"So this Ming Dynasty belongs to the later period, the more this blue and white porcelain has regressed!" Xiao Zhang nodded and said.

Ouyang Feng nodded and said: "The blue and white porcelain in the Wanli period is not the worst, and there are the most bleak times in the two periods of the Apocalypse and Chongzhen at the end of the Ming Dynasty. ”

"In the folk kiln in a variety of figures, the name of the hall, auspicious language, ode to the increase, such as Yutang Jiaqi, Wan Fu Yu equal, more pseudo-trust, there are Yongle, Xuande, Chenghua, Tianshun, Zhengde, Jiajing and other dynasties, among which the pseudo-support Tianshun paragraph is only the apocalypse, the ornamentation is still dominated by traditional ornamentation, but the ornamentation of Taoist content is less than the Wanli time, the painting is rough, the ornamentation of this period is more sparse, the breath of life is heavier, the carcass is thick, the tire is loose, the shape of the vessel is irregular, the bottom of the vessel sticky sand, the collapse of the bottom, the knife marks and so on have become the characteristics of the times. Ouyang Feng continued.

Ouyang Feng said this, looked back at his shelf, and said with a smile: "The blue and white porcelain of this period is really not very satisfactory to me, so I don't collect it either...... Ha ha. ”

After a pause, Ouyang Feng continued: "This Chongzhen period has no official ware, there are not many types, and the bowl furnace is more common, in addition to bowls, cups, bottles, flowers, etc., the green material has stone green, Zhejiang material, the hair color is coarse, the fine is stable, the ornamental pattern in addition to the traditional theme, Gao Shitu is especially common, the baby play picture of the child's head and feet is not harmonious, the landscape figure of the autumn grass, bracket cloud, small sun, etc. are typical features, the fetal quality is coarse, the glaze is white and flashing green, and some are gray, the above is the basic situation of all blue and white porcelain in the Ming Dynasty. ”

Ouyang Feng spoke for half an hour.

The crowd also listened with relish.

Especially for those experts from all over the world, it is really a very difficult opportunity to hear such a professional blue and white porcelain collector personally explain the evolution of the history of the blue and white porcelain dynasty.

As for Xiao Zhang, he couldn't wait to integrate everything Ouyang Feng said just now into his mind.

After all, what the system gives is given, and what you learn is your own.

Sometimes this is the case, like the story mission of the previous system, if Xiao Zhang can't complete it, he will be punished and take back the skills given by the system.

This is what Xiao Zhang is very unhappy about, but there is no way, Xiao Zhang now feels that through his own study to obtain completely his own knowledge, this is really his own, and the system can't take it away at all.

"Mr. Ouyang, the blue and white porcelain of the Ming Dynasty changed like this, but what about the Qing Dynasty? I remember you just said that the blue and white porcelain of the Qing Dynasty seems to have reached its peak because of the colorful blue and white porcelain, but then it was replaced by pastel?" Xiao Zhang continued to ask.

In the face of such an opportunity, Xiao Zhang will definitely not miss it.

Ouyang Feng cast an approving look at Xiao Zhang, and then continued: "The development and evolution of blue and white porcelain in the Qing Dynasty is also very rugged, just said that the historical war in the Chongzhen period, the Qing Dynasty replaced the Ming Dynasty, so the blue and white porcelain is basically lonely, but in the Qing Dynasty, there are times when it continues to be brilliant, everyone knows that the Qing Dynasty was the first to fight the world!"

Xiao Zhang nodded and said: "I know this, I have read Lu Dingji, Ao Bai told Emperor Xiao Kangxi that Huang Taizu is fighting the world on horseback, and it is useless to study." ”

Ouyang Feng nodded and said: "Although it is a martial arts fabrication, but it is basically in line with the historical situation at that time, we are not saying that the Manchu Qing Dynasty is bad, but the aesthetics of the Manchu Qing Dynasty at that time seem to be somewhat different from the Han people, of course, this is also the reason for the appearance of pastel in the later period! Before the Qing Dynasty, the porcelain composition of any dynasty was focused on blank space, and the picture and blank collection were collected!" This is also the style inheritance of so many calligraphy and painting masters in history, but it changed in the Qing Dynasty, and the style that the Qing Dynasty preferred was to slowly fill all the colors on the shape, basically you see a lot of big bottles, full of yellow and red patterns, densely covered, that must be the vase of the middle and late Qing Dynasty!"

Ouyang Feng smiled and waved his hand and said: "Deviated, deviated, let's continue to talk about blue and white porcelain, this Qing Dynasty, let's start with the Shunzhi in the early Qing Dynasty, because it was Nurhachi and Huang Taiji before...... Just stabilized the new dynasty, there is no blue and white porcelain...... Ahem...... The Shunzhi period was not long, but it was a critical period for inheriting the past and opening up the future, laying a solid foundation for the peak of the later Kangxi period. ”

The crowd nodded. The first founding emperor of the Qing Dynasty, Aixin Jueluo Nurhachi, established the Qing Dynasty, and then Aixin Jueluo Emperor Taiji succeeded to the throne, the time is not very long, there should be no time to develop these, to the Shunzhi period, this emperor picked up these cultures!

"The blue and white ware of the Shunzhi period mainly has the following characteristics, the type of vessel is less, mainly furnace, goose, bottle, large and small plates, bowls, jars, etc., the carcass is generally rougher, large vessels such as furnaces, large plates, goblets and other carcasses are heavy, small utensils such as small plates, bowls and other carcasses are lighter and thinner, but there are also individual utensils with delicate and dense fetal quality, which can be seen glutinous rice-shaped, and the bottom glaze is white and flashing green, and some are slightly gray. ”

"The glaze layer is thin, the blue and white material should be used in combination with Zhejiang material and stone green, resulting in the hair color of some verdant, some blue, the blue and white hair color of the furnace is more verdant, the hair color of other utensils is more gray and blue, the ornamentation is more than flowers and birds, landscapes, travertine, autumn grass, river boats, monsters, Rui beasts, plantains, clouds, etc., the big plate likes to draw a blue and white coil at the edge of the mouth, and then draw the main body of the decoration in the circle. ”

After a pause, Ouyang Feng continued: "The small plate is mostly painted with a sycamore leaf on one side of the plate, and a sycamore leaf on the other side is falling, and the world is full of autumn and other similar verses, bottles, goblets, cans and other large vessels also like to use blue and white threads as a pattern to separate, and the painting method is combined with outline, flat painting, rendering, and line drawing, and the painting brush tone is arbitrary. ”

Although this is neater than in the late Ming Dynasty, it still does not see the rigorous and meticulous style of Kangxi, and the picture layout is fuller, especially the large plates, cans, bottles, goblets and other utensils, which begin to appear in the law and the change of color scales, but they are not yet mature, and the bottles, goblets and other flat sand bottoms. There are many glaze shrinkage points at the bottom of plates, bowls, cans, etc., the bottom foot sticky sand is more common, the bottom of the bowl has many jump knife marks, there are many folk kilns, few official kilns, and there are very few utensils with years. Ouyang Feng said eloquently.

This clearly reflects that the blue and white porcelain of the Shunzhi period is really seamlessly connected to the state of the late Ming Dynasty, and of course, it is also laying the foundation for the peak of Kangxi!

"Mr. Ouyang, the blue and white porcelain of the Kangxi period is the pinnacle, right?" Xiao Zhang asked with a smile.

"That's nature!"