After the two hosts paused and glanced at each other without saying anything, the male host announced loudly and passionately: "Please enjoy it below, it's us"!"

Although there were not many people, the applause upstairs and downstairs was quite warm, and it sounded neatly and ended neatly.

At this time, the three zero-six all paid attention to Qi Qingnuo, and Qi Qingnuo looked at Gao Pian. Gao Pianpian put her hands on her lap and picked her fingers tightly. After receiving Qi Qingnuo's smile, Gao Pianpian straightened his upper body, exhaled and smiled, and relaxed his arms.

And then it began.

On the morning of May Day, when 306 began to play "It's Us", there were a lot of exchanges on the second floor, and everyone probably wanted to express their novelty and joy, or there were criticisms.

Today, there is nothing, and the dozens of people on the second floor are the same as Ding Sangpeng and Tang Qing, since the first note of Chai Litian's flute, they have never made a sound.

It seems that these people have a serious attitude towards judging and discussion, and they have listened to the music so attentively and devotedly from the beginning, even Zhang Jiahuo looks thoughtful.

It's just that two or three minutes after the music started, several Taiwanese friends exchanged glances with each other, Tang Qing nodded like a beat, and the conductor of the Puhai Chinese Orchestra rubbed his fingers with his right hand like pinching an orchid finger......

Five or six minutes later, Li Yingzhen squinted at the expression of the director of the Creation Committee of the National Musicians Association, who straightened his waist. He Hongchui stretched out his hand to help the deputy head of the Central Chinese Orchestra turn over the score to the place where it was playing, but the other party didn't look at it......

As with May Day, after 10 minutes of concentrated performance, the initial surprise on the faces of many first-time listeners on the second floor disappeared, and no one rushed to see the composer's whimsy in the score. The increasingly active and enthusiastic music has made these people completely settle down, and unconsciously turn their work into enjoyment.

After a scam that is easily spotted by experts but cannot be escaped, the music begins to really reach its climax. This time not only did it not deceive, but it also made everyone overjoyed.

When the never-before-seen erhu phrase was killed from the sky, one of Yang Jingxing's Taiwanese counterparts almost stood up with his arms stretched. Tang Qing's hand tightly grasped Ding Sangpeng's thin arm beside him, and he trembled a little.

Maybe it's experienced, 306's performance today is better and better than three days ago. Whether as the protagonist or the supporting role, everyone played a level full of emotion. There are a lot of high levels of difficulty in the works or the professors, and the effect is even more obvious today.

Shao Fangjie's erhu is no longer so weeping and complaining, but more euphemistic. The tall guzheng is less deliberately loud and active, and more calm. Wang Rui is no longer so sharp, and she can hear delicate and subtle anymore......

It is no wonder that it is said that no matter how good a performer is, he also needs to grow up on the stage, and perhaps the dedication and harvest on the stage can stimulate the player's understanding and perception of music.

Three-zero-six and they themselves must be able to feel each other's tacit understanding and trust, and everyone doesn't have to pay attention to Qi Qingnuo's eyes and gestures all the time.

After the climax, it was Ho Pei Yuen who led the audience to reminisce about the various musical emotions they had experienced, and then began to walk towards tranquility with the others, and led the audience into meditation.

The final erhu ending seems to mean that the meditation will never end, and Liu Siman and Shao Fangjie are so stretched out that they want to integrate their bodies and minds into it under the watchful eyes of the members, and they can't extricate themselves.

The last note also disappeared in the hall, and Shao Fangjie and Liu Siman, who had been frozen for a short time, put down their bows together, raised their heads to look at the audience in front of them, and the others in 306 also looked over.

This time, almost everyone stood up before Ding Sangpeng, and the applause suddenly rang out, not as grand and turbulent as three days ago, but the density seemed to be higher, and the strength was deeper.

Ding Sangpeng and Tang Qing stood up while clapping their hands, facing the stage, everyone else followed suit, and they were not in a hurry to show their feelings or make comments.

The two old-timers kept going, and the others didn't stop, and the applause continued. Tang Qing's hand was raised higher and higher, and the slap became more and more intensive.

Three-zero-six was not as moved as last time, and they all stood up and smiled. After being looked at by the girls on the stage a few times, Yang Jingxing's slap also became more enthusiastic, and Yu Xinting followed suit.

After listening to the applause for a minute with a smile on his face, 306 bowed under the leadership of Qi Qingnuo.

