Xiao Zhang had no idea that these two old men around eighty years old would secretly learn an international common language like Falk Squid last night!

Smith's side is good at settling down the two nobles from the Great Eagle Empire.

Of course, it's still important here.

After the three parties communicated, the seller and the auctioneer jointly entered the password of the safe to open the safe, and then the staff of the auction room stepped forward and carefully took out a few three-color utensils in the safe with white gloves, and then gently placed them on the large table covered with white flannel.

Xiao Zhang saw clearly from the side, the first piece that was taken out was a green dot pot with a height of more than 20 centimeters, the diameter was about 12 centimeters, and the bottom diameter was almost 11 centimeters.

From Xiao Zhang's current point of view, this jar is a Tang Sancai jar with more green glaze and brown glaze and yellow dye.

The authenticity is not visible for the time being, but the type of vessel is indeed very similar to that of the Tang Dynasty, and the style is also very similar.

As the second safe was opened, the second tricolor vessel was also taken out.

This second piece of Tang Sancai is a blue-glazed camel!

As we all know, this camel and the horse belong to the two types of vessels that are very famous and characteristic in the three-color vessel.

The preciousness of this camel type can be said to be very strong, and it is also a very rare blue-glazed camel, if this is a genuine Tang Sancai blue-glazed camel, the estimated value is at least about tens of millions.

The height of this big camel is 47 centimeters, and the two staff members took it out very carefully.

It was then placed almost half a table away from the green dot jar in front of it.

These are all very valuable treasures, if they accidentally collide and cause them to break, a few lives are not enough to pay.

As the third safe was opened, Xiao Zhang's gaze was also attracted.

The third safe is filled with a Tang Sancai flower and bird porcelain pillow, which can be said to be a kind of ancient porcelain, and it is also a very colorful one.

Because pillows in ancient times were not made of soft cloth and cotton, cassia seeds, rice husks, etc., as they are now, but most of them were porcelain.

Whether it is Tang Sancai, or Ru porcelain, or even blue and white porcelain, this porcelain pillow was popular in many dynasties in ancient times.

So there are many imitations of porcelain pillows in modern times.

The length of this porcelain pillow is about 25 centimeters, the width is 14 centimeters, the height is 11 centimeters, the glaze color is mainly brown glaze, and the design of yellow pattern and green glaze is the edge pattern above the pillow surface, and the pattern design of flowers and birds is also in line with the elements of the time.

Judging by a lot of details, it doesn't seem like the kind of fake at first glance.

Xiao Zhang continued to watch.

This fourth piece of Tang Sancai taken out of the safe is a Tang Sancai plate, looking at the decorative pattern, it should be a treasure pattern plate.

The height is only 3.5 centimeters, but the diameter is about 24 centimeters.

This plate is yellowish-white throughout, but in the middle of the plate has the pattern of a treasure flower.

The glaze of Baoxianghua is yellow and green, mixed with a little white glaze.

This piece is clearly in the style of antiquity, and the workmanship is not rough, and the details need to be looked closely to be clear.

This fifth Tang Sancai work is a tall samurai figurine.

This samurai figurine is arguably the largest work to date.

Because this work is a samurai who is in the state of stepping on a wolf!

The overall height is about 70 centimeters, which is a very large piece.

The samurai's face is very detailed, the movements are vivid, and it is not stiff, and the glaze on the body is very bright, brown and green run through the whole body, and the face and hands are not glazed, so it can be seen that this is a real samurai figurine.

In particular, the glaze color is too much to be in place.

Xiao Zhang couldn't help but praise it.

Such a large samurai figurine has never been fired by itself.

The sixth piece of Tang Sancai was also taken out, this is a very worn dancing girl figurine, which looks very poorly preserved, because the glaze on the body has been worn very badly.

This has brought great difficulty to the identification, of course, the value of Tang Sancai's works with poor quality will be much lower.

This dancing figurine has a flexible body, obviously one arm in front and one arm behind, and the legs are bent and turned, which is showing a state of dancing.

The height of this dancing figurine can be about 40 centimeters, and it can be said that it is the most incomplete Tang Sancai work at present.

The glaze on this body is basically the same as the unglazed pottery part on the surface.

Xiao Zhang looked at the last work again.

When he took out this last piece of glass, Xiao Zhang's eyes lit up at that time!

It really lit up instantly.

This work is very different from the dancing figurines just now.

If the dancing figurines just now are because the condition is too poor and the glaze is worn, then this one is completely because the condition is too good.

It can be said that as soon as this work was taken out, not only Xiao Zhang, but even Ouyang Feng and Hong Lao were very shocked.

The eyes were completely captivated.

Because this is a very eye-catching Tang Sancai cobalt blue glazed Malaysia.

The height of the horse is about forty-two centimeters, and the length is about thirty-nine centimeters, and the horse's head is raised proudly, as if roaring into the sky.

People who are often in contact with Tang Sancai know that most of the horses in this Sancai are horses with their heads bowed, including camels with their heads down, because this makes the horse more docile, but this big horse is very different from raising its head and pouting!

The peculiar shape is not special, the key is that this body is shining, bright and dazzling cobalt blue glaze!

This blue glaze is the rarest and most precious Tang Sancai glaze, and the blue of this Malaysia is actually a glaze with bright light!

How is this preserved?

It's as bright as if you've just been slapped with shoe polish!

It's incredible, it's so bright that you can't take your eyes off it.

Whether it's real or fake, the color alone is enough to fascinate anyone!

Xiao Zhang suddenly became curious about this three-color vessel.

This Malaysia is blue glaze throughout, the saddle is yellow glaze dotted with brown glaze, the overall Malaysian shape is strong and strong, the limbs are developed and powerful, a kind of blue glaze glaze that is almost sapphire blue is eroded naturally, with the so-called silver spots of back lead, its surface luster is bright and soft, and the condition can be said to be excellent, but Xiao Zhang feels something wrong in his eyes.

From any angle, this Malaysian piece is almost a real thing, and if it were to be placed at auction, it would have to be worth tens of millions of dollars.

But Xiao Zhang just felt that there were some small problems that he didn't know where.

Isn't it perfect?

Xiao Zhang sighed, or is being too perfect a kind of regret in itself? Or is it really that he thinks too much?

After all, this theory can still be said by itself, and the real appraisal depends on this group of masters, so let's see what this group of old men say first!