While chatting, there is a professional stereo playing soothing music.

Suddenly, a melodious tune sounded, and the others didn't react, but Zhou Fangyuan was slightly stunned, this tune is so familiar.

Before he could fully react, the song had already begun, and at this moment, everyone else in the room also stopped.

Maybe other people don't know this song very well, after all, this is also a new song, but Zhou Fangyuan is very familiar with it, because in his previous life, he didn't know how many times he listened to the single song loop, and the list loop was even more countless.

JJ-1,000 years later!

I don't dare to say how classic it is, but it is definitely one of the familiar songs that the post-80s and post-90s generations are familiar with, and the singers are also quite famous stars.

"Old Ma, are you still listening to this?"

Brother Li suddenly came back to his senses and asked with a smile.

There's no shame in listening to pop songs, but with Malaysia's usual temperament, it's a little weird. It's hard to imagine that a person like him would actually like pop songs, in everyone's inherent impression, although it doesn't mean that Brother Da Ma must belong to that kind of deep and heavy middle-aged people, but it is definitely not linked to pop, he gives people the feeling that he should like some classical, elegant, and esoteric music, even if he likes rock, it is more likely than pop music.

"It's not that I like it or not, it's just that I feel a little interesting, and I didn't make this song list, so you can't ask me. ”

Brother Ma spread his hands and looked innocent.

Zhou Fangyuan and they believed it.

There's no need for Big Brother to lie.

Although it is surprising to say that he likes pop music based on his usual performance, if he really admits it, it is not a big deal, music knows no borders, and there are no genders, young and old, if you like it, you like it, there is nothing to say. But since he denied it, it is probably true, because there is no need to lie or cover up anything, and this is not a shameful thing.

"Speaking of which, this year's music scene is amazing. ”

Brother Xiao Ma looked at the information on his mobile phone, he opened the mobile phone client of Tengxun Music, as a large Internet company, no matter how many users of such a product is, there must be a product. If you don't, others will snatch away the share that originally belonged to you, and when you react, it will be difficult to snatch it back. And there is a distant group leading the way in front, all kinds of mobile phone APP, the most out of the far group, many types, many users, the content is good, other companies just need to copy step by step.

"Who's to say it isn't. ”

Hearing Brother Xiaoma's words, Zhou Fangyuan couldn't help but sigh with emotion.

The Chinese music scene in 04-05 was completely a scene of fairy fights. Some people say that this period is the first and last peak period after the Chinese music scene enters the 21st century. He doesn't agree with the second half of the statement, but the first half is not wrong, there are really too many cattle in this period, and there is nothing wrong with saying that it is the first peak of the Chinese music scene in the 21st century.

JJ's "Jiangnan", how popular was this song at that time? It was so popular that every alley, everyone was humming this song, JJ was still childish at that time, with a hairstyle that killed Matt, but no one could stop countless fans from going crazy!

Dong Chou's "Qili Xiang" is also very powerful, this is Dong Chou's first well-known song in the real sense, and Qili Xiang spread all over the streets and alleys throughout the summer.

Yang Chengang's "Mice Love Rice", the era of CRBT has not passed this year, this song is the top of the CRBT sales list in recent years, and it can also be regarded as the originator of Internet songs, just with this song, Yang Chengang has earned hundreds of millions!

Pang Long's "Two Butterflies", a middle-aged man who can't talk about his appearance, Pang Long, just relied on a few songs to become popular all over the country!

Twins "Next Stop Queen", Gillian and Asa just debuted This will be too pure, this "Next Stop Queen" seems to be tailor-made for them, but after the Teacher Chen incident, Twins have never been so brilliant anymore, I can't help but sigh!

Doctor "Ten Years", this young man called "Doctor" is destined to shake the Chinese music scene, this song "Ten Years" made him a mess in the mainland, and since then the Chinese music scene has changed an era because of this young man!

Jolin's "Say You Love Me", at this time, Jolin has just debuted not long ago, and there is a little baby fat on his face, which is indeed a very good match with Jay Chou, at this stage, Jay Chou has tailored a lot of songs for Jolin, and it is also the peak of Jolin Tsai's career.

Rong Zu's "Girl with Wings", this is Rong Zu's most familiar song to mainland audiences so far, many girls like this song very much, maybe the positive energy in the song still inspires these girls!

Fei'er's "Our Love", in the real sense, became the pinnacle as soon as it debuted, and the Fei'er band at this time is simply an invincible existence, and it is not an exaggeration to say that it is the first day of the Chinese music scene at this time!

