Xiao Zhang is not in a hurry, the strength of the pen is constantly changing, and the method of dividing water can be said to be very in place.

Now the four porcelain plates are smudged with shallow green materials, and then Xiao Zhang blends dark green materials for blending.

After these layers of waves overlap together, the effect is slowly revealed.

Coupled with Xiao Zhang's deliberate blankness, these points are combined, and the overall effect is a very magnificent pattern!

This time Ouyang Feng saw it.

Not only Ouyang Feng saw it, but Hong Lao also saw it.

This pattern is clearly a picture of the sea!

At this time, the dark and light pigments are all perfectly smudged on the porcelain plate, and the white space is excessive.

The overall effect is very shocking, the dark green material blue is deep, the light waves are smudged up, and the white waves are in the air......

From a distance, this combination looks like the most breathtaking sea!

Such a painting!

Oh, my God!

Ouyang Feng was shocked!

Hong Lao was shocked!

I have never seen such a painting in the field of blue and white porcelain!

It's rare to see such a painting even in ink painting!

Xiao Zhang: What kind of immortal thought is this?

Can you come up with such a mind to draw such a picture?

The sea has been a very difficult painting to show since ancient times!

The ancients painted mountains and rivers a lot, painted people, painted flowers, birds, fish and insects, and painted houses and buildings, but did not paint the sea!

Why?

Because the ancients rarely saw the sea!

Most of the people who could see the sea were trade workers and people who went abroad, but the literati and artists did not have the opportunity to see the sea!

Just like the emperors in ancient times, they all went down to the south of the Yangtze River to visit the West Lake, and some poets and painters went to visit the mountains and rivers, because in ancient times, only these were shocking beauties.

If there were beach bikinis on the beach in ancient times like modern times, yacht parties, and feasts in the sea and sky, the ancient emperors would definitely not have gone to the south of the Yangtze River seven times, but directly moved the imperial capital to the seaside......

Therefore, few people see the beautiful scenery of this seaside, and naturally there are no ink paintings on this seaside that have been handed down.

In modern times, there are some painters who are able to express the beauty of the sea in the form of ink painting, but it is still difficult to deal with.

Because after all, the magnificence of this sea is different from the ink painting method handed down from ancient times.

The direction of this wave is not settled, and the wave rises again, and the waves are surging.

On the endless sea, the waves colliding and tumbling with each other are the most shocking.

The calm sea doesn't have a spectacular visual effect.

Only when a storm comes, the churning effect of the sea is the most shocking.

And what Xiao Zhang showed at this time is exactly such a scene.

On the leftmost porcelain plate, there are two seagulls flying against the storm!

It's like what Gorky wrote about making the storm more violent!

It deepens the artistic sense of this painting more intuitively!

On the porcelain panel painting on the far right, there is a lot of white space, almost like an explosion of mist!

And at the bottom of this white space is a large piece of extremely dark green color!

The tide is surging over, and this one is colliding with this dark giant to present this explosive version of the fog!

Ouyang Feng stepped forward to take a closer look, and then his eyes widened in shock.

Got it.

It's a huge reef in the middle of the ocean!

And the crazy surging waves smashed on the reef, and this was an extremely large area of white spray explosion-like atomization!

This composition!

This thinking!

Even Ouyang Feng, who had been playing blue and white porcelain for decades, had to be shocked and speechless.

It's incredible.

Can this blue and white porcelain still play like this?

Now it's just looking at the mud tires on the green material that has not been fired.

What will the color look like when it's fired?

You must know that the blue and white porcelain material perfectly reflects the feeling of the waves, whether it is a look or a light color.

Deep and heavy!

Blue and blurred!

This method of dividing the water is perfectly reflected in the painting of the sea.

Xiao Zhang closes the pen!

Then gently separate the four porcelain plates a little apart.

Together, these four porcelain panels form a large painting, and when separated, there are four small paintings.

No matter how you look at it, it can be called the most shocking blue and white porcelain painting in history so far.

When the mountains are not heavy and the storm comes, the magnificence of the sea is heavier.

The water in the beautiful water is not even more suffocating than in this endless sea!

As soon as this scene of the sea appeared, it directly shocked people's hearts!

Ouyang Feng took a deep breath, and then clapped his hands and praised!

Today, Ouyang Feng was really taught a lesson by Xiao Zhang!

The pattern of blue and white porcelain can still be painted like this!

There is also an option for the sea in the composition of this blue and white porcelain!

It's like a martial arts master suddenly watching another master perform a supreme kung fu move, and then said, "Don't you remember a palm technique that fell from the sky!"

Xiao Zhang also breathed a sigh of relief, and finally finished painting the sea.

I have long said that my porcelain panel painting must be to draw new tricks.

Those subjects that are often painted, Xiao Zhang will definitely not try!

After all, Xiao Zhang is also a person who has seen the world.

Although there is no template for this work in its own firing technique, this sea work does not have a template for this work.

But Xiao Zhang has seen such works.

It's like what I said.

There are still people who can paint the sea with Chinese paintings.

And it is very famous, and his works are collected by the Palace Museum, that is, Master Zhou Zhizhi, who is known as the first person in the Chinese painting sea!

Xiao Zhang has seen the master's sea works this week, so he is deeply impressed.

Coupled with Xiao Zhang's understanding of blue and white porcelain during this time, from the perspective of color, the effect of this blue and white porcelain firing is really compatible with the sea!

Of course, the premise is that the feeling of painting is in line with the ethereal feeling of blue and white porcelain.

So after making a decision, Xiao Zhang fused the sea of ink and blue and white porcelain together.

And it is shown on porcelain plate paintings.

Nothing else, the surface of this porcelain panel painting is flat enough, and the size is large enough, if the ordinary small size is not enough for Xiao Zhang to play to the fullest, or even enough to show the magnificence of the sea.

Together, these four screens are almost sixteen square meters...... Painting the sea is magnificent.

If it is Baping Xiaozhang, it feels a little small......

"Old man Ouyang, what do you think of the effect of my porcelain plate painting?" After Xiao Zhang finished painting, he didn't forget to let Ouyang Feng, an old expert in blue and white porcelain, comment on it.

Ouyang Feng was still in the mood to pay attention to Xiao Zhang at this time.

The whole person was about to lie on the porcelain plate painting and look at this sea work.

For so many years, I really haven't seen such a whimsy.

This blank space is used as a spray at the swell, so it is white.

Light green material for light sea, deep green material for dark sea......

Combined, the magnificence of the sea is so stunning!

"Okay, little doll, you've surprised the old man, and you have to say a word about being taught today!"

"I can't stand it, Old Man Ouyang, you will torture me, I, I just don't need oars to row!" Xiao Zhang said.

"What do you mean?"

"All your life depends on waves!"