Ding Sangpeng stopped applauding, looked back left and right, and said, "Qi Qingnuo has a work, I think everyone should listen to it too." ”

Everyone was looking forward to it, and several people immediately took out the phone, the vice principal called the director, He Hongchui dialed Qi Qingnuo first, and then called Yang Jingxing instead.

The two magazines have already begun to write and draw in their notebooks, and several conductors are reading the two music scores and pointing their fingers.

Soon, Three-Zero-Six was back to sitting. The conscientious host took the stage again, first praised "It's Us" and 306 for a while, and then asked everyone to continue to enjoy "The Clouds Open and the Fog Disperses".

If you have to compare, "The Clouds Open and the Fog Disperses" can be regarded as between "It's Us" and traditional works. For example, on the surface structure, "The Clouds Open and the Fog Disperse" does not have the sense of a dozen paragraphs like "It's Us", although most people think that "It's Us" is not patchwork at all.

In terms of details, although "Clouds Open and Fog Disperse" is relatively bold in terms of orchestration, the composition technique is still relatively conservative. Whether it is the melody and harmony or the grasp of the characteristics of the instrument, Qi Qingnuo's innovation is not as heroic as Yang Jingxing. So in comparison, some passages in "The Clouds Open and the Fog Disperse" are more folk music and more traditional.

If "It's Us" brings more new feelings and melodic impact to the general audience, allowing the audience to recall traditional folk music and think and sigh after feeling it, then "Cloud Opens and Fog Disperses" can make the audience start to think about the proposition of inheritance and development when they listen to it, or it can also give hope and inspiration.

The most obvious difference, of course, is that "The Clouds Open and the Fog Disperses" is much shorter than "It's Us". When "Clouds Open and Fog Disperse" first participated in the Hundred Flowers Composition Competition and won the third prize, Ding Sangpeng had already heard it, but after listening to it today, he gave a standing ovation again, and he was faster than Tang Qing.

I stood up and down the stairs again, but 306 was obviously much happier than before, smiling one by one, and Nian Qing also took the lead in hugging the smiling Qi Qingnuo.

Yang Jingxing was not jealous, more enthusiastic than the applause for his work, Yu Xinting clapped her hands and looked at him, and continued hehe.

Qi Qingnuo only listened to half a minute of applause this time and then led everyone to bow. After receiving the latest instructions, the director hurriedly asked the host to go up and change the three and six down, and arranged for someone to quickly clean up the stage and set up the rostrum.

When the stage was busy, the people on the second floor began to prepare to come down, and the people downstairs began to talk about it.

Yu Xinting looked back and whispered to Yang Jingxing: "Professor Li said that you are the first person to make Ding Sangpeng pay so much attention. ”

Yang Jingxing shook his head and was afraid: "Be quiet." ”

But a few people in the second row had already heard it, and they were still smiling at Yang Jingxing.

The rostrum was quickly erected, and a long table was put together covered with a red cloth, and teacups and names were placed. There were twelve chairs in total, and all of them belonged to guests, except for the headmaster.

306 also came out, and it seemed that Qi Qingnuo wanted to sit in the back row with everyone, but Liu Siman and the others pushed the boss to the arranged seat under the gaze of their classmates and teachers.

Yang Jingxing has never been praised by his classmates and teachers nearby, but Qi Qingnuo's ass has not been stable before he receives a bunch of praise, and someone shouted from far away: "Qi Qingnuo, good job!"

Qi Qingnuo responded with a smile and modesty for a while before sitting down, looking at Yang Jingxing suspiciously: "God is helping me." ”

Yang Jingxing said: "You deserve it." ”

Qi Qingnuo tilted his head and whispered: "Connect us." ”

Yang Jingxing said: "You deserve it. ”

Qi Qingnuo smiled proudly, then looked back at his members, then looked at Yu Xinting, and praised: "Xinting, beautiful!"

Yu Xinting, hehe.

After waiting for a few more minutes, the people upstairs finally appeared, and first He Hongchui and them came to the audience to take their seats. He Hongchui praised Qi Qingnuo, and Li Yingzhen looked at Yang Jingxing's appearance again.

The vice principal and the director of the art department greeted a few Taiwanese friends who could not sit on the rostrum, a magazine operator, and Ding Sangpeng's son, and they could only sit in the back, but they didn't seem to complain.

The two chiefs of the little giant shook hands with Yang Jingxing and Qi Qingnuo first, and then went to the back to pay tribute to Liu Siman and them.

The host didn't go on stage anymore, and more than a dozen people on the rostrum appeared together, or the principal and the music director of the Puhai National Orchestra half-supported Ding Sangpeng. Naturally, there was another round of applause from the audience, and some people on the stage responded with a slap.

