Chapter 359: Xiao Zhangchu Shows! The blue and white characters are meticulous!

This super large blue and white porcelain ruyi jar!

The height is 88 centimeters.

Xiao Zhang felt as big as possible when he pulled the mud tire, but now he regrets it when he paints.

Because this side is too big, the problem is that it is difficult to draw it all.

For example, some small areas of porcelain can almost be easily painted all over the picture.

And this large-scale work has to take into account the problem of layout, as well as the problem of composition. Everything should be painted from a reasonable point of view.

For example, this tall jar must not draw some small people, small things, small flowers and insects and so on.

Difficult to perform.

For example, the large Ruyi jar in front of him, Xiao Zhang must display it well in order to paint well.

Xiao Zhang already has a draft in his heart for this wishful jar.

First of all, Xiao Zhang divided the body of this Ruyi jar into four areas.

This method of painting is different from the previous way of drawing the whole bowl.

This large bowl of overall bowl noodles is a picture.

If the circumference of this jar is 360 degrees, the area left by Xiao Zhang to the front and back of the two main pictures is about 100 degrees, and the area between the other two pictures is 80 degrees.

This is divided into four areas.

The two areas of the main picture are mainly painted with people and scenery, all of which are detailed scenery up close, different from the vista shown in the large bowl.

Similarly, in a picture, if the figures are shown in a large area, the vista cannot be depicted, because the question of authenticity must be taken into account.

In the same way, since the two main pictures are intended to paint the figures, it is necessary to consider the proportions of the size of the figures and the surrounding scenery, which is the key to the composition.

In addition to these two main pictures, the area sandwiched in the middle of the main picture is protected by decorative flowers.

The bottom of the can body is still decorative, the top of the can body is also decorative, and the neck of the can is replaced with another pattern.

Finally, the lid on the jar is painted with new patterns and decorative flowers.

This is how the basic whole draft is constructed.

It can also be regarded as in line with the overall composition of blue and white porcelain.

This style belongs to the composition style that was very popular in the Ming and Qing dynasties.

The overall blue and white composition is relatively full, and the white space is smaller, but there are more details on display.

The structure of the abdominal draft is like this, and the specific operation still requires Xiao Zhang's next painting.

Pick up the pen and start to get started.

The first painting is still the body of the can.

This time, Xiao Zhang first paved the bottom of the can with a wave pattern.

The display of this wave pattern is different from the paper pattern.

The paper pattern is relatively regular, and the texture is fine.

And this wave pattern is more agile, round, like a wave, and the twists and turns are very beautiful.

Suitable for this jar type of utensils.

After the lines at the bottom were drawn, Xiao Zhang began to divide.

Divide the area into four pieces with straight lines, and compose them separately in these four pieces.

The first main picture, the overall structure is more complex and detailed, the upper half is a scene painting on the shore, the color is darker, there are house doors on the shore, there are stones, there are trees, and the most conspicuous position is two people.

The painting of this figure is the most important.

It is also the most crucial point in the whole pattern.

If the character is not well drawn, the painting will basically be ruined.

Xiao Zhang's portrayal of the characters is very nuanced, and the portrayal of the characters in this blue and white porcelain pays attention to the details of the characters' clothes and color treatment, which must conform to the characteristics of the times.

And this painting method and style of painting must also be in line with the characteristics of the moment.

Of course, Xiao Zhang is not to imitate fakes, but to respect history and culture.

After the pattern on the shore was painted, Xiao Zhang began to paint the pattern below the main picture. Below here is the water on the other side of the shore.

There are boats in the water, and bridges on the water, and the bridges are connected to the shore, and there are rocks and trees on the shore.

These nuanced details all have to be painted in style and color.

This kind of large-scale painting is really a great test of the craftsman's skills.

Xiao Zhang painted one stroke at a time.

This cyan material is constantly blended.

This shade of color is constantly changing.

The color of the trees, the color of the rocks, the contrast is obvious.

The character's face, the color of his clothes, and the color of his hat must be clearly inconsistent.

The colors of the two adjacent figures are different.

There are a lot of details that need to be proactive.

Because it's not like drawing on rice paper.

What color is presented is what color is.

The color that is painted now is not the same in the end.

This makes it even more difficult.

In the small boat in the water, the top of the boat is light, the hull is dark, and the color of the person riding the boat and the rowing old man should also be different.

The two people who met on this bridge were also different.

Xiao Zhang's painting shows six figures, but they are all in different places.

This is really a work of great detail.

After drawing the pattern, Xiao Zhang flipped the body of the can and began to paint the second main picture.

The main picture of the same wishful jar must reflect each other.

Even if it's not the same pattern, the overall effect and feel, as well as the compositional idea, all have to be matched.

Xiao Zhang's second main picture is still conceived in the same way.

It's just that the position of the main picture is reversed, and the style has not changed.

The position of the ship, the size of the rocks, the position of the trees, and the shape of the characters have all changed.

It is possible to make the two pictures echo each other.

These two paintings took Xiao Zhang an hour's time.

The most important thing is still the characters.

This meticulous painting method brings the characters to life.

Even Ouyang Feng, who was watching from the sidelines, couldn't help but walk in.

Because Xiao Zhang's painting this time is relatively subtle, it is not clear at all when it is far away.

After the two old men got closer, they looked at Xiao Zhang's brushwork carefully, and really nodded secretly.

This character is really stunning.

It is completely in line with the characteristics of the times, and it is vivid.

The characters are not rigid at all, and even the overall layout is very clever.

Ouyang Feng knew that Xiao Zhang hadn't finished painting yet, and it was inconvenient to talk and disturb, so he just watched quietly.

But the approving gaze unconsciously flowed out of the eyes.

Hong Lao naturally looked at it with satisfaction.

After all, this Xiao Zhang was brought from the capital by himself.

With so many people in the same company, those old men will brag one by one, and they don't have any real skills.

Seeing that Xiao Zhang was so valued by his old friend Ouyang Feng at this time, Hong Lao's face also had light.

Soon Xiao Zhang completed all the details of the two main pictures, and then the decorative drawings on both sides began to be matched with flower and bird patterns.

After the symmetrical pattern of flowers and birds, Xiao Zhang finally painted a circle of waves at the top of the jar.

This segment is a large wave pattern.

And it is a combination of decorated patterns with wavy patterns on the outside and flowers and birds on the inside.

The visual sensation presented by this effect is very beautiful!

Finally, a wavy pattern is painted on the neck of the can, and the lid decoration is also painted.

The entire eighty-eight-centimeter blue and white porcelain Ruyi jar Xiao Zhang took two hours to complete!