This chapter is only more than 500 words of content, and my mind is very clear today, so I will update it a little more~)

The two followed the address to find the old alley.

This old alley is relatively partial, the houses in the alley are very old, and there are not many people living in it.

It's really like an old Kyoto, and with fewer people, there are probably fewer factors that hinder filming.

Lin Qingcha found the courtyard they wanted to see and knocked on the door, which was opened by an old man.

After Lin Qingcha and Yang Xin entered, they found that the two families living inside were old people, but they looked very good and talkative.

Lin Qingcha also knew that in the past, there were three or four families living in this quadrangle, but after two families had financial strength, they bought houses elsewhere in Kyoto and left, and they kept them and rented them to others.

As for the two old couples who stayed, the children of the family were working hard outside, and they came back to see them occasionally, and they didn't live here, so they left their old people here.

What Lin Qingcha and Yang Xin wanted to see was the housing of the two families who left, but the two families were busy, and they trusted the old people who still stayed in the courtyard, so they left this matter to them.

The old man took them to look at the house, and Yang Xin took some photos from all angles while watching, and even prepared a tape measure to measure a few places.

This is the best location selected by the scene supervisor who is responsible for surveying the scene after finding a number of places and going through the layer of Hou Jiashi's card budget.

Of course, it is not Lin Qingcha, the director, and Yang Xin, the photographer, who can decide to choose a place, they just have a general look today to determine whether this location preliminarily meets the requirements of the script.

If so, they and the art director will definitely have to do it again, and the lighting, power, sound, and other things of the scene must be accurately estimated.

Today's time is too short to do so many surveys.

The two followed the address to find the old alley.

This old alley is relatively partial, the houses in the alley are very old, and there are not many people living in it.

It's really like an old Kyoto, and with fewer people, there are probably fewer factors that hinder filming.

Lin Qingcha found the courtyard they wanted to see and knocked on the door, which was opened by an old man.

After Lin Qingcha and Yang Xin entered, they found that the two families living inside were old people, but they looked very good and talkative.

Lin Qingcha also knew that in the past, there were three or four families living in this quadrangle, but after two families had financial strength, they bought houses elsewhere in Kyoto and left, and they kept them and rented them to others.

As for the two old couples who stayed, the children of the family were working hard outside, and they came back to see them occasionally, and they didn't live here, so they left their old people here.

What Lin Qingcha and Yang Xin wanted to see was the housing of the two families who left, but the two families were busy, and they trusted the old people who still stayed in the courtyard, so they left this matter to them.

The old man took them to look at the house, and Yang Xin took some photos from all angles while watching, and even prepared a tape measure to measure a few places.

This is the best location selected by the scene supervisor who is responsible for surveying the scene after finding a number of places and going through the layer of Hou Jiashi's card budget.

Of course, it is not Lin Qingcha, the director, and Yang Xin, the photographer, who can decide to choose a place, they just have a general look today to determine whether this location preliminarily meets the requirements of the script.

If so, they and the art director will definitely have to do it again, and the lighting, power, sound, and other things of the scene must be accurately estimated.

Today's time is too short to do so many surveys.

The two followed the address to find the old alley.

This old alley is relatively partial, the houses in the alley are very old, and there are not many people living in it.

It's really like an old Kyoto, and with fewer people, there are probably fewer factors that hinder filming.

Lin Qingcha found the courtyard they wanted to see and knocked on the door, which was opened by an old man.

After Lin Qingcha and Yang Xin entered, they found that the two families living inside were old people, but they looked very good and talkative.

Lin Qingcha also knew that in the past, there were three or four families living in this quadrangle, but after two families had financial strength, they bought houses elsewhere in Kyoto and left, and they kept them and rented them to others.

As for the two old couples who stayed, the children of the family were working hard outside, and they came back to see them occasionally, and they didn't live here, so they left their old people here.

What Lin Qingcha and Yang Xin wanted to see was the housing of the two families who left, but the two families were busy, and they trusted the old people who still stayed in the courtyard, so they left this matter to them.

The old man took them to look at the house, and Yang Xin took some photos from all angles while watching, and even prepared a tape measure to measure a few places.

This is the best location selected by the scene supervisor who is responsible for surveying the scene after finding a number of places and going through the layer of Hou Jiashi's card budget.

Of course, it is not Lin Qingcha, the director, and Yang Xin, the photographer, who can decide to choose a place, they just have a general look today to determine whether this location preliminarily meets the requirements of the script.

If so, they and the art director will definitely have to do it again, and the lighting, power, sound, and other things of the scene must be accurately estimated.

Today's time is too short to do so many surveys.

The two followed the address to find the old alley.

This old alley is relatively partial, the houses in the alley are very old, and there are not many people living in it.

It's really like an old Kyoto, and with fewer people, there are probably fewer factors that hinder filming.

Lin Qingcha found the courtyard they wanted to see and knocked on the door, which was opened by an old man.

After Lin Qingcha and Yang Xin entered, they found that the two families living inside were old people, but they looked very good and talkative.

Lin Qingcha also knew that in the past, there were three or four families living in this quadrangle, but after two families had financial strength, they bought houses elsewhere in Kyoto and left, and they kept them and rented them to others.

As for the two old couples who stayed, the children of the family were working hard outside, and they came back to see them occasionally, and they didn't live here, so they left their old people here.

What Lin Qingcha and Yang Xin wanted to see was the housing of the two families who left, but the two families were busy, and they trusted the old people who still stayed in the courtyard, so they left this matter to them.