It took a little time for the twelve people to be fully seated, from left to right: Ding Chaoru, vice chairman of the National Musicians Association, Zhang Jiahuo, conductor of the Puhai Symphony Orchestra, Ning Baoliang, director of the Creation Committee of the National Musicians Association, He Zhijun, conductor of the National Youth Chinese Orchestra, Song Yanjie, Tang Qing, Ding Sangpeng, deputy head of the Central Chinese Orchestra, Yang Zhixin, president of the Puhai Conservatory of Music, Lu Baiyong, conductor of the Puhai Chinese Orchestra, Li Weiguang, vice chairman of the National Federation of Literary and Art Circles, Zou Chunyu, artistic director of the Taiwan Little Giant Silk and Bamboo Orchestra, and Taiwanese composer Xiao Zhengyuan.

Another staff member came to the stage with a cat waist and placed the microphone in front of Ding Sangpeng and Tang Qing, and it is estimated that they can use the microphone here.

Since the big shots came to power, the two hundred or so people below have been quiet. After looking at it, Principal Yang Zhixin was quite satisfied, and called in a loud voice: "Please welcome Puyin's distinguished guests with warm applause again." ”

The headmaster stood up as he spoke, and the people below stood up in response. Ding Sangpeng took the lead, and the people on the stage also stood up, and everyone applauded each other.

The principal hurriedly helped Ding Sangpeng to sit down, and then motioned for everyone to sit down, so that the concert hall was quiet again, and then the principal said, "Next, I would like to invite Ding Lao to speak for us." ”

After another slap, Ding Sangpeng, who put his arms on the table and wore reading glasses, looked left and right with the slow movements of his old age, then looked at the audience, and plucked up his strength to speak: "Xie Lu, thank you, thank you, thank you for sacrificing your rest time, coming here, and fulfilling a big wish of mine in the last years of the wind and candle." My wish is to make a little more contribution to our folk music in my lifetime.

Everyone here is dedicated to music, and so am I. Some people call me a composer, some people call me a musician, but when I hear someone call me a teacher, I am ashamed.

I often review that I am not a good teacher. I often reflect on why there are so many of us working so hard, but the current situation of our music is not optimistic......"

What Ding Sangpeng said is the truth, there are indeed many people working hard for the development of folk music. For example, the Central Chinese Orchestra and the National Youth Chinese Orchestra have made outstanding contributions to folk music.

These national orchestras are not what many people imagine, and they practice those traditional old works all year round. In fact, these large-scale Chinese orchestras have been working hard to inherit and develop folk music.

In terms of inheritance, in addition to studying the existing materials, these people have collected and summarized various types of music of various nationalities and regions over the years, which Yang Jingxing or 306 simply cannot complete.

In terms of development, there are even more performances, the creation of new works, and even the production of new instruments or the improvement of old instruments.

The school also attaches great importance to the development of folk music, and in addition to the composition department of Puhai Conservatory of Music, it recruits about ten people every year, and there is also a folk music composition department that also recruits four or five people.

However, the current situation is indeed not optimistic. Ding Sangpeng's main reason is that folk music is no longer popular with the people, and now children learn piano, violin, and guitar, and not many parents are willing to send their children to learn erhu guqin.

Of course, you will occasionally hear about the popularity of Chinese folk music in Europe and the United States. It's a pity that those successes are basically short-lived, and they don't reflect the true charm and value of music.

Ding Sangpeng even thinks that Chinese folk music is of course made for the descendants of Yan and Huang. If the Chinese themselves do not accept it, what is the point of those white and black people liking it. What is the point of applause from those who have no understanding of Chinese culture?

Ding Sanpeng said that he had been invited to participate in the "Elegant Art on Campus" activity two years ago, but in a good school like Puhai Jiaotong University, Ding Sanpeng did not feel the enthusiasm of college students for "elegant art", and he was saddened by the cold reception of so many outstanding artists and so many excellent performances.

Ding Sangpeng asked everyone how long it had been since they had received a standing ovation from the audience, and he himself seemed to be envious: "This group of girls did it just now, not today, but three days ago, in this concert hall, they received the highest enthusiasm and affirmation from their peers, and those are our heirs!"

After a pause, Ding Sangpeng said: "Why can Yang Jingxing make this kind of music, so that our old man can talk about juvenile madness? I think this is very necessary to discuss, so please come, I hope we can work together to sum up some experiences that are helpful to the development of our national music." ”