Let's say that Xiao Zhang returned to the place where the mud tires were dry, and then looked at his three mud tires, which were perfectly dried at this time, and the color was very pure.

From the color of this mud tire, it can be seen that Xiao Zhang's hard work when washing mud and kneading mud is very effective.

Including the state of this mud tire after molding, it is also very comfortable.

In particular, the mud tire shape of this super large bowl is not out of shape at all, and the overall tire shape is correct.

Normally, such a large and ultra-thin bowl will definitely be out of shape due to less moisture after drying, or the tire shape will change, but Xiao Zhang's mud tires are completely perfectly presented.

Several old men nodded involuntarily, this Xiao Zhang's mud tire is indeed very good.

Overall very well placed.

Although it can't be called a master level, it is also an upper middle level.

After Xiao Zhang sat down, he took the green materials he had prepared yesterday.

This first piece of Xiao Zhang was ready to paint this large bowl with green material, that is, to start painting.

In fact, there are many ways to express this blue and white porcelain vase, including color expression, white drawing and sketch expression, among which color expression refers to the method of expression of painting learners when they practice color, mainly including oil painting, gouache, watercolor and other painting expressions.

White drawing refers to the use of materials and techniques of Chinese painting, and the use of line drawing to express it.

The sketch expression of blue and white porcelain vase is one of the main expression methods.

The tonal sketch expression method of the blue and white porcelain vase is divided into the following steps: the first step is the conventional composition positioning, in this step, the painter should arrange the blue and white porcelain vase reasonably in the picture.

The second step is to draw the large external shape and main structure of the blue and white porcelain vase, in which the painter uses lighter lines to draw the shape and main structure of the blue and white porcelain vase.

The third step in the expressive step of the blue and white porcelain vase is to lay out large light and dark tones, in which the painter evenly applies a pencil color to the backlit part of the blue and white porcelain vase.

The fourth step of the expression step is in-depth depiction, which is to carefully express the subtle changes of the bright and gray sides of the blue and white porcelain vase and the reflection of the dark side.

The final step of the step is to adjust and finish the picture.

And there are many ways to paint on this blue and white porcelain.

The first is dot painting.

The so-called dot painting, as the name suggests, is to draw a pattern at one time with the tip of the pen or the center, without the need for dotting, dyeing, staining, painting and other secondary coloring.

It is said that Yuan Qinghua has this kind of painting, but there are few pieces in the country, the early Ming Dynasty folk kiln is very common, most of the folk kilns in the Yongle period are this style, many people say that the beauty is not a square thing, the aesthetics and history are the same, or forward, and the later painting method to draw the pattern is more beautiful, the benevolent see the benevolent, the wise see the wisdom.

The second method of this painting is to outline the dot dyeing.

If you have to break the sentence, it should be like this, outline and dot dye, not outline, dot and dye.

This concept is to outline the dot dye is to use thick or thin lines to outline the ornament, and then dot dye rendering, draw the desired pattern, the Ming Dynasty Xuande Dynasty continued to the Qing Dynasty, this painting method is very common in the folk kiln.

First outline the outline, and then decorate with the method of dot or dyeing, in the technique of Chinese painting, dot and dye are basically inseparable, so the dot dye is a meaning, and the broken sentence is outline and dot dyeing, but as a porcelain painting method, the dot and dye here can be understood as dot painting, which is used for the third painting method.

This third method of drawing is double-hook coloring.

This painting method is to use the line to outline the outline of the ornament and then fill in the green material, compared with the outline point dyeing method, the two are also the first to draw the line, after the decoration, it seems that there is no difference, but in the same period of blue and white porcelain can be distinguished, but not obvious, the basic difference is that the double hook color is more regular, the outline point dye is more arbitrary, if the front outline point dye is understood as the outline dot painting, then the double hook color here should be understood as the double hook filling.

From the perspective of the evolution of porcelain painting, the dot painting is earlier than the dot dyeing, and the dot dye is earlier than the double hook coloring, as for why the dot painting and the dot dye continued to the Qing Dynasty, it is because of the result of the Qing imitation of the Ming Dynasty, and the double hook color is the main painting method that has continued to modern times.

The fourth method of this painting is a white drawing.

The blue and white porcelain white painting here is somewhat close to the meaning of the white painting in modern painting, that is, the required pattern is drawn with blue and white materials, and it is relatively close to the dot painting here, mainly the blue and white porcelain white painting is a hard pen, and the general painting is a straight line, very fine, and consistent.

A dot painting uses a soft pen, and the pattern shape drawn is arbitrary, not straight and uneven.

At the end of the Ming Dynasty, the shape of some trees resembled seaweed, and the white drawing method should be used, which continued to the middle of the Qing Dynasty, and there was a fine road porcelain, which further carried forward this method, but it has to be said that the white drawing is only an auxiliary painting method.

The fifth method of painting is to divide the water.

The sentence of the three words of the water should be like this, the water is divided and the water is divided, the water is used to add water differently, to call out a variety of shades of blue and white materials, 皴 is a coloring method in Chinese painting, and the aforementioned outline of the dot dyeing in the dot dyeing is similar, but there is no use in the technique, this is very important in the painting, even if only one stroke, it can also reflect the different characteristics of different parts of the painted object, and there are many kinds, such as draped linen, chaotic linen, raindrops and other techniques can have more than ten kinds.

The main intention of the blue and white porcelain painting is to reflect the layering and three-dimensional sense of composition, and there are many beautiful porcelains in the Qing Dynasty that are painted in this way, and the representative is the blue and white porcelain of the Kangxi Dynasty, but the water division should also be an auxiliary painting method.

Xiao Zhang is still very familiar with these painting methods, but he can't use them flexibly.

Xiao Zhang had been thinking about the big bowl in his hand for a long time, and the composition was already in his mind at this time.

The sides of this bowl have a lot of white space for painting.

Therefore, the general small picture was not satisfied, and the manuscript in Xiao Zhang's belly gradually fought.

Several old people around looked at Xiao Zhang with his eyes closed, holding a large bowl with some curiosity.

What the hell is this kid doing?

Is this going to fall asleep?

Xiao Zhang was also unambiguous, as if the draft in his chest and abdomen had been formed, he opened his eyes suddenly, and then the pen in his hand was stained with the green material in the small bowl.

Directly on the mud tire of the large bowl.

After this stroke, a little gray and black suddenly appeared on the mud tire.

Xiao Zhang's pen walked the dragon snake and gently swiped downward.

The blue and ink-colored patches on the surface of this large bowl give a faint feeling of distant mountains.

Xiao Zhang picked up his pen and saw that a shallow distant mountain seemed to be standing alone in the clouds!