Liang Jingru "Courage", later generations of Internet netizens always said, "What you have been talking about now, who gave you courage, Liang Jingru?" At this time, it is time for Liang Jingru to give everyone courage, a song of courage, although it has not become a super hit like the above, but it is not far behind, and it is famous.

Sun Yanzi's "Meet", Sun Yanzi's birth, it can be said that it has made the Chinese music scene one more talented singer, Sun Yanzi's singing skills in the Chinese music scene, can not be said to be top, but it is definitely not bad, it is definitely above the average level, and several of her songs are also quite good, high quality plus high level, in this battle of the gods, she can occupy a place, she can already be called very powerful.

Adu "He Must Love You Very Much", Adu became a household name almost overnight, and the pressure of the peak of his debut made the singer fall off the altar quickly, which is still very regrettable. But I can't help but admit that several of his songs are quite good, and he is definitely qualified to enter the fairy fight.

Wang Xingling's "The First Love", this sweet leader Wang Xingling, was the goddess of first love in the hearts of countless people, it was so cute!

Wang Lihong's "The One", a song that Wang Lihong really became popular, the confession of the divine comedy of the year, how many people sang this song and chased their beloved girls? This person is not only a recognized talent in the music world, but also named a "high-quality idol". The person earns handsome, sings well, and more importantly, he doesn't have too much lace news, or rather, there is almost no lace news, this person is very, very clean, giving people a crystal clear feeling.

In addition, there are also divine comedies such as Pu Shu's "Those Flowers", Zhang Shaohan and Pan Weber's "Happy Worship", SHE's "super star", and Daolang's "The First Snow in 2002......

All in all, in a word, the time period of 04-05 is the real peak of the Chinese music scene, and the name of the fairy fight is completely worthy of the efforts of these people, compared to the music scene more than ten years later, the music scene at this time can make fans really excited, and many classics have really been handed down.

In the Chinese music scene, in fact, there are many classics, and they have experienced several peaks.

The earliest peak period was probably during the war of that year.

At that time, foreign businessmen began to establish record press factories in Shanghai, and in the thirties of the twentieth century, Baidai Company, Great China Record Factory and Shengli Record Factory were completed and put into operation one after another, thus opening the prelude to the production of records in China.

The record industry of this period had a distinctly colonial and semi-colonial overtone. However, under the leadership of our party, many outstanding artists, such as Nie Er, Xian Xinghai, Ren Guang, and other great gods, have devoted themselves to the field of artistic creation and record production, and have done a great deal of work for the party's cause and the cause of national liberation. For example, in the thirties, the anti-Japanese war salvation songs "March of the Volunteers", "Song of Fishing Light", "Song of Selling Newspapers", "Singer under the Iron Hoof", "Song of the Great Road", "Graduation Song", "Song of Mei Niang", "Song of the National Salvation Army", "Song of the Midnight", "Guerrilla Army", "March in the South of the Yangtze River" and "Go to the Rear of the Enemy" were almost all made for movies or records.

"Dance of the Golden Snake", "Spring Dawn on the Green Lake", "Zhaojun Out of the Plug", "Colorful Clouds Chasing the Moon", "Flowers and the Full Moon" and many other excellent national instrumental pieces were written and arranged by Nie Er, Xian Xinghai and others for the publication of records, and these precious records have left us valuable artistic treasures.

The forties were the era of the establishment and development of pop music in China, and Li Jinhui, Li Jinguang, Zhou Xuan and others also left many excellent music works for the world, such as "Shangri-La", "Night Fragrance", "Autumn Water Yiren" and so on.

From the beginning of the 20th century to 1949, the record industry in China experienced hardships and developed slowly. However, what has been recorded in the "domestic" records of the past half century is the splendid essence of national art and the progress of human civilization, and Peking Opera, local opera, national instrumental music, folk songs, popular songs, film music, etc., have all made unprecedented great development, a large number of excellent works have been produced, a large number of outstanding artists have been produced, and many excellent programs have been recorded and widely circulated, sowing seeds that will blossom and bear fruit in the future on the land of deep disasters, leaving us with extremely valuable spiritual wealth.

On Hong Kong Island and Treasure Island during this period, the pace of music development was not slow.

On Hong Kong Island, before the 1950s, Chinese songs from the Shanghai School were popular here, represented by singers such as Gong Qiuxia, Zhou Xuan, Yao Li, Li Xianglan, Bai Guang, Wu Yingyin, Zhang Lu, etc.

