be honest, Brother Shanzheng, it's really time for you to come." Smiling, Peng Hui continued to explain: "I originally had a plan for an animated movie, but if you slow down, I won't have time to shoot." ”

"Heh, it looks like I'm in luck. Shan Zheng laughed at himself.

"Hehe, actually, nothing. Tao Hong said with a smile: "Although the process of animated films is cumbersome, most of the time is rendered, as long as the idea is set, in fact, there is nothing to delay." ”

At this point, Shan Zheng and Peng Hui nodded.

Indeed, in fact, as long as the theme of an animated film is determined, the style of painting is determined, and the character is determined, the director's work becomes easier.

Because most of the shots need to be rendered, and rendering is extremely time-consuming.

Even if today's hardware equipment in China has been improved to be in line with international standards, it will take time to render.

Of course, is it possible to make a good movie with these?

No way.

First of all, this involves a very critical issue.

Experience.

Yes, after all, you can't make a masterpiece entirely by imagination.

Just like in many mobile games, character painting and modeling are completely different situations, and no one can make a good movie without experience.

Here, thanks to the efforts of countless pioneers.

Although in recent years, the box office in domestic theaters has often been good for young animation series such as "Bear Infested", "Pleasant Goat and Big Big Wolf".

But there are also non-child-oriented animated films such as "The Great Protector" and "Kuiba" series.

It can be said that the reason why Peng Hui chose animated films is also because of the experience in the production of animated films in China.

Admittedly, these things are basically failures.

But experience is experience, and only when you know what is wrong, do you know how to correct it, and only then do you know where it is better.

Which is more critical.

For example, a while ago, it was said that someone was going to reset the cartoon of "Hulu Baby".

As a result, the style of painting ......

I'm afraid that only today's children will like it.

The whole strange story of "Cute Baby and Internet Celebrity".

just lost the original essence of that story.

It's also a pity.

However, because of this, it also proves that in terms of character design, vertical painting, modeling, etc., Huaxia has reached the international level.

However, the problem now is not these, but the most critical plot!

For any good story, what is really amazing is not the vertical painting, not the modeling, but the plot of the story itself!

Let's take "Gourd Baby" as an example.

From the perspective of us adults, it is the act of sending people away for thousands of miles.

But in our eyes when we were children at that time, when the gourd babies who looked the same and were just distinguished by color showed their extraordinary skills, the excitement was really incomparable.

And in the story, the director also made every gourd baby show his weaknesses while showing his strength.

For example, Dawa has infinite strength, but when he can't stand, he naturally has no combat effectiveness.

Another example is that although the second baby has clairvoyance and ears to the wind, she was blinded by the wind and sand, and after being stabbed deaf, she has no combat effectiveness.

Even if she is the most capable of beating the third baby on the surface, she is invulnerable, but she is afraid of being soft and spanked.

It's a great ability, but it has very interesting shortcomings.

In our eyes as children at that time, it was so fun and down-to-earth.

Although the plot is to send them one by one as always, and then finally combine them to fight snake spirits, but this interesting story has been worshiped by countless people.

When we mention "Gourd Baby", what is the first thing that comes to mind?

Is it a gourd baby with extraordinary abilities?

Or are they snake spirit sisters who are bad to the bone?

No, it's neither!

The first thing that comes to our mind is the story of the gourd baby saving grandpa.

That's how much story makes a good story!

However, as a civilization with a history of 5,000 years, China has gradually lost its original characteristics in recent years.

In fact, this also originated from the inferiority complex in the early days of reform and opening up, when people opened the country and saw a number of advanced civilizations and cultures abroad.

As a result, they blindly imitate and even plagiarize the genre or theme of foreign film and television dramas.

You can just find a student from one of the three major art schools, and most of them, except for those who are messing around, can tell a reason for the movie.

Especially in the directing department, what is this theory, that knowledge, this application, and that control.

However, when they were really asked to shoot something, what they showed was something that made people laugh and cry.

The reason for this is that the academic school has the most obvious shortcomings.

That's a vigorous addition.

At this point, Peng Hui, who became a monk halfway, naturally knows how to restrain himself.

In fact, Peng Hui went to the directing department after he had been exposed to the current situation of the director's profession in the crew earlier, and after he had a clear plan for this career.

Although there is unwillingness and resentment, in the final analysis, it is because Peng Hui has a clear understanding of the director.

is not those simple ivory towers, which may be comparable to the senior brothers and sisters who have never even entered the crew in their lives.

In fact, many filmmakers know that what a good movie needs to do is not to do addition, but to subtract.