Three days later,

3rd Floor, Huaxing Film and Television Building,

Today is the internal audition selection of "Hanlin Academy", and Chen Zhou has come to the company early in the morning.

After three days of retreat research, Chen Zhou has almost figured out the role that is about to be auditioned.

The supporting roles are different from the protagonists, there are no supporting roles in this drama that particularly require acting skills, there is no big test for the acting skills of the actors, and the newcomer artists who can be signed by Huaxing can basically pass the acting skills, as long as they use dim sum, basically everyone can master it.

So the company gave three days to a rookie artist like Chen Zhou, which was really enough.

There is no threshold for acting, whether it is good or not, whether it is bad or not.

The demand for acting skills decreases, and I think that all the new artists in the company are likely to get this role, maybe luck will come, and it will be your turn.

If you want to talk about the disadvantage, that is, for a person with high acting strength like Chen Zhou, he can't temporarily use his strengths.

Originally, some people could be eliminated by virtue of their acting skills.

Now it's time to put more effort into finding a way to cut a gap between the rest of the world and eliminate them.

Since acting skills are not dominant, you have to rely on other ways to increase your chances of success in the audition.

When taking acting classes, Chen Zhou's tutor once said: If you are auditioning for a role that does not have high demand for acting skills, then you have to look more carefully for the hidden characteristics of this role.

Everyone's personality and behavior are different, if you want to play your role well, you have to add your own ideas appropriately.

For example: small movements, small expressions, certain habits, etc.

With these small details, flesh out the character you're auditioning for and make it look closer to a "person" than a character.

So Chen Zhou added some small details according to his own ideas, while figuring out the role, according to the characteristics of the role, to increase the activity of the character.

When Chen Zhou came to the audition site, he found that some people had already come to this place.

Chen Zhou took a brief look,

to no one recognized.

I think these people should be the newcomers and artists signed by the company this year.

When there is one more person in the audition, it naturally attracts the attention of others.

After all, everyone who appears here now is likely to be their own competitor.

Everyone took a look at themselves, and then buried their heads again, looked at the script in their hands, and used every minute and second to improve their strength.

Seeing that everyone is so cold, Chen Zhou is not the kind of person who likes to be in love with a cold ass.

So I found a place to sit down.

Take out the script in your hand, and your own notes.

While you're waiting, start to analyze the characters in more detail in your mind.

From the expressions, bodies, movements, etc., the characters are sketched out in the mind little by little, and then look at the scenes in the script, and introduce them into the characters little by little.

Then in my mind, I slowly emerged that all the tone and actions of the character in this scene appeared in my mind one by one, lifelike, as if I was really watching it up close.

This kind of thing is better to say: scene reproduction.

To put it mildly, it's just speculation!

Everyone will speculate, but Chen Zhou is a little more prominent in this regard.

When this characteristic is used in performance, it is indeed considered a talent.

Of course, Chen Zhou's ability to do this is also conducive to learning in Chinese opera.

Get the most out of this talent through everything you've learned.

In terms of performance, actors are generally divided into two categories: acting and experiential.

The acting school, also known as the method school, is to observe the appearance, shape, action, and language of the character to create a character.

This method has a low upper limit and a high lower limit, which is very stable for acting and will not have too much floating.

Generally, people from professional classes basically use this way of acting.

The experiential school is to turn oneself into that character from the inside out, with strong empathy ability, and its flaws are unstable and easy to collapse.

Chen Zhou, on the other hand, integrates the experiential school and the acting school, learning from each other's strengths and weaknesses, and better shaping his own characters.

Like many old actors and powerful actors today, they all perform in this way.

They have all found the most suitable way to perform for themselves step by step in so many years of acting, and have found their own way.

Because most of the people who use this way of acting are old actors and powerful actors.

The rest is slowly running-in, waiting for complete integration, this is the moment when he steps into a powerful actor.

So in the circle, there is a high evaluation of this way of acting.

But because this way of acting is too difficult, many colleges will not teach this kind of difficult learning when teaching students.

In comparison, the more stable way of acting is loved by major colleges.

But Chen Zhou not only found this way of acting, but also found it when he was the school's bishop of the "acting school", which is enough to see Chen Zhou's talent for acting.

When his mentor found out about Chen Zhou's performance, he was also surprised, and he was full of praise for Chen Zhou.

This also played a key role in Chen Zhou's signing of Huaxing.

Time passes,

The number of people at the audition point began to increase slowly, and the benches in the hallway were also full.

"Zhouzi!"

When Chen Zhou was quietly portraying the characters, a clear voice suddenly came into his ears.

Look up and look,

A handsome young man with the most fashionable hairstyle on his head and a brand-name costume walked towards Chen Zhou.

Seeing the person coming, a trace of surprise flashed in Chen Zhou's eyes, and he subconsciously spoke.

"Fourth, why are you here?"

The fourth child's real name is Yang Yi, and he is Chen Zhou's roommate and best friend, and the dormitory of Chinese opera is a four-person dormitory, Chen Zhou is the third, and Yang Yi is the fourth.

Being able to see his best friend in this place, Chen Zhou was of course a little surprised.

Yang Yi was not surprised, walked beside Chen Zhou and sat down, and smiled at Chen Zhou.

"Zhouzi, you told me at the time that you were signed by Huaxing, I thought about it, can we let you stay alone in this strange environment? ”

Yang Yi's eyebrows fluttered and he introduced to Chen Zhou the difficulties he had when he came here.

Looking at Yang Yi's appearance, Chen Zhou shook his head helplessly.

Yang Yi is a native of Beijing, a rich second generation, but he is cheerful and lively, without a bit of the bad temper of the rich second generation, and he is also very sincere in treating others.

If there is anything wrong, it is that his mouth is too good to say, in school, he alone has more words than everyone in the dormitory combined.

But it's not bad, but there are some connections in school.

When Chen Zhou and Yang Yi were talking, at the audition point, another person came.

The arrival of this man caused a lot of discussion.

Chen Zhou and Yang Yi stopped communicating and looked at the comer.