Re-standing at the mouth of the Su family's kiln.

Xiao Zhang couldn't help but feel a little nervous in his heart, and he was busy for several days and finally reached the last step, which can also be said to be the most critical step.

Xiao Zhang gently stroked the plain tire of an Arhat bowl in his hand.

The smooth and delicate surface made Xiao Zhang's heart slightly relaxed.

In any case, what should be faced is still to be faced.

Since the Su family's kiln has been opened, let's prepare to meet all the consequences.

Isn't it all about success or failure to come up with something first?

"Master Subei, let the workers go, I will personally put this plain tire one by one. Xiao Zhang said with a smile.

Su Bei nodded, waved his hand, and left with the three workers who had been following the work.

"You can go back too, Master Subei, I basically don't have anything to trouble you, the rest is to wait for me to open the kiln and you come back." Xiao Zhang said to Su Bei.

Su Bei shook his head and said: "No, I won't leave, to be able to accompany Mr. Xiao here to finish this kiln is also a fortunate thing for me in Subei, I have been to the Su family for more than 13 years, this is the first time I have met someone to open a kiln in the Su family, Mr. Xiao's courage is very admirable." Su Bei said to Xiao Zhang.

Xiao Zhang shook his head with a smile and said: "What kind of courage is this, once people don't care about things, there is nothing they dare not do, it's just that they don't dare to bear the consequences, and I am not afraid, and I don't care about the consequences or anything, so the advantages of opening a kiln in the Su family only outweigh the disadvantages." ”

Su Bei sighed and said: "So I said that I was lucky to be able to watch Mr. Xiao finish burning this kiln in person, and I was saying that Mr. Xiao had let us go to rest for the night last night, which is already grateful." ”

If Su Bei doesn't leave, Xiao Zhang won't continue to speak.

Instead, he looked at the Luohan bowl in his hand, and then walked towards the orange-red kiln in front of him.

The kiln has been opened, and the pull-out movable Ru porcelain tire in the kiln has also been pulled out, Xiao Zhang gently placed the Luohan bowl with nails on the first layer of the shelf, and then turned around and picked up another lotus bowl.

Although these 180 pieces of Ru porcelain are different in shape, they are also similar after all, and there are about four or five pieces of the same type of utensils for each type.

Xiao Zhang did not deliberately subdivide them, but placed the utensils with similar shapes.

Su Bei didn't go up to help without Xiao Zhang's instructions on the side, but quietly watched Xiao Zhang place the Ru porcelain trumpet over and over again.

Soon some bowls, tea cups, washers, etc. on the first floor were all placed.

Xiao Zhang picked up some porcelain tires that were similar to plates or bearing plates with a large modeling area, but not very high height, and placed them on the second layer.

The space on the third floor is larger, and the height is higher than that of the second floor, and Xiao Zhang has placed some Ru porcelain tires about fifteen centimeters in it.

Including some Guanyin bottles, some gooseneck bottles and other small size bottles.

The fourth layer is placed with a larger specification and a height of 20 bottles, plate bottles, amphorae, pierced bottles, etc., all of which are neatly placed.

The height of the bottle itself is high, and there are nails below, which leads to a large space, and it is necessary to ensure that the center of gravity is stable, and it is not a large kiln mouth that cannot be fired.

This is why the small kiln of the Bai family in the capital can only burn some small pieces of Ru porcelain of small specifications.

Because the large ones do occupy space, and there are not a few pieces burned in the kiln at one time.

After Xiao Zhang placed almost all his plain tires, there was still some space left on the fourth floor, and the fifth floor was still empty, and Xiao Zhang only had one of the biggest things, Ruyizun, left it.

Just like what Xiao Zhang said before, this Su family's big kiln is really too big.

It took 180 pieces to barely fill three-quarters of the kiln, and the rest of the space could only do that......

Xiao Zhang raised everything with both hands, and then gently put it on the last layer of the shelf, Xiao Zhang also deliberately found a good place.

Because according to the analysis of the guidance of the teacher Tang Qingchuan when he was in the capital before, it is most likely that the sky blue glaze will be burned in this place......

The change of kiln position and fire temperature, this is Tang Qingchuan's method of firing the sky blue glaze.

As for the Ruzhou Su family, they don't care about these at all.

People can directly analyze and experiment according to the sky blue glaze ancient porcelain fragments in the ancient kiln ruins to find out the most suitable raw materials, so as to restore the sky blue glaze.

In fact, Xiao Zhang maintains respect for this practice, but he has some inner thoughts.

As the ancients said, the sky blue glaze is a natural hand, and it is obtained by chance.

It is not like now, which has become so common that all the kilns are fired.

In this way, it can only be said that Xiao Zhang thinks that the sky blue glaze he burned is essentially stronger than the Su family's sky blue glaze.

Perhaps this is also one of the reasons why Xiao Zhang is the name of the ancient sky blue glaze!

There are many reasons for opening a kiln in Sujia.

And Xiao Zhang believes that the system is to let himself burn the stunning sky blue glaze of Ruzhou, and I am afraid that it contains this emotion, that is, to restore the beauty of the sky blue glaze of the ancients.

I want the Su family to see what the real sky blue glaze should look like!

A color that is so beautiful that it is breathtaking.

At the very least, in the Su family, Xiao Zhang didn't feel that the Su family's sky blue glaze would suffocate him, although the color was also sky blue, the same as the sky.

But different is different, feel it from the heart.

Xiao Zhang could feel it.

So now it is the same, Xiao Zhang carefully placed the position of each piece of plain tire, in order to burn this one hundred and eighty pieces of azure glazed Ru porcelain in this kiln, Xiao Zhang believes that after this kiln comes out, it will definitely be able to amaze the Su family.

Because they have never seen their own pure azure glaze that is extremely beautiful.

If there is such a sky blue glaze in this kiln......

And it is the kind of sky blue glaze that is as clear as the blue sky, so Xiao Zhang's kiln can be regarded as having completed all the tasks.

It can be regarded as a real testimony to the ancients!

Gave the ancient Ru porcelain a name!

This is the color that Ru porcelain in the Song Dynasty should have!

Xiao Zhang wants everyone to know that as soon as Xiao Zhang's Ru porcelain is shot, the Ru porcelain in the world has no color!

Why is the color of Xiao Zhang's Ru porcelain so beautiful?

Why is it that as long as the color of Xiao Zhang's Ru porcelain is more suitable for the poetry of the ancients?

All the Ru porcelain of the Song Dynasty unearthed from the ancient kiln site has been covered by the land for thousands of years, and it has not seen the light of day, and it has long lost its due look.

What should this Song Dynasty Ru porcelain be?

No one in this world has ever seen it, and what is left to the people of the world is nothing more than the Ru porcelain of the Song Dynasty that has been covered up for thousands of years and has long lost its lustre......

Is the Ru porcelain restored by such a modern person really the same as the one fired by the people of the Song Dynasty?

Xiao Zhang has been thinking about this question.

"Prepare to close!"