Xiao Zhang knew before that this guy Tang Xinghe burned three jars......

That's right, to participate in the National Ceramics Joint Exhibition, Tang Sancai's competition site, this guy's first Tang Sancai work is a big jar.

At that time, Xiao Zhang and Tang Xinghe were next to each other.

This guy made a big jar of mud tires......

I didn't expect to get a bigger jar for the second one......

This third piece is still a jar......

Those who know and understand this Tang Xinghe win with different glaze colors on the jar, because the area of this jar is relatively large, which is convenient for the glaze to be swayed to the fullest.

I don't know, I thought this Tang Xinghe was going to do it with the jar.

In the three exhibition cabinets in front of him were the three jars of Tang Xinghe's competition.

The first jar, Xiao Zhang was amazed.

According to Xiao Zhang's cognition, this should be a treasure pattern jar!

What Xiao Zhang didn't expect was that this Tang Xinghe had carved patterns on the jar in addition to glazing on the jar this time.

This relief full of patterns is really exquisite.

It's not the same feeling.

The pattern of the carcass itself is the number of the pattern, and then the glaze color is the direction of the glaze!

Normal ceramics, such as the Danfeng Chaoyang plate before Xiao Zhang, the plate is cyan, and the phoenix is pink, with distinct colors.

The carved pattern and the carcass color are two different colors.

This means that the number of paths of the pattern and the direction of the glaze color are consistent.

But Tang Xinghe made this one so amazing.

This is a number of roads that Xiao Zhang has never seen!

This big jar can no longer be called a jar.

The overall height is more than thirty centimeters.

Looking at the shape of the jar, it should be a respectable shape.

The body is carved with delicate treasure patterns around the body, and it is a delicate relief pattern.

It can be seen that this guy was busy with this fetal type when Xiao Zhang was not there.

There are a total of four southeast, northwest, and treasure patterns, and a circle of delicate waves at the neck is eye-catching, and a circle of paper patterns on the feet, and a circle of gluttonous patterns on the mouth.

The design can be described as delicate and delicate, the craftsmanship is complex and unique, and every pattern is combined just right.

It is the most exquisite Tang Sancai type that Xiao Zhang has seen so far.

Xiao Zhang nodded secretly, this Tang Xinghe really has two hits.

In addition to the glaze with doorways, this pattern also has an artistic atmosphere.

This is a pure literary uncle, and his vision and techniques are different from others.

It stands to reason that if you make the corresponding glaze color, this piece can be called exquisite.

But Uncle Tang Xinghe's glaze is swaying freely.

There are three or four glaze colors on a single treasure pattern, and there are no rules to speak of glaze.

There may be two or three glazes on this petal, and the petals next to it are cyan glaze, the bottom is brown glaze, and the right one is a little blue, a little brown and a little white, almost like a glaze splashed randomly.

It's like the kind of glaze that is casually stained.

Collide with colors to your heart's content.

First of all, Xiao Zhang admires one thing very much, that is, Tang Xinghe's color is very good.

The brown and cyan colors and white, these three colors collide with each other and blend with each other, which directly makes a strong sense of contrast, which is comfortable and visually impactful.

This is the special ability of an artist.

This is what Xiao Zhang admires.

This is obviously another type of Western painting.

The previous preliminary work of the 10,000-year-old pot used the post-impressionist painting method similar to Van Gogh.

It's the kind of very abstract painting school......

This is a straightforward and pure abstract expressionism.

The color contrast is obvious, and the conflict is obvious.

A perfect combination of East and West.

Xiao Zhang found out.

This Ru porcelain is good, Tang Sancai is also good.

The opponents he has encountered, Cao Jiuge or Tang Xinghe, all belong to the kind of people who have a strong sense of innovation.

Especially this Tang Xinghe, the innovation is simply not too much!

I love this treasure flower honor, I love it!

Tang Qingchuan on the side looked at his disciple Xiao Zhang, who had been looking at this Tang Sancai work, and walked over and asked, "What's wrong Xiao Zhang, I see that you have been watching here for a long time." Tang Qingchuan asked.

Xiao Zhang sighed and said: "Teacher, Tang Sancai, I know that you also know a lot, this is the work of the strongest opponent in this competition, you can take a look!"

After Xiao Zhang finished speaking, he let go of his body and showed this treasure flower to Tang Qingchuan.

Tang Qingchuan took a look.

I was immediately intrigued.

Tang Qingchuan looked at it carefully, and it could be more than a minute.

"Wonderful, really wonderful, I haven't seen such a wonderful Tang Sancai for many years, this craftsman is much more powerful than Liu Chengfeng. Tang Qingchuan said with a smile.

Xiao Zhang nodded and said, "Yes, teacher, you are right, Master Liu may still be the number one in the capital, and in front of this master, it is indeed a bit insufficient." ”

Xiao Zhang had positioned Liu Chengfeng before, in Tang Sancai's circle, Liu Chengfeng was considered a master-level, and Xiao Zhang's own current possession was also a master-level firing skill.

But Xiao Zhang's three pieces of Tang Sancai's mud tire blanks are all made with Ru porcelain grandmaster-level skills, so the Tang Sancai that Xiao Zhang is firing now must be more or less stronger than Liu Chengfeng.

And that's not counting Xiao Zhang's rare variation in glaze.

This makes Xiao Zhang's Tang Sancai unique.

In addition, Xiao Zhang's three Tang Sancai's tires are Xiao Zhang's unique design, as well as the glaze of Xiao Zhang's aromatherapy furnace......

With all kinds of extra points, Xiao Zhang can beat Liu Chengfeng.

And this Tang Xinghe is not a grandmaster, but this Tang Sancai's firing technique is indeed at the level of a half-step grandmaster!

After all, because people have the thoughts of artists and innovative artistic thinking that is different from ordinary people, they can perfectly display the Western art school with glaze on Tang Sancai.

That's a strong plus.

Originally, Xiao Zhang thought that Tang Xinghe was just a powerful glaze.

But now that I look at this Tang Xinghe's mud tires, the level of detail is also very high-end.

At the very least, the pattern of this piece of Dazun shows four kinds.

What gluttonous pattern, paper pattern, wave pattern, treasure pattern, the arrangement is very in place.

Therefore, this Tang Xinghe is definitely better than Liu Chengfeng.

In fact, in the capital circle, Liu Chengfeng is not the best fired by Tang Sancai.

At least Xiao Zhangxin's acquaintance with Hong Lao is the big man in Tang Sancai's circle.

But people belong to the kind of people who don't show their heads.

Low-key ......

Liu Chengfeng belongs to the royal master who signed the Forbidden City...... So naturally superior to others......

Known as the first person in Tang Sancai in the capital circle, it is no problem.

So this kind of competition, on the contrary, Liu Chengfeng will not come to participate!

......

"This treasure flower can be called a fine product in Tang Sancai!" Tang Qingchuan gave such an evaluation.

"Yes, teacher, I think so too, teacher, in your opinion, how do you compare with the three works I opened the kiln?" Xiao Zhang suddenly asked.

Tang Qingchuan looked at Xiao Zhang and said, "And you?"