Who burns the blue and white porcelain better between Xiao Zhang and Chen Nanshan?

Chen Nanshan, of course.

The overall level of Chen Nanshan's firing of blue and white porcelain can basically be guaranteed at a uniform level.

Although they can't reach the state of a master, they are all self-mastery or above.

And as a traditional craftsman, Chen Nanshan's blue and white porcelain firing can be said to be steady and steady.

Each piece is so delicate and has a special style.

And Xiao Zhang's thirty pieces of blue and white porcelain are not, these thirty pieces of blue and white porcelain from the current state.

The best works are the blue and white porcelain aromatherapy furnace, the blue and white porcelain bamboo forest Seven Sages Guanyin vase, and the blue and white porcelain Guiguzi descending mountain picture jar.

Among them, the Guanyin bottle and the Guiguzi descending mountain map are the most excellent, almost surpassing the level of proficiency.

The aromatherapy burner is at the level of mastery.

In addition to these three pieces of blue and white porcelain, the rest of Xiao Zhang's blue and white porcelain remained above the entry level and did not reach the level of mastery.

It is obviously different from these three pieces.

That's its instability.

However, it is very rare for Xiao Zhang to be able to come up with these three.

It may also be because of the composition of these three pieces or other reasons that make them more valuable.

Of course, the blue and white porcelain fired after Xiao Zhang will definitely be better, but it will have to wait until next time!

Chen Nanshan is wandering around Xiao Zhang's shelves, trying to find better works.

Xiao Zhang smiled.

These are the only blue and white porcelains that I seem to have carved with my heart......

Wait a minute......

There should be one more piece!

I forgot about myself!

That's a porcelain plate painting that Xiao Zhang likes to fire very much!

Sure enough, in Chen Nanshan's hand, he slowly stretched out to the inside of the shelf, and then took out a porcelain plate painting.

This time, Xiao Zhang did not fire a porcelain plate painting with four screens, but only fired a porcelain plate painting about eight flats.

And the painting of its content has also put a lot of effort into it.

Safety is because at the end of the end, when the blank was drawn, Xiao Zhang couldn't think of what blue and white porcelain clay tires to make.

I simply used the last clay to directly fire the porcelain plate painting.

The painting is still very good.

Chen Nanshan put the porcelain plate painting aside, then squatted on the ground and looked at it carefully.

"Brother Xiao Zhang...... Your porcelain plate painting is a little unusual!" Chen Nanshan said with a smile.

Xiao Zhang naturally knew, because in Ouyang Feng's home, his porcelain plate paintings had received praise.

Of course, last time it was because I painted the pattern of the sea, which is more special and alternative!

And this time Xiao Zhang's painting is even more magical, almost using the technique of splashing ink, presenting a feeling of phantom mountains and waters.

This kind of heavy color ink color blending is very in place, and the pattern presented must have a shocking effect.

Of course, Xiao Zhang is not very familiar with the painting of porcelain plate painting, but he is moving forward in practice, and each time he paints a distinctive pattern, which is different from the common ones in the market.

"Brother Nanshan, do you have any research on porcelain panel paintings?" Xiao Zhang asked.

"It's not too much research, but we still have a lot of porcelain plate paintings in Jingdezhen, and I know that this ancient production of ceramics is mainly hand-pinched, molded and shaped, and there are more carved and round ware. ”

After a pause, Chen Nanshan continued: "The red digging houses, pigsties, and warehouses that appeared in the Qin and Han dynasties were the earliest carved vessels in the history of Chinese ceramics with the form of plate surface bonding, and the production of porcelain pillows in the Tang and Song dynasties reflected the perfection and progress of the plate surface bonding production process in ceramic production. ”

"From the point of view of ceramic production process, the ceramic molding made by the surface bonding is difficult, and the firing is also easy to deform, and the production of pure porcelain plate is gradually formed in the production process of the carving, which has gone through a process of evolution and development, and is closely related to the production of ceramic tiles, epitaphs and inlays, and has a certain relationship of origin. Chen Nanshan said with a smile.

Xiao Zhang nodded.

This Chen Nanshan is also modest, and the study of porcelain panel painting is also very thorough.

"Brother Xiao Zhang, you also know that in addition to porcelain, we in Jingdezhen also produce realistic products for the ceramic industry, such as this toilet bathtub and so on...... Of course, it also includes ceramic tiles, in a sense, this porcelain panel painting and ceramic tiles have something in common!" Chen Nanshan said with a smile.

After a pause, Xiao Zhang said: "This tile is evolved from ceramic bricks, which has both a flat shape and a certain thickness, and its plane properties have laid the foundation for the production of plate porcelain. ”

Chen Nanshan nodded and said: "That's right, the earliest ceramic tiles are smaller in area and larger in thickness, judging from the information we have, Jingdezhen has burned ceramic tiles with perfect production technology for construction during the Xuande period of the Ming Dynasty." ”

"I know this, I saw a collection of Xuande Dynasty "Blue and White Ancient Money Brocade Bricks" in the Capital Museum in the capital , its shape is square, the side length is about 14.3 cm, the ceramic tile porcelain is tight, the plate surface is not big, but the plate surface is flat, it can be seen that the production and drawing process is more mature, the painting of the Quartet continuous ancient money brocade, the ornamental structure is rigorous, the brocade is rich, the blue and white color is gorgeous, the shades are different, there are black crystal spots at the color weight, there are prominent characteristics of imported green materials, the glaze also has brown eyes, orange peel, this is the characteristics of the blue and white porcelain of the Yide Dynasty, which is the production of complete patterned porcelain that has been seen has laid the technological foundation. Xiao Zhang nodded and said.

"The display of ceramic tiles is to the Kangxi period of the Qing Dynasty, we Jingdezhen and there are hollow tiles, the length and width of the brick surface are about 20 centimeters, the thickness is about 5 centimeters, the middle is supported by porcelain strips, the shape is like a flat square box, the front and back sides are colored, this kind of hollow tiles are decorated with colorful patterns, there are also blue and white, bucket color, and the tiles are used to inlay on the three-sided fence of the wooden bed. ”

"I also know this, in our capital museum in the capital of the collection of a "colorful character flower and bird tile", a set of a total of 9 pieces, with the round tile as the center, symmetrical arrangement, on both sides of the square tile on the front of the painting of historical figures, on the reverse side of the painting spring peach, summer lotus, autumn chrysanthemum, winter plum and other four seasons of flowers and birds pattern. ”

Xiao Zhang said with a smile: "This set of tiles can be described as exquisite painting, rich in color, is a rare set of Kangxi colorful masterpieces, this kind of ceramic tiles used to make beds on the fence on three sides, the content of the picture has Guo Ziyi, Zimei Manchao, Qin, chess, calligraphy and painting eighteen bachelors, etc. ”

Xiao Zhang continued: "This tile can be said to be the firing technology of this kind of square tile in the Yongzheng Dynasty, but because the square tile has a certain height, it is erected in a sagger and fired, and its shape is larger and the thickness is wider. ”

Chen Nanshan nodded, he didn't expect that this Xiao Zhang not only burned the porcelain plate painting well, but also the amount of knowledge was very suspicious, and several treasures in the Forbidden City, this guy had seen it personally!