In the 1950s, singers performed in high-end nightclubs, mainly singing Western pop songs, accompanied by live musicians. Famous local singers at that time were more familiar to Hong Kong Islanders today, including Jo Tsunia and Lai Ai-Lin and Teddy Robin. The main reason for the popularity of English songs is that such high-end entertainment venues are mainly foreigners in the upper class, and only a small number of Chinese have the social status and economic ability to afford such high-end consumption.

Due to their exposure to Western pop music, young people in the 1960s preferred to form their own bands, mainly singing English songs. Famous bands include: Teddy Robin and Playboy, Hui Guanjie and Lotus, Chen Ren and Menace, Loose and later New Twist and Jade Band. Idol singers in the early 1970s were still dominated by English songs, with famous names such as Chen Meiling and Chen Qiuxia.

In 1974, Hui Guanjie's album "Ghost Horse and Twin Stars" opened the prelude to the contemporary pop music scene on Hong Kong Island, and the classic album "Half a Pound and Eight Taels" in 1976 marked the official formation of the Cantonese pop music market on Hong Kong Island.

In terms of Baodao, the music creation in this period is indeed far behind the development of the music scene, and during this period, Fuso is the center of Asian music, so many Baodao singers will choose to go to Fuso to seek development, even if there are no singers who go overseas, they will also choose to go to Hong Kong Island, this period, the Chinese music scene is in a nascent period, various ideas and techniques collide with each other, tradition and modernity, East and West, old and innovative, this is the first peak of the Chinese music scene. Both the quantity and quality of creations have been significantly improved compared to earlier periods.

The second peak period was in the 80s.

The Hong Kong Island music scene in the 80s was one of the most glorious and colorful periods in the history of Hong Kong Island music.

From the music trend led by Xu Guanjie, Luo Wen, Lin Zixiang, Chen Baiqiang, Alan Tam, Leslie Cheung, Anita Mui, and Wang Jie to the rise of Beyond and Jacky Cheung, a large number of outstanding singers have appeared. In the 80s, Hong Kong Island pop songs were based on many Fusang songs and Western music such as rock, blues, and folk songs. Since Fuso songs are more contemporary, adapting songs has become a craze. Among them, songs such as "The Man Who Catches the Wind" and "The Wind Continues to Blow" are representatives.

In 1984, the Hong Kong Island pop music scene entered the era of superstars, and the first superstar to be called Alan Tam was Alan Tam, followed by other major singers in the 80s also surfaced Leslie Cheung, Anita Mui, Lin Zixiang, Chen Baiqiang, Yip Qianwen, Lin Yilian, Chen Huixian, Chung Chun-tao, Kwan Shuyi. Hong Kong Island's local bands also flourished during this period.

In the 80s, the Baodao music scene was an era of metabolism, with a large number of outstanding musicians and singers, including Luo Dayou, Qi Qin, Wang Jie, Zhou Huajian, Li Zongsheng, Zhuo Yiting, etc. In the 90s, the Baodao song scene was dominated by Chinese songs, among which Wang Jie, Qi Qin, Yu Chengqing, Little Tigers, Lin Zhiying, Zhang Yu, and Ren Xianqi were popular in Chinese areas. Zhuo Yiting was also popular in Southeast Asia and mainland China during this period.

The representative attribute of this second peak period is stability, the initial conflicts and collisions of ideas have gradually passed, all kinds of integration are almost completed, the number of creations and classics has begun to increase significantly, the people's love for music has also risen, and the real beginning to appear Emperor superstar and other terms, creating a deep foundation for the next peak period.

Then came the third peak, the CD era, the last years of the 20th century.

In the 1990s, the Hong Kong Island music scene really entered its peak, with Wang Jie leading the way, and then the "Four Heavenly Kings" and Faye Wong, Sammi Cheng and other powerful diva representatives.

Before the 1990s, Hong Kong Island pop music singers did not pay attention to Chinese pop music, before this Hong Kong Island Chinese pop songs were mostly from Fusang singers' works, until the beginning of the 1990s, Hong Kong Island "four kings" represented by Jacky Cheung and Andy Lau began to enter the treasure island, Singapore and mainland markets, mainly covering a large number of Fusang songs, the most successful of which is Jacky Cheung, his Chinese record "Kiss Goodbye", "True Love New Song + Selection" and so on have achieved great success, making his career reach the peak. During this period, Andy Lau, who is also one of the "Four Heavenly Kings" on Hong Kong Island, swept the entire Cantonese-speaking region with songs such as "Forget the Love Water" and "If You Are My Legend".