Unexpectedly, the first one was a national treasure-level baby, and Shen Huan was very happy.

The title of the Abe family's "No. 1 Japanese benzene collection" is indeed well deserved!

With full anticipation, Shen Huan picked up the second larger box.

When I opened it, it was a painting, and it was very long.

Unfolded, there are more than 2 meters.

The painting depicts five men leading five horses.

Because he was going to come to Japan to hunt for treasures, Shen Huan had done his homework in China in the past few days, and he also looked up a lot of information on the Internet during his time in Japan.

So he knew immediately as soon as he saw that this was the national treasure that was once collected in "The Treasure of the Stone Canal", and was later taken out of the palace by Pu Yi and disappeared - "Five Horses"!!

"Five Horses" is known as the "first in the Song Dynasty" painted by Li Gonglin, this and Su Shi, Wang Anshi, Huang Tingjian, Qin Guan and other people in the era of the painting giants, the works left behind in his life are all fine works.

Wang Anshi, Su Shi and others especially liked his paintings, and always wrote poems to praise him.

For example, during Wang Anshi's demotion, he wrote four poems to him in a row.

Su Shi wrote a poem to praise him, "There are thousands of horses in Longmian's chest, not only painting flesh and bones", which is Li Gonglin's ability to draw horses, which is simply the best in the world.

Longmian is his name.

The two most inherited works left by such a figure are the lost "West Garden Elegant Collection", and the other is also the lost "Five Horses".

"West Garden Yajitu" is still a copy of Mi Fu's work to record, but "Five Horses" has disappeared, what a pity.

I didn't expect Shen Huan to actually see it here.

Ape dung!

Shen Huan looked at it carefully.

Li Gonglin is good at white drawing techniques, that is, he does not use colors other than ink, but this can reflect the taste and texture of the painting itself.

Legend has it that Li Gonglin learned the line drawing skills of the saint Wu Daozi, but there is no doubt that his line drawing skills have been further developed on the basis of Wu Daozi's time.

Just by looking at the horse's appearance, it seems that you can feel the presence of its bones and muscles.

After some places are rendered in thick ink, you look at these places again, and it seems that its fur and markings are looming, and it looks like a real horse standing in front of you.

This is the unique wonder of Chinese paintings!

The boy put the painting in his backpack.

Next, Shen Huan's target was a large square box that was very conspicuous inside.

Unlike other boxes, which are basically long, it looks a little square, about 50 centimeters long and wide, like an enlarged version of a cigarette box.

To be able to put it here so solemnly will definitely not be ordinary.

Shen Huan felt at this time that he seemed to have the feeling of playing a game and opening a treasure chest.

The difference is only that when you open a treasure chest, you don't know if there are any treasures in it, and when you open these boxes, you just don't know what treasures are inside!

It opened, and inside were three scrolls that resembled a holy decree.

The size is not large, and it does not seem to be long.

What kind of treasure will this be?

Shen Huan didn't feel a little strange.

As the saying goes, rare things are expensive, and this kind of similar cultural relics that produce three copies in one breath will be a national treasure?

But don't think about it, this must be a precious thing, otherwise it wouldn't have been so solemnly placed by the Abe family.

Is it really three decrees?

Shen Huan thought as he opened one of them.

As soon as he opened it, Shen Huan found that there were all kinds of smeared marks on it, and there were several other handwritings written by different people.

Even the same handwriting is written in several separate places, like different contents.

And the header of the text is "In the third year of the first year of the Yuan Dynasty, in the spring, the Empress Dowager sent Changle Shaofu Xiahou Fan, Zongzheng Liu Hong, and Shangshu Ling Pingyan Nacai to see the woman." ”

This one......

This is obviously the style of the historian's writing.

Shen Huan didn't know what year it was in the first three years of the Yuan Dynasty, but "Changle", "Zongzheng" and "Shangshuling" understood.

Especially Zongzheng Liu Hong, surnamed Liu, that must be the story of one of the Eastern Han Dynasty and the Western Han Dynasty.

Looking at the last inscriptions, sure enough, it is written who the author is.

"Sima Gongtongjian......"

This is obviously Sima Guang, who is talking about his "Zizhi Tongjian"!

Shen Huan was inexplicably surprised for a while.

Doesn't it mean that the fragment manuscript of Sima Guang's "Zizhi Tongjian" is only available in the National Museum?

It's the highlight of the National Museum!

I didn't expect that there would suddenly be another copy here.

No!

There are also two copies, and more than half of them are!

Immediately, Shen Huan hurriedly opened it and looked at it, and sure enough, the style of writing was exactly the same, and what was written was all about history.

Look at the inscriptions and seals of celebrities on the manuscript, Jia Yidao, Zhao Mengfu, Zhu Zhishan, Li Dongyang, Jiajing, Kangxi, Qianlong...... and other celebrities, the handwriting and seals are all familiar to Shen Huan recently.

Although Shen Huan had not read the original text of the National Museum, at this time he had basically dared to confirm that the three copies in his hand were the fragments of the manuscript of the legendary Sima Guang's "Zizhi Tongjian"!

Legend has it that it took Sima Guang 19 years to write the "Zizhi Tongjian", and the various written paper materials alone filled two rooms.

It is really amazing that there are only a few hundred words left in the end of the original manuscripts in two whole rooms.

The destruction of these manuscripts by successive dynasties is purely a crime against history and culture.

However, it is also a great happiness to be able to have a few more manuscript scrolls of the "Zizhi Tongjian" now.

Such a thing can no longer be measured by money at all.

Take it out and sell it, or it can only be sold for one or two hundred million, two or three hundred million, but its historical role and witness are priceless.

As one of the two great works of historians in the history of China, "Zizhi Tongjian" and "Historical Records" are basically at the same level, and they record the history of China's development as truly and rigorously as possible, so that our descendants have more opportunities to understand the ancients.

In comparison, the "Siku Quanshu" compiled by Qianlong and Ji Xiaolan was mixed with too many private goods, which is not very recognized in the historical circles.

"Zizhi Tongjian" is different, it records the real history and events, through which you can feel the history and reminisce about the vicissitudes of life.

This is also the biggest reason why so many ancient Chinese things will be sought after by countless Confucian culture lovers.

Not only the Chinese people, but also the Japanese Ben people and the Taiji people...... Including the people of the European countries, it is the same.

Shen Huan hurriedly put away the manuscripts of the three fragments carefully.

At this time, the teenager suddenly felt that his responsibility was a bit heavy.

Today, to be able to bring back to China the three manuscript fragments of the "Zizhi Tongjian" in his hand is a great victory.

As for money or something, it's all a trivial matter!

As a descendant of Yan and Huang, it is a matter of course and duty to bring these treasures back to China!